Easter Music Sheet Music from Carus-Verlag: Professional Selection

Mit zahlreichen neuen Kompositionen und frischen Be­arbeitungen bekannter Chorwerke gibt das Chorbuch a tre. Band 2 dem Singen im Gottesdienst neue Impulse. Der Band ist eine Ergänzung und Fortsetzung...

There is hardly a work by a contemporary with which Bach demonstrably occupied himself as often and intensively as with Keiser's "St. Mark Passion". A total of three performances can be proven, for ea...

Coro SAATBB

Danish composer John Høybye enjoys great acclaim at home and abroad, not just for his music but also for his work as a (choral) conductor and arranger. Presenting a medium level of difficulty, Hope. E...

Das Gotteslob bietet eine Fülle an Möglichkeiten zur Feier der Tagzeitenliturgie in der Gemeinde. Auch mit dem dritten Chorheft regen die Herausgeber zu lebendigen Gottesdiensten an, die gemeinsam von...

The British composer Grayston (Bill) Ives (*1948) has dedicated himself to choral music in many different ways. He was a tenor with the legendary King's Singers and later worked for 18 years as an org...

The cantata "Sie werden euch in den Bann tun" BWV 183 for Sunday Exaudi is one of the cantatas based on texts by the Leipzig poet Christian Mariane von Ziegler, with which Bach concluded his second Le...

On April 1, 1725, Bach formed the Easter cantata "Kommt, gehet und eilt" BWV 249.3, which was to become the nucleus of the Easter Oratorio, from the Shepherd's Cantata BWV 249.1 he had composed a few...

Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...

Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line re...

Louis Spohr’s *Des Heilands letzte Stunden* (The Savior’s Last Hours), composed in 1835, is one of the most significant Passion oratorios of the 19th century. The freely adapted text by the well-known...

Louis Spohr’s *Des Heilands letzte Stunden* (The Savior’s Last Hours), composed in 1835, is one of the most significant Passion oratorios of the 19th century. The freely adapted text by the well-known...

Faure's Requiem, op. 48, is his only large-scale sacred composition and certainly his most important essay in the genre. Already popular with audiences during his lifetime, its success continues to th...

An Easter motet in honour of Mary

An Easter motet in honour of Mary

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...

Dimitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister...