Classical Music (Baroque) Sheet Music for 2 Violins and Continuo

Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...

Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...

Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...

Psalm 147 "Lauda Jerusalem" has an important place in the church year, including in vespers on Marian feasts. Antonio Vivaldi's only setting of this vesper psalm has some special features: The work is...

Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...

Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...

Der berühmteste Chorsatz des Oratoriums jetzt auch als Einzelausgabe!

Die Bauernkantate BWV 212 ist in Bachs Kantatenschaffen sowohl inhaltlich als auch musikalisch ein echtes Unikat. Zwar gehört sie zu Bachs Huldigungskantaten, doch handelt der Text nur indirekt vom Lo...

The Peasant Cantata BWV 212 is truly unique in Bach's cantata oeuvre, both in terms of content and music. Although it is one of Bach's homage cantatas, the text is only indirectly about the praise of...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

Bach chose an unconventional beginning for his nine-movement cantata 'Schau, lieber Gott, wie meine Feind' BWV 153, which he composed in his first year as Kantor of St. Thomas's for the Sunday after N...

Bach chose an unconventional beginning for the nine-movement cantata "Schau, lieber Gott, wie meine Feind" BWV 153, which he composed for the Sunday after New Year in 1724, his first year in office as...

Die Bauernkantate BWV 212 ist in Bachs Kantatenschaffen sowohl inhaltlich als auch musikalisch ein echtes Unikat. Zwar gehört sie zu Bachs Huldigungskantaten, doch handelt der Text nur indirekt vom Lo...

Die Bauernkantate BWV 212 ist in Bachs Kantatenschaffen sowohl inhaltlich als auch musikalisch ein echtes Unikat. Zwar gehört sie zu Bachs Huldigungskantaten, doch handelt der Text nur indirekt vom Lo...

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

The two-part cantata from Bach's 3rd cantata cycle was first performed on August 4, 1726 (the 7th Sunday after Trinity). The large-scale, fully scored opening chorus to a text from Psalm 104 shows Bac...

The office as a priest and the long years as musical director of the Ospedale della Pietà (a large orphonage in Venice) both occasioned and inspired him to compose church music in large variety. The M...

With the Missa Sancti Amandi, composed in 1776, Haydn created a festive mass "in pieno", i.e. scored for choir and orchestra without vocal soloists. Although very densely scored, this work is characte...

Probably following a special Leipzig tradition, Bach added four extra movements to the first version of his Magnificat BWV 243a (in E flat major); these can be inserted in performances of the Magnific...