Classical Music (Baroque) Sheet Music for Soloists, Mixed Choir (SATB) and Chamber Orchestra

The cantata "Aus der Tiefe ruf ich, Herr, zu dir" is one of Bach's earliest cantata compositions. It was composed in Mühlhausen in 1707 and does not yet have the elaborate arias and choral movements o...

Bach composed BWV 153 as the fourth cantata in the second Leipzig cantata cycle, the so-called "choral cantata cycle". The hymn "Ach Herr, mich armen Sünder", written in the 16th century to the melody...

The three-verse hymn "Wachet auf, ruft uns die Stimme" was written by Philipp Nicolai and first appears in his "Freudenspiegel des ewigen Lebens". The poet of the other text sections of the cantata is...

New edition of the New Year's cantata, previously only published from 19th century copies, based on a manuscript from 1762 which only became known in 1971; with a considerably different and improved t...

A motetic choral movement without obbligato instruments opens the cantata Nimm, was dein ist, und gehe hin zum Sonntag Septuagesima 1724. This is followed by an almost dance-like, song-like aria "Murr...

The sources show that Bach's cantata was intended for the Sunday of Jubilate. The text, whose composer is still unknown today, is based on the juxtaposition of sadness and joy in the Gospel for this S...

The cantata "Herz und Mund und Tat und Leben" BWV 147 for the Feast of the Visitation of Mary (2 July) 1723 belongs to a group of three Weimar Advent cantatas which Bach reinterpreted textually by add...

The cantata Bring Glory to the Lord in His Name BWV 148 was probably composed for the 17th Sunday after Trinity in 1723; due to the scanty tradition, which only began after Bach's death, the cantata c...

Kantate zu Trinitatis. Soli SAB, Coro SATB, 2 Ob, Obca, Str, Org - Tonart c-dorisch

The cantata Leichtgesinnte Flattergeister BWV 181, composed for Sunday Sexagesimae 1724, has only survived incompletely: IT is missing the obbligato instrumental part of the second aria, which was rec...

The cantata "Sie werden euch in den Bann tun" BWV 183 for Sunday Exaudi is one of the cantatas based on texts by the Leipzig poet Christian Mariane von Ziegler, with which Bach concluded his second Le...

The Advent cantata Machet die Tore weit has long been one of Telemann's most frequently performed church music works. Among the manuscripts that transmit the cantata is an important testimony to the e...

The Frankfurt Whitsun cantata from 1717 presents the choir and the four soloists with rewarding tasks and features a virtuoso recorder player in the opening chorus and in two of the three arias.

After Johann Adolf Hasse had finished his work for the opera stage and settled in Venice for good, he still wrote some church music. Out of old ties with the Saxon court, in whose service the composer...

Two complete Requiem settings by Johann Adolf Hasse have survived. Hasse composed the C major Requiem for the Saxon Elector Friedrich August II. Only a few weeks later, his son Elector Friedrich Chris...

The 30 or so mass settings by Johann Michael Haydn are masterpieces of their genre and were extremely popular during his lifetime. In his sacred music, the composer achieved a synthesis of counterpoin...

The "Requiem in B flat" is Johann Michael Haydn's second setting of the liturgical text of the requiem mass and also his last work, his "Opus ultimum" (another Requiem MH 599 turned out to be the work...

For this choral cantata, Bach took the 1st, 4th and 7th verses of the chorale of the same name by Georg Neumark. The other verses, however, were mixed with free adaptations.

Bach's Christmas Oratorio, composed in 1734, narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided se...

'Dardanus' is Rameau's third 'Tragédie lyrique' composed for Paris after 'Hippolyte et Aricie' and 'Castor et Pollux'. With its multi-facetted music it represents quite a high point of this genre. Its...

After "Hippolyte et Aricie" and "Castor et Pollux", "Dardanus" is Rameau's third tragédie lyrique for Paris. With its multifaceted music, it is an absolute highlight of this genre. The new critical ed...

This edition presents a further dramatic jewel for the stage by Jean-Philippe Rameau. It comes with a vocal score for study and rehearsals as well as with a compilation of the purely instrumental part...

This piano reduction supplements the performance material for Rameau's comédie-ballet "Les Paladins". In view of the wealth of its musical treasures and the stylistic innovations - similar to the "Bor...

Evening-length oratorio, compiled for the Bach Festival 1950 by Hans Grischkat using particularly valuable movements from Bach's lesser-known cantatas.

Soli ST, Coro SATB, Fl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc