Classical Music (Baroque) Sheet Music for Choir

Johann Sebastian Bachs Magnificat BWV 243 ist eine opulente Festmusik, die in vielerlei Hinsicht eine Besonderheit in seinem Œuvre darstellt. Die erste Fassung (Es-dur, BWV 243.1) erfährt ihre Urauff...

Single edition from BA 5901, "Geistliche Chor-Music" SWV 369-380, Die fünfstimmigen Motetten, Nr. 1-12: In 1648 Heinrich Schütz published a collection of 29 motets for five to seven voices under the t...

Single edition from BA 5901, "Geistliche Chor-Music" SWV 369-380, Die fünfstimmigen Motetten, Nr. 1-12: In 1648 Heinrich Schütz published a collection of 29 motets for five to seven voices under the t...

Single edition from BA 5901, "Geistliche Chor-Music" SWV 369-380, Die fünfstimmigen Motetten, Nr. 1-12: In 1648, Heinrich Schütz published a collection of 29 motets for five to seven voices under the...

Single edition from BA 5901, "Geistliche Chor-Music" SWV 369-380, Die fünfstimmigen Motetten, Nr. 1-12: In 1648 Heinrich Schütz published a collection of 29 motets for five to seven voices under the t...

Single edition from BA 5901, "Geistliche Chor-Music" SWV 369-380, Die fünfstimmigen Motetten, Nr. 1-12: In 1648, Heinrich Schütz published a collection of 29 motets for five to seven voices under the...

Single edition from BA 5902, "Geistliche Chor-Music" SWV 381-397, Die sechs- und siebenstimmigen Motetten, Nr. 13-29: In 1648, Heinrich Schütz published a collection of 29 motets for five to seven voi...

Single edition from BA 5902, "Geistliche Chor-Music" SWV 381-397, Die sechs- und siebenstimmigen Motetten, Nr. 13-29: In 1648, Heinrich Schütz published a collection of 29 motets for five to seven voi...

Single edition from BA 5902, "Geistliche Chor-Music" SWV 381-397, Die sechs- und siebenstimmigen Motetten, Nr. 13-29: In 1648, Heinrich Schütz published a collection of 29 motets for five to seven voi...

Single edition from BA 5902, "Geistliche Chor-Music" SWV 381-397, Die sechs- und siebenstimmigen Motetten, Nr. 13-29: In 1648, Heinrich Schütz published a collection of 29 motets for five to seven voi...

Single edition from BA 5902, "Geistliche Chor-Music" SWV 381-397, Die sechs- und siebenstimmigen Motetten, Nr. 13-29: In 1648, Heinrich Schütz published a collection of 29 motets for five to seven voi...

Single edition from BA 5902, "Geistliche Chor-Music" SWV 381-397, Die sechs- und siebenstimmigen Motetten, Nr. 13-29: In 1648, Heinrich Schütz published a collection of 29 motets for five to seven voi...

Single edition from BA 5902, "Geistliche Chor-Music" SWV 381-397, Die sechs- und siebenstimmigen Motetten, Nr. 13-29: In 1648, Heinrich Schütz published a collection of 29 motets for five to seven voi...

Based on the Urtext of the "Halle Handel Edition" Bilingual Foreword (Ger/Eng) Includes the version of the premiere as well as two further performable versions Practical, easy-to-play piano reduction...

Le Tambourin, an excerpt from the opera-ballet "Les Fêtes d'Hébé", is one of Jean-Philippe Rameau’s best-known works and is presented here in an arrangement by Thierry Caens. Composed in the 18th cent...

Le Tambourin, an excerpt from the opera-ballet "Les Fêtes d'Hébé", is one of Jean-Philippe Rameau’s best-known works and is presented here in an arrangement by Thierry Caens. Composed in the 18th cent...

This, the first of Handel's four Coronation Anthems, has been a cherished part of crowning British royalty from George II in 1727 to the current sovereign, Charles III. Commemorate the grand occasion...

Zadok the priest' and 'The King shall rejoice' are the two best-known of the four Coronation Anthems that Handel wrote for the coronation of George II in London in 1727. HWV 258 was performed for the...

Zadok the priest and "The King shall rejoice" are the two best-known of the four Coronation Anthems that Handel wrote for the coronation of George II in London in 1727. HWV 258 was performed for the k...

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....

Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....

Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...

In Georg Philipp Telemann’s opera “Orpheus”, the focus is not on Eurydice, but on Queen Orasia, who is inflamed with mad but unrequited love for the legendary singer. The first documented performance...