Classical Music (Baroque) Sheet Music for Soloists, Mixed Choir (SATB) and Chamber Orchestra
In addition to the Christmas Oratorio BWV 248, another representative work was composed for the festive season of the church year in 1734/35: the Ascension Oratorio BWV 11 ("Praise God in his riches")...
In addition to the Christmas Oratorio BWV 248, another representative work was composed for the festive season of the church year in 1734/35: the Ascension Oratorio BWV 11 ("Praise God in his riches")...
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The opening movement of Bach's choral cantata on Luther's "Aus tiefer Not schrei ich zu dir" BWV 38 for the 21st Sunday after Trinity in 1724 belongs to a group of cantatas whose opening chorus is not...
The opening movement of Bach's choral cantata on Luther's "Aus tiefer Not schrei ich zu dir" BWV 38 for the 21st Sunday after Trinity in 1724 belongs to a group of cantatas whose opening chorus is not...
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As part of his third Leipzig cantata cycle, Bach performed the Ascension cantata "Gott fähret auf mit Jauchzen" on May 30, 1726. Its text is included in the collection "Sonn- und Fest-Tags-Andachten ü...
As part of his third Leipzig cantata cycle, Bach performed the Ascension cantata "Gott fähret auf mit Jauchzen" on May 30, 1726. Its text is included in the collection "Sonn- und Fest-Tags-Andachten ü...
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The cantata BWV 44 from Bach's first Leipzig cantata cycle, the earlier of two compositions of the same name, was probably first performed on Sunday Exaudi in May 1724. The text deals with the themes...
The cantata BWV 44 from Bach's first Leipzig cantata cycle, the earlier of two compositions of the same name, was probably first performed on Sunday Exaudi in May 1724. The text deals with the themes...
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The opening chorus of the cantata "Schauet doch und sehet" BWV 46 is one of those movements by Bach that is primarily known in its later guise: its first part became the "Qui tollis" of the Mass in B...
The opening chorus of the cantata "Schauet doch und sehet" BWV 46 is one of those movements by Bach that is primarily known in its later guise: its first part became the "Qui tollis" of the Mass in B...
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The cantata "Wer sich selbst erhöhet, der soll erniedriget werden" BWV 47 for the 17th Sunday after Trinity belongs to a whole series of cantatas with obbligato organ, most of which were composed in t...
The cantata "Wer sich selbst erhöhet, der soll erniedriget werden" BWV 47 for the 17th Sunday after Trinity belongs to a whole series of cantatas with obbligato organ, most of which were composed in t...
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The cantata for the 19th Sunday after Trinity belongs to Bach's first Leipzig cantata cycle and was performed for the first time on October 3, 1723. The text by an unknown poet is based on the Sunday...
The cantata for the 19th Sunday after Trinity belongs to Bach's first Leipzig cantata cycle and was performed for the first time on October 3, 1723. The text by an unknown poet is based on the Sunday...
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Kantate zum 1. Weihnachtsfeiertag. Soli SATB, Coro SATB, 3 Tr, Timp, 2 Fl, Ob, Obda, Obca, Str, Org - Tonart D-Dur / h-Moll
Kantate zum 1. Weihnachtsfeiertag. Soli SATB, Coro SATB, 3 Tr, Timp, 2 Fl, Ob, Obda, Obca, Str, Org - Tonart D-Dur / h-Moll
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The cantata Ich freue mich in dir was performed for the first time in Bach's second year in office, on Christmas Day 1724, and is part of the so-called choral cantata cycle. At the heart of the compos...
The cantata Ich freue mich in dir was performed for the first time in Bach's second year in office, on Christmas Day 1724, and is part of the so-called choral cantata cycle. At the heart of the compos...
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Version in A major (version in G major under Carus 31.182/50). The cantata Himmelskönig, sei willkommen (BWV 182) occupies a special place in Johann Sebastian Bach's life story. Active as an organist...
Version in A major (version in G major under Carus 31.182/50). The cantata Himmelskönig, sei willkommen (BWV 182) occupies a special place in Johann Sebastian Bach's life story. Active as an organist...
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Die Johannespassion zählt neben der doppelchörigen Matthäuspassion, dem Weihnachtsoratorium, dem Magnificat und der h-Moll-Messe zu den großen Vokalwerken der Leipziger Jahre Johann Sebastian Bachs. I...
Die Johannespassion zählt neben der doppelchörigen Matthäuspassion, dem Weihnachtsoratorium, dem Magnificat und der h-Moll-Messe zu den großen Vokalwerken der Leipziger Jahre Johann Sebastian Bachs. I...
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Version Hellmann/Glöckner - rekonstruierte Fassung (2001) Die Edition stellt eine revidierte Ausgabe der 1964 von Diethard Hellmann herausgegebenen und nach Parodievorlagen rekonstruierten Markuspassi...
Version Hellmann/Glöckner - rekonstruierte Fassung (2001) Die Edition stellt eine revidierte Ausgabe der 1964 von Diethard Hellmann herausgegebenen und nach Parodievorlagen rekonstruierten Markuspassi...
