Easter Music Sheet Music for Mixed Choir (SATB) and Piano: Festive

Uses: General, Festival, Concert, Eastertide Scripture: Romans 5:8; Ephesians 2: 4-10; I John 4:10 Here is a brilliant hymn arrangement for choir and congregation filled with exciting vocal writing an...

This lesser-known Masterwork is refashioned for optimal flexibility in a joyful offering. Alive with an exuberant classical style, the octavo includes a dual text for both Palm Sunday and Easter celeb...

This lesser-known Masterwork is refashioned for optimal flexibility in a joyful offering. Alive with an exuberant classical style, the octavo includes a dual text for both Palm Sunday and Easter celeb...

Noble gestures call the faithful to worship the risen Lord in this festival offering. Leaping with triumph, the tune lifts the Latin phrase Christus resurrexit! Resurrexit vere! to soaring heights. Op...

Noble gestures call the faithful to worship the risen Lord in this festival offering. Leaping with triumph, the tune lifts the Latin phrase Christus resurrexit! Resurrexit vere! to soaring heights. Op...

A solo violin begins this setting with the familiar Hamburg hymn tune. But the choir's entrance reveals that the hymn's well-known lyrics are being sung to the O Waly Waly tune (O Danny Boy). These tw...

Easter breaks with jubilant singing in this lilting anthem for Resurrection Sunday and beyond. Newly-composed music is paired with the instantly-recognizable melody of Beethoven's "Hymn to Joy." Conte...

Easter breaks with jubilant singing in this lilting anthem for Resurrection Sunday and beyond. Newly-composed music is paired with the instantly-recognizable melody of Beethoven's "Hymn to Joy." Conte...

Commissioned for the 2016 Eastern Division ACDA, this Christina Rossetti poem is a wonderful teaching piece. The melodic line in the opening section is constructed to evoke feelings of beauty, loss an...

Soprano solo (2), Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Flute, Recorder (2), Oboe (2), Bassoon, Trumpet (2), Trombone, Violin (4), Viola, Viola da gamba, Bas

Piano reduction with German/English text - Passio secundum Johannem. Soprano solo, alto solo, tenor solo (2), bass solo (2), mixed choir-SATB, orchestra > This edition replaces the previous piano redu...

J. S. Bach's St. Mark Passion has already undergone many attempts at reconstruction. Only the text according to Picander has survived and thus allows conclusions to be drawn about the original form of...

Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (SATB), Posaune (2), Violine (2), Viola, Basso continuo (Cello, Kontrabass, Orgel) Antonio Caldara (1670-1736) verbindet man in erster Lin...

Eberlin's programmatic setting of the offertory "Terra tremuit" was composed for the festive liturgy of Easter Sunday at Salzburg Cathedral, which was a center of polyphonic offertory settings in the...

The surviving parts for the cantata "Christ lag in Todes Banden" BWV 4.2 were used for a performance on Easter Sunday, April 1, 1725; this performance was presumably an emergency solution, as the chor...

Bach composed the cantata "Bleib bei uns, denn es will Abend werden" BWV 6 for Easter Monday in 1725. A choral cantata was actually planned for this holiday as well, but the choral cantata year breaks...

The cantata "Ihr werdet weinen und heulen" BWV 103 for Sunday Jubilate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his second Le...

The cantata "Es ist euch gut, dass ich hingehe" BWV 108 for Sunday Cantate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his secon...

The cantata "Der Herr ist mein Hirte" dates from 1731 and was evidently intended as a supplement to the choral cantata cycle, which Bach left unfinished at Easter 1725. Bach adopted the five-stanza po...

Soli ATB, Coro SATB, 2 Ob, Tr, 2 Vl, Va, Bc Sprache: deutsch/englisch

The cantata "Ein Herz, das seinen Jesum lebend weiß" for the 3rd Easter in 1724 is one of the older cantatas that Bach integrated into his first Leipzig cantata cycle; it was originally composed in Kö...

The cantata "Sie werden euch in den Bann tun" BWV 183 for Sunday Exaudi is one of the cantatas based on texts by the Leipzig poet Christian Mariane von Ziegler, with which Bach concluded his second Le...

Pietro Metastasio's libretto for La Passione di nostro Signore Gesù Cristo from 1730 is a prototype of the Italian-language Catholic oratorio of the 18th century. The text of the Bible is completely t...

Contemporary critics considered Rheinberger's Stabat Mater op. 16, composed in 1864, to be "one of the most beautiful works in this genre in recent times. Distinguished by its broad structure and nobl...

Set for SATB choir and with additional wind parts by Joseph von Eybler, addition of trombones by Ignaz Xaver Ritter von Seyfried, revised by Otto Nicolai (1843) Pergolesi's last major composition, the...