Classical Music (Baroque) Sheet Music for Mixed Choir (SATB)

Like most of his works, Johann Sebastian Bach's "St. John Passion" has not survived in a definitive version - e.g. as a printed edition or fair copy - but in four different versions. Arthur Mendel's e...

Unlike Bach's other oratorio compositions, there is no definitive version of the "St. John Passion". The first version from 1724, which is commonly used today, is a mixture of different readings. It w...

Bruckner’s mighty Mass in F minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music....

Published in collaboration with the Bach Archive Leipzig with the unfinished revision (1739) in the appendix. The St. John Passion is one of the great vocal works of Bach's Leipzig period. In contrast...

Alongside the double-choir St. Matthew Passion, the Christmas Oratorio, the Magnificat and the Mass in B minor, the St. John Passion is one of the great vocal works of Johann Sebastian Bach's Leipzig...

Can be combined with the performance material of older editions (also with the NBA). Bach's St. John Passion is one of the greatest Passion settings in music history. It underwent several fundamental...

Bachs Johannespassion gehört zu den grossartigsten Passionsvertonungen der Musikgeschichte. Sie erlebte zu Bachs Lebzeiten mehrere grundlegende Umgestaltungen. Carus bietet alle erhaltenen Fassungen....

Carsten Klomp hat für die vorliegende Ausgabe den Orchestersatz der 1. Kantate aus Johann Sebastian Bachs Weihnachtsoratorium auf die Orgel übertragen. Damit ermöglicht er nicht nur eine Aufführung in...

Psalm 112 was composed by the 22-year-old George Frideric Handel during his stay in Italy. The thematic material of the composition comes in part from one of Handel's early works in Halle, which uses...

Gounod's ever-popular 'Ave Maria' arranged here for solo soprano, choir and keyboard by Mark Armstrong.

There is hardly a work by a contemporary that Bach can be proven to have worked on as frequently and intensively as Keiser's "St. Mark Passion". There is evidence of a total of three performances, for...

The 'Messiah' occupies a unique position in Handel's work. It is one of the most renowned works of this composer's monumental output. It has often been said that Handel composed the 'Messiah' for his...

The 'Messiah' occupies a unique position in Handel's work. It is one of the most renowned works of this composer's monumental output. It has often been said that Handel composed the 'Messiah' for his...

The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did n...

Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...

The St. John Passion, Bach's first passion oratorio, can hardly be understood as 'one' work. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the comp...

Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...

Bruckner's great "Mass in F minor" is one of the composer's - and 19th century choral music's - most important works. In a unique way, the composer succeeds here in musically penetrating the contents...

The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...

The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...

The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...

The cantata "Ich liebe den Höchsten von ganzem Gemüte" BWV 174 was composed for Whit Monday in 1729. It probably belongs to Bach's fourth cantata cycle, the so-called "Picander cycle". The introductor...