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Classical Music (Baroque) Sheet Music for Choir

André Campra
Psalm 129. Motet à grand choeur

In his roles as Kapellmeister at Notre-Dame Cathedral in Paris and in the royal chapel of Louis XV, André Campra composed numerous grand motets, which often show stylistic influences from contemporary...

In his roles as Kapellmeister at Notre-Dame Cathedral in Paris and in the royal chapel of Louis XV, André Campra composed numerous grand motets, which often show stylistic influences from contemporary...

  • Soloists, Mixed Choir (SATBarB), 2 Flutes, 2 Oboes, 2 Violins, 2 Violas, Double Bass and Continuo
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Order no.: CV21030-03-DL
Johann Sebastian Bach
Cantata for the 23rd Sunday after Trinity

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

  • High Voice, Mixed Choir (SATB), 3 Oboes, Bassoon, 2 Horns, 2 Violins, Viola and Continuo
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Order no.: CV31052-00
Johann Sebastian Bach
Cantata for the 23rd Sunday after Trinity

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

  • High Voice, Mixed Choir (SATB), 3 Oboes, Bassoon, 2 Horns, 2 Violins, Viola and Continuo
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Johann Sebastian Bach
Cantata for the 23rd Sunday after Trinity

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

  • High Voice, Mixed Choir (SATB), 3 Oboes, Bassoon, 2 Horns, 2 Violins, Viola and Continuo
  • Piano Reduction (Urtext)
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Order no.: CV31052-03
Johann Sebastian Bach
Cantata for the 23rd Sunday after Trinity

The soprano cantata "Falsche Welt, dir trau ich nicht" by Johann Sebastian Bach is intended for the 23rd Sunday after Trinity, which fell on November 24, 1726 in the year of its first performance. It...

The soprano cantata "Falsche Welt, dir trau ich nicht" by Johann Sebastian Bach is intended for the 23rd Sunday after Trinity, which fell on November 24, 1726 in the year of its first performance. It...

  • High Voice, Mixed Choir (SATB), 3 Oboes, Bassoon, 2 Horns, 2 Violins, Viola and Continuo
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Johann Sebastian Bach
Cantata for the 18th Sunday after Trinitatis

Bach's cantata "Gott soll allein mein Herze haben" BWV 169 comes from the third Leipzig cantata cycle; it was first performed on October 20, 1726 on the 18th Sunday after Trinity. Recent research has...

Bach's cantata "Gott soll allein mein Herze haben" BWV 169 comes from the third Leipzig cantata cycle; it was first performed on October 20, 1726 on the 18th Sunday after Trinity. Recent research has...

  • Low Voice, Mixed Choir (SATB), 2 Oboes d'Amore, English Horn, 2 Violins, Viola, Organ and Continuo
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  • Henry S. Drinker Robert Scandrett
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Order no.: CV31169-03-DL
Johann Sebastian Bach
Cantata for the 21st Sunday after Trinity

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...

  • Soloists (SATB), Mixed Choir (SATB), 2 Oboes, English Horn, 2 Violins, Viola, Cello, Organ and Continuo
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Order no.: CV31188-00
Johann Sebastian Bach
Cantata for the 21st Sunday after Trinity

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...

  • Soloists (SATB), Mixed Choir (SATB), 2 Oboes, English Horn, 2 Violins, Viola, Cello, Organ and Continuo
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Johann Sebastian Bach
Cantata for the 21st Sunday after Trinity

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...

  • Soloists (SATB), Mixed Choir (SATB), 2 Oboes, English Horn, 2 Violins, Viola, Cello, Organ and Continuo
  • Piano Reduction (Urtext)
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Order no.: CV31188-03
Johann Sebastian Bach
Cantata for the 21st Sunday after Trinity. Reconstruction Pieter Dirksen

The cantata "Ich habe meine Zuversicht" BWV 188 belongs to the so-called "Picander year" and was intended for the 21st Sunday after Trinity in 1728 or 1729. The cantata has a particular problem with i...

The cantata "Ich habe meine Zuversicht" BWV 188 belongs to the so-called "Picander year" and was intended for the 21st Sunday after Trinity in 1728 or 1729. The cantata has a particular problem with i...

  • Soloists (SATB), Mixed Choir (SATB), 2 Oboes, English Horn, 2 Violins, Viola, Cello, Organ and Continuo
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Order no.: CV31188-03-DL
Johann Sebastian Bach
Hercules at the Crossroads (Dramma per musica)

What does Bach's "Christmas Oratorio" have to do with Hercules? More than you might think at first glance. In the summer of 1733, the eleventh birthday of the Saxon Elector Friedrich Christian on 5 Se...

What does Bach's "Christmas Oratorio" have to do with Hercules? More than you might think at first glance. In the summer of 1733, the eleventh birthday of the Saxon Elector Friedrich Christian on 5 Se...

  • Soloists (SAATB), Mixed Choir (SATB), 2 Horns, 2 Oboes, 2 Violins, 2 Violas and Basso continuo
  • Choral Score
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Order no.: CV31213-05
Johann Sebastian Bach
Hercules at the Crossroads (Dramma per musica)

What does Bach's "Christmas Oratorio" have to do with Hercules? More than you might think at first glance. In the summer of 1733, the eleventh birthday of the Saxon Elector Friedrich Christian on 5 Se...

What does Bach's "Christmas Oratorio" have to do with Hercules? More than you might think at first glance. In the summer of 1733, the eleventh birthday of the Saxon Elector Friedrich Christian on 5 Se...

