Easter Music Sheet Music from Carus-Verlag: Professional Selection

Louis Spohr’s *Des Heilands letzte Stunden* (The Savior’s Last Hours), composed in 1835, is one of the most significant Passion oratorios of the 19th century. The freely adapted text by the well-known...

Mit zahlreichen neuen Kompositionen und frischen Bearbeitungen bekannter Chorwerke gibt das Chorbuch a tre. Band 2 dem Singen im Gottesdienst neue Impulse. Der Band ist eine Ergänzung und Fortsetzung...

Faure's Requiem, op. 48, is his only large-scale sacred composition and certainly his most important essay in the genre. Already popular with audiences during his lifetime, its success continues to th...

There is hardly a work by a contemporary with which Bach demonstrably occupied himself as often and intensively as with Keiser's "St. Mark Passion". A total of three performances can be proven, for ea...

O sing unto the Lord a new song! – With "Cantate Domino", the renowned Carus-Verlag presents a powerful and festive choral work that brings brilliance to any performance. Set for a six-part mixed choi...

Danish composer John Høybye enjoys great acclaim at home and abroad, not just for his music but also for his work as a (choral) conductor and arranger. Presenting a medium level of difficulty, Hope. E...

The Requiem "Light Shines in the Darkness" is a composition for viola solo and mixed choir. John Høybye sets a text by Edward Broadbridge to music. The predominantly English-language poem contains Lat...

Das Gotteslob bietet eine Fülle an Möglichkeiten zur Feier der Tagzeitenliturgie in der Gemeinde. Auch mit dem dritten Chorheft regen die Herausgeber zu lebendigen Gottesdiensten an, die gemeinsam von...

The British composer Grayston (Bill) Ives (*1948) has dedicated himself to choral music in many different ways. He was a tenor with the legendary King's Singers and later worked for 18 years as an org...

The cantata "Gelobet sei der Herr, mein Gott" BWV 129 is one of the choral cantatas that Bach subsequently added to the choral cantata cycle that was discontinued at Easter 1725; it was not composed u...

On April 1, 1725, Bach formed the Easter cantata "Kommt, gehet und eilt" BWV 249.3, which was to become the nucleus of the Easter Oratorio, from the Shepherd's Cantata BWV 249.1 he had composed a few...

Scored for SATB choir with additional wind parts by Joseph von Eybler; trombone parts added by Ignaz Xaver Ritter von Seyfried; revised by Otto Nicolai (1843). / Pergolesi’s last major composition, th...

Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...

Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line re...

Louis Spohr’s *Des Heilands letzte Stunden* (The Savior’s Last Hours), composed in 1835, is one of the most significant Passion oratorios of the 19th century. The freely adapted text by the well-known...

An Easter motet in honour of Mary

An Easter motet in honour of Mary

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...