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reconstructed version (2001) This edition is a revised edition of the St. Mark Passion of 1723, published in 1964 by Diethard Hellmann and reconstructed according to parody models, with a new preface...
reconstructed version (2001) This edition is a revised edition of the St. Mark Passion of 1723, published in 1964 by Diethard Hellmann and reconstructed according to parody models, with a new preface...
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- Diethard Hellmann
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Soli SATB, Coro SATB, 2 Blfl f1, Fl, 2 Ob mit 1 Obda, Fg, 3 Tr, Timp, Str, Org
Soli SATB, Coro SATB, 2 Blfl f1, Fl, 2 Ob mit 1 Obda, Fg, 3 Tr, Timp, Str, Org
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Volume IV, 1 of the C.P.E. Bach Complete Edition, published by the Packard Humanities Institute "...at all times, in and outside the church, solely for the praise of God, and indeed without offense f...
Volume IV, 1 of the C.P.E. Bach Complete Edition, published by the Packard Humanities Institute "...at all times, in and outside the church, solely for the praise of God, and indeed without offense f...
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Homilius' oratorio passions are among the last compositions of this type from the 18th century. The role of the choir in the oratorio passions is largely limited to the chorales and folk choruses; onl...
Homilius' oratorio passions are among the last compositions of this type from the 18th century. The role of the choir in the oratorio passions is largely limited to the chorales and folk choruses; onl...
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Gottfried August Homilius was one of the last composers of the 18th century who, in addition to the then more popular Passion oratorio on fully composed texts, continued to compose passions using the...
Gottfried August Homilius was one of the last composers of the 18th century who, in addition to the then more popular Passion oratorio on fully composed texts, continued to compose passions using the...
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The cantatas by Gottfried August Homilius are an integral part of Protestant music in the period after 1750. They enjoyed great popularity in large parts of German-speaking Europe and Homilius enjoyed...
The cantatas by Gottfried August Homilius are an integral part of Protestant music in the period after 1750. They enjoyed great popularity in large parts of German-speaking Europe and Homilius enjoyed...
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2014 not only marks the 300th birthday of Gottfried August Homilius, but also the 475th anniversary of the introduction of the Reformation in Homilius' native Saxony. To mark both celebrations togethe...
2014 not only marks the 300th birthday of Gottfried August Homilius, but also the 475th anniversary of the introduction of the Reformation in Homilius' native Saxony. To mark both celebrations togethe...
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Soli SSATB, Coro SATB, 2 Fl (Cor), 2 Ob, 2 Vl, Va, Bc Uns ist ein Kind geboren ist eine der schönsten Weihnachtskantaten Telemanns mit einem an polnisch-mährische Folklore anklingenden Eingangsduett f...
Soli SSATB, Coro SATB, 2 Fl (Cor), 2 Ob, 2 Vl, Va, Bc Uns ist ein Kind geboren ist eine der schönsten Weihnachtskantaten Telemanns mit einem an polnisch-mährische Folklore anklingenden Eingangsduett f...
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A child is born to us is one of Telemann's most beautiful Christmas cantatas, with an opening duet for two sopranos reminiscent of Polish-Moravian folklore and two weighty choral movements. The horns...
A child is born to us is one of Telemann's most beautiful Christmas cantatas, with an opening duet for two sopranos reminiscent of Polish-Moravian folklore and two weighty choral movements. The horns...
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Thanks to its misattribution to Johann Sebastian Bach (BWV 219), the Michaeliskantate Siehe! es hat überwunden der Löwe TVWV 1:1328 by Georg Philipp Telemann experienced an unusually early renaissance...
Thanks to its misattribution to Johann Sebastian Bach (BWV 219), the Michaeliskantate Siehe! es hat überwunden der Löwe TVWV 1:1328 by Georg Philipp Telemann experienced an unusually early renaissance...
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The cantata cycle "The Times of Day", composed in Hamburg in 1757, is one of Georg Philipp Telemann's outstanding late works. A symphony and four cantatas (each with aria, accompagnato, aria and choru...
The cantata cycle "The Times of Day", composed in Hamburg in 1757, is one of Georg Philipp Telemann's outstanding late works. A symphony and four cantatas (each with aria, accompagnato, aria and choru...
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Soli SSA (TTB), Coro SATB, 2 Fl, 2 Ob, 2 Cor, 4 Str, 2 Vl, Va, Bc, [Timp]
Soli SSA (TTB), Coro SATB, 2 Fl, 2 Ob, 2 Cor, 4 Str, 2 Vl, Va, Bc, [Timp]
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Soli STB, Coro SATB, 2 Ob, Taille, 2 Fg, 2 Vl, Va, Bc Sprache: deutsch nach der Abschrift von J. S. Bach - Die aussergewöhnliche Wertschätzung der Brockes-Passion, die bereits Händels Zeitgenossen dem...
Soli STB, Coro SATB, 2 Ob, Taille, 2 Fg, 2 Vl, Va, Bc Sprache: deutsch nach der Abschrift von J. S. Bach - Die aussergewöhnliche Wertschätzung der Brockes-Passion, die bereits Händels Zeitgenossen dem...
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