Classical Music (Baroque) Sheet Music for Soloists, Mixed Choir (SATB) and Chamber Orchestra

New edition of the New Year's cantata, previously only published from 19th century copies, based on a manuscript from 1762 which only became known in 1971; with a considerably different and improved t...

A motetic choral movement without obbligato instruments opens the cantata Nimm, was dein ist, und gehe hin zum Sonntag Septuagesima 1724. This is followed by an almost dance-like, song-like aria "Murr...

The sources show that Bach's cantata was intended for the Sunday of Jubilate. The text, whose composer is still unknown today, is based on the juxtaposition of sadness and joy in the Gospel for this S...

The cantata "Herz und Mund und Tat und Leben" BWV 147 for the Feast of the Visitation of Mary (2 July) 1723 belongs to a group of three Weimar Advent cantatas which Bach reinterpreted textually by add...

The cantata Bring Glory to the Lord in His Name BWV 148 was probably composed for the 17th Sunday after Trinity in 1723; due to the scanty tradition, which only began after Bach's death, the cantata c...

Kantate zu Trinitatis. Soli SAB, Coro SATB, 2 Ob, Obca, Str, Org - Tonart c-dorisch

For this choral cantata, Bach took the 1st, 4th and 7th verses of the chorale of the same name by Georg Neumark. The other verses, however, were mixed with free adaptations.

'Dardanus' is Rameau's third 'Tragédie lyrique' composed for Paris after 'Hippolyte et Aricie' and 'Castor et Pollux'. With its multi-facetted music it represents quite a high point of this genre. Its...

After "Hippolyte et Aricie" and "Castor et Pollux", "Dardanus" is Rameau's third tragédie lyrique for Paris. With its multifaceted music, it is an absolute highlight of this genre. The new critical ed...

This edition presents a further dramatic jewel for the stage by Jean-Philippe Rameau. It comes with a vocal score for study and rehearsals as well as with a compilation of the purely instrumental part...

This piano reduction supplements the performance material for Rameau's comédie-ballet "Les Paladins". In view of the wealth of its musical treasures and the stylistic innovations - similar to the "Bor...

Bach's Christmas Oratorio, composed in 1734, narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided se...

The cantata "Gottlob! nun geht das Jahr zu Ende" BWV 28 for the Sunday after Christmas begins unusually: with an aria instead of the usual opening chorus, characterized by joyful, dance-like rhythms i...

Festive horn sounds open Bach's cantata Darzu ist erscheinen der Sohn Gottes BWV 40, first performed on 26.12.1723. The two inner chorales, which are inserted between the recitative and the correspond...

Bach's second cantata beginning with the text "Nun komm, der Heiden Heiland" BWV 62 was performed on 1 Advent (the only Advent Sunday with church music in Leipzig at the time) in 1724 and belongs to t...

With its large orchestration, which was used chorally in accordance with older models, the cantata is a festive piece. In terms of its external splendor, it is at best equalled, but not surpassed, by...

The cantata Sehet, welch eine Liebe BWV 64, composed for Christmas Day 1723, is characterized by the opening chorus in the "old style" without obbligato instruments. As with the cantata Darzu ist ersc...

Kantate zum 1. Weihnachtstag (Frühfassung). Soli SATB, Coro SATB, 2 Cor, Timp, 3 Ob, Str, Fg, Org

Kantate zum 1. Weihnachtsfeiertag. Soli SATB, Coro SATB, 3 Tr, Timp, 2 Fl, Ob, Obda, Obca, Str, Org - Tonart D-Dur / h-Moll

The cantus firmus is present in four of the six movements, giving the cantata great unity. In addition to the opening chorus and final chorale, it is heard in one of the rare tercets in Bach's vocal w...

The Advent cantata Machet die Tore weit has long been one of Telemann's most frequently performed church music works. Among the manuscripts that transmit the cantata is an important testimony to the e...

Bach's Christmas Oratorio, composed in 1734, narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided se...

Evening-length oratorio, compiled for the Bach Festival 1950 by Hans Grischkat using particularly valuable movements from Bach's lesser-known cantatas.

Soli ST, Coro SATB, Fl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc