Easter Music Sheet Music from Carus-Verlag: Professional Selection

Soli ATB, Coro SATB, 2 Ob, Tr, 2 Vl, Va, Bc Sprache: deutsch/englisch

The cantata "Gelobet sei der Herr, mein Gott" BWV 129 is one of the choral cantatas that Bach subsequently added to the choral cantata cycle that was discontinued at Easter 1725; it was not composed u...

The cantata "Ein Herz, das seinen Jesum lebend weiß" for the 3rd Easter in 1724 is one of the older cantatas that Bach integrated into his first Leipzig cantata cycle; it was originally composed in Kö...

Published in collaboration with the Bach Archive Leipzig with the unfinished revision (1739) in the appendix. The St. John Passion is one of the great vocal works of Bach's Leipzig period. In contrast...

Alongside the double-choir St. Matthew Passion, the Christmas Oratorio, the Magnificat and the Mass in B minor, the St. John Passion is one of the great vocal works of Johann Sebastian Bach's Leipzig...

Can be combined with the performance material of older editions (also with the NBA). Bach's St. John Passion is one of the greatest Passion settings in music history. It underwent several fundamental...

Bachs Johannespassion gehört zu den grossartigsten Passionsvertonungen der Musikgeschichte. Sie erlebte zu Bachs Lebzeiten mehrere grundlegende Umgestaltungen. Carus bietet alle erhaltenen Fassungen....

The autograph contains no reference to the participation of instruments, and there is no doubt that a purely vocal performance would do full justice to the work. On the other hand, there is nothing to...

Dieterich Buxtehude composed his greatest oratorical work, the cantata cycle Membra Jesu nostri, for the Passiontide of 1680 and dedicated it to his friend and Swedish court conductor Gustav Düben. In...

Mendelssohn's unfinished 3rd oratorio in the first critical edition. Performance material is available separately for Part 1 and Part 2 of the oratorio. Part 1: "The Nativity", Part 2: "The Passion of...

The arrangement of chorales had already played a major role during Mendelssohn's apprenticeship with Zelter, and his preoccupation with the Protestant chorale can even be found throughout his symphoni...

Pietro Metastasio's libretto for La Passione di nostro Signore Gesù Cristo from 1730 is a prototype of the Italian-language Catholic oratorio of the 18th century. The text of the Bible is completely t...

Contemporary critics considered Rheinberger's Stabat Mater op. 16, composed in 1864, to be "one of the most beautiful works in this genre in recent times. Distinguished by its broad structure and nobl...

The English conductor and composer Howard Arman has presented a complete version of Mozart's Requiem. "Another version?" you might think, as there are now a whole series of other versions available al...

The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line re...

Set for SATB choir and with additional wind parts by Joseph von Eybler, addition of trombones by Ignaz Xaver Ritter von Seyfried, revised by Otto Nicolai (1843) Pergolesi's last major composition, the...

Danish composer John Høybye enjoys great acclaim at home and abroad, not just for his music but also for his work as a (choral) conductor and arranger. Presenting a medium level of difficulty, Hope. E...

Carl Philipp Emanuel Bach komponierte sein lateinisches Sanctus in Es in den Jahren 1768-1778, als er Musikdirektor an den Hamburger Kirchen war. Das kurze und feierliche Werk für Chor und Orchester w...

There is hardly a work by a contemporary that Bach can be proven to have worked on as frequently and intensively as Keiser's "St. Mark Passion". There is evidence of a total of three performances, for...

The Stabat Mater, composed in 1767, was Joseph Haydn's first sacred work, which he composed after taking up his post with Prince Esterházy in Eisenstadt. Like hardly any other of his sacred works, it...

„Der geistlichen Musik die Kraft zuzuwenden, bleibt ja wohl das höchste Ziel des Künstlers“, schreibt Robert Schumann im Januar 1851 - und das, obwohl er bis dato kaum als Komponist geistlicher Musik...

Dvorák's great "Requiem" was commissioned for the renowned music festival in Birmingham. Since its premiere there under the composer's direction in 1891, it has enjoyed great popularity. It is based o...

Dvorák's great "Requiem" was commissioned for the renowned music festival in Birmingham. Since its premiere there under the composer's direction in 1891, it has enjoyed great popularity. It is based o...