Classical Music (Baroque) Sheet Music for Choir

Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...

Zadok the priest' und 'The King shall rejoice' sind die beiden bekanntesten der insgesamt vier Coronation-Anthems, die Händel anlässlich der Krönung Georges II. 1727 in London schrieb. HWV 258 erklang...

The opera “Dido and Aeneas”, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcel...

Les Boréades was actually intended to be performed at the Théâtre de Choisy in Paris in 1763 at the end of the Seven Years' War to celebrate the conclusion of peace. However, after two rehearsals with...

In this innovative arrangement Stanley M. Hoffman takes Henry Purcell's most popular solo aria, the 'Lament' from his opera Dido and Aeneas, and reimagines it as a work for unaccompanied soprano solo...

It tells the love story between Fatima, who is accused of murdering her father, and the king's son Ramire, who is in love with her and frees her from the captivity of his father Alphonse, the King of...

The St. Matthew Passion of 1758 exemplifies various aspects of Georg Philipp Telemann's late Passion work: his changing recitative style in the 1750s, the sometimes considerable shortening of the Gosp...

The cantata Leichtgesinnte Flattergeister BWV 181, composed for Sunday Sexagesimae 1724, has only survived incompletely: IT is missing the obbligato instrumental part of the second aria, which was rec...

The cantata "Sie werden euch in den Bann tun" BWV 183 for Sunday Exaudi is one of the cantatas based on texts by the Leipzig poet Christian Mariane von Ziegler, with which Bach concluded his second Le...

On April 1, 1725, Bach formed the Easter cantata "Kommt, gehet und eilt" BWV 249.3, which was to become the nucleus of the Easter Oratorio, from the Shepherd's Cantata BWV 249.1 he had composed a few...

Released to coincide with the 300th anniversary of the work’s premiere, the choral score of Bach’s St. Matthew Passion BWV 244 provides choral singers with a lightweight and practical edition that con...

Die Kantate Lobet, ihr Himmel, den Herrn ist für den Himmelfahrtstag bestimmt und entstanden. Ein konkretes Entstehungsdatum ist nicht erhalten, durch die modernere Streicherbesetzung mit nur einer Vi...

Die Kantate Lobet, ihr Himmel, den Herrn ist für den Himmelfahrtstag bestimmt und entstanden. Ein konkretes Entstehungsdatum ist nicht erhalten, durch die modernere Streicherbesetzung mit nur einer Vi...

The vocal score of Henry Purcell's famous opera 'Dido and Aeneas' is based on the Bärenreiter Urtext edition of the full score. As its main source served the Tatton Park manuscript (National Trust), w...

The new edition of the "Indes galantes" within the "Opera Omnia Rameau" (OOR IV.2, 7) restores in the main part of the score the version as authorized by Rameau in 1736. This fundamental editorial dec...

Of Eberlin's 56 known masses to date, this "Missa in C" is the shortest. Characterized by its ornate setting and ease of performance, the work is characterized as a mass for everyday use, which was in...

This arrangement of Dido's Lament was written for the funeral of the composer's friend Frank Campbell. As Frank was such an accomplished pianist, no keyboard music was included in the service in defer...

With its detailed scene directions and many short forms such as accompagnato recitatives and ariosi, "Belshazzar" is the most dramatic of George Frideric Handel's oratorios. In fact, it is even a sacr...

George Frideric Handel is regarded as the first and most important English representative of the oratorio genre. The Messiah in particular is regarded as the epitome of sacred music and is also one of...

To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....

Opéra comique in two acts (1760) Libretto: Louis Anseaume (for Jean-Louis Laruette's opéra comique "L'ivrogne corrigé ou Le mariage du diable" of 1759; adapted by Charles Simon Favart) (French) Premie...

The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...

The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...