  • Soloists (SAATB), Mixed Choir (SATB), 2 Horns, 2 Oboes, 2 Violins, 2 Violas and Basso continuo
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Order no.: CV31213-00-DL
Johann Sebastian Bach
Hercules at the Crossroads (Dramma per musica)

What does Bach's "Christmas Oratorio" have to do with Hercules? More than you might think at first glance. In the summer of 1733, the eleventh birthday of the Saxon Elector Friedrich Christian on 5 Se...

What does Bach's "Christmas Oratorio" have to do with Hercules? More than you might think at first glance. In the summer of 1733, the eleventh birthday of the Saxon Elector Friedrich Christian on 5 Se...

  • Soloists (SAATB), Mixed Choir (SATB), 2 Horns, 2 Oboes, 2 Violins, 2 Violas and Basso continuo
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Order no.: CV31213-03-DL
Georg Friedrich Händel
Piano Reduction

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

  • Soloists (ATB), Mixed Choir (SSATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 3 Violins, Viola and Continuo
  • Piano reduction Download (Urtext)
  • Andreas Köhs
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Order no.: BA10706-90-DL
Georg Friedrich Händel
Cecilienode

In 1739, Handel set the text of the cecilia ode to music for the second time after "Alexander's Feast" in 1736. "Song for St Cecilia's Day" was then also combined with "Alexander's Feast" at the premi...

In 1739, Handel set the text of the cecilia ode to music for the second time after "Alexander's Feast" in 1736. "Song for St Cecilia's Day" was then also combined with "Alexander's Feast" at the premi...

  • Soloists (SATB), Mixed Choir (SATB), Flute, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola and Continuo
  • Piano reduction Download (Urtext)
  • Andreas Köhs
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Order no.: BA10722-90-DL
Johann Sebastian Bach
Cantata for the 12th Sunday after Trinity

Thanks to its popular choral text, Bach's choral cantata "Lobe den Herren, den mächtigen König der Ehren" BWV 137 has long been one of the St. Thomas cantor's most frequently performed works. Unlike t...

Thanks to its popular choral text, Bach's choral cantata "Lobe den Herren, den mächtigen König der Ehren" BWV 137 has long been one of the St. Thomas cantor's most frequently performed works. Unlike t...

  • 4 Soloists (SATB), Mixed Choir (SATB), 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
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Order no.: CV31137-03-DL

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

  • Soloists (ATB), Mixed Choir (SSATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 3 Violins, Viola and Continuo
  • Set of Parts - Oboe 1, Oboe 2, Bassoon, Trumpet 1, Trumpet 2, Trumpet 3 and Timpani (Urtext)
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32,95 €
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Order no.: BA10706-65
Georg Friedrich Händel
Ode to St Cecilia

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

  • Soloists (SATB), Mixed Choir (SATB), Flute, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola and Continuo
  • Score (Urtext)
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54,00 €
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Order no.: BA10722
Georg Friedrich Händel
Ode to St Cecilia

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

  • Soloists (SATB), Mixed Choir (SATB), Flute, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola and Continuo
  • Set of Parts - Harmony (Urtext)
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Order no.: BA10722-65
Johann Sebastian Bach
Cantata for a wedding

'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...

'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...

  • Soloists (SAB), Mixed Choir (SATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
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Order no.: CV31197-50
Johann Sebastian Bach
Cantata for a wedding

'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...

'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...

  • Soloists (SAB), Mixed Choir (SATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
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Order no.: CV31197-53
Johann Sebastian Bach
Cantata for the wedding ceremony

Gott ist unsre Zuversicht BWV 197 was probably composed in the second half of the 1730s for an unknown wedding ceremony and features an impressive orchestra, especially in the opening chorus. The text...

Gott ist unsre Zuversicht BWV 197 was probably composed in the second half of the 1730s for an unknown wedding ceremony and features an impressive orchestra, especially in the opening chorus. The text...

  • Soloists (SAB), Mixed Choir (SATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
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Order no.: CV31197-53-DL
Johann Sebastian Bach
Cantata for Whitsunday

Entstehungszeit der diesem Werk zugrundeliegenden Trauungskantate (BWV 34a) 1726, der Parodie in der ersten Hälfte der 1740er Jahre.

Entstehungszeit der diesem Werk zugrundeliegenden Trauungskantate (BWV 34a) 1726, der Parodie in der ersten Hälfte der 1740er Jahre.

  • Soloists (ATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
  • Piano Reduction (Urtext)
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Order no.: CV31034-03
Johann Sebastian Bach
Cantata for the 1st day of Pentecost

Date of composition of the wedding cantata on which this work is based (BWV 34a) 1726, the parody in the first half of the 1740s

Date of composition of the wedding cantata on which this work is based (BWV 34a) 1726, the parody in the first half of the 1740s

  • Soloists (ATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
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Order no.: CV31034-03-DL

Johann Sebastian Bach's "Magnificat" BWV 243 was composed in its first form in E flat at the very beginning of Bach's Leipzig tenure, possibly for the Visitation of Mary on July 2, 1723. A performance...

Johann Sebastian Bach's "Magnificat" BWV 243 was composed in its first form in E flat at the very beginning of Bach's Leipzig tenure, possibly for the Visitation of Mary on July 2, 1723. A performance...

  • Solo (SSATB), Mixed Choir (SSATB), 2 Flutes, 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Basso Continuo
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Order no.: CV31243-04-DL