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Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
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Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
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Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
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Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
Much of Schubert's songs do have a simple strophic character. These verses stand half-way between 'Art-song' and 'Folk-song'; the melody seems to be drawn from nature. Schubert marvellously achieved t...
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1. Adeste Fideles (Latin Hymn), 2. First Nowell (English Carol), 3. Oh, how joyfully (Sicilian Hymn), 4. Silent Night (German Carol), 5. Cold December's Winds were stilled (Catalan)
1. Adeste Fideles (Latin Hymn), 2. First Nowell (English Carol), 3. Oh, how joyfully (Sicilian Hymn), 4. Silent Night (German Carol), 5. Cold December's Winds were stilled (Catalan)
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- Roger Niese
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1. Adeste Fideles (Latin Hymn), 2. First Nowell (English Carol), 3. Oh, how joyfully (Sicilian Hymn), 4. Silent Night (German Carol), 5. Cold December's Winds were stilled (Catalan)
1. Adeste Fideles (Latin Hymn), 2. First Nowell (English Carol), 3. Oh, how joyfully (Sicilian Hymn), 4. Silent Night (German Carol), 5. Cold December's Winds were stilled (Catalan)
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The 'Andante in C for Flute and Orchestra', KV 315 was written by Wolfgang Amadeus Mozart in 1778 when he visited Mannheim and commissioned by a rich Dutch merchant and amateur flautist. According to...
The 'Andante in C for Flute and Orchestra', KV 315 was written by Wolfgang Amadeus Mozart in 1778 when he visited Mannheim and commissioned by a rich Dutch merchant and amateur flautist. According to...
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The "Andante in C for Flute and Orchestra", KV 315 was written by Wolfgang Amadeus Mozart in 1778 when he visited Mannheim and commissioned by a rich Dutch merchant and amateur flautist. According to...
The "Andante in C for Flute and Orchestra", KV 315 was written by Wolfgang Amadeus Mozart in 1778 when he visited Mannheim and commissioned by a rich Dutch merchant and amateur flautist. According to...
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The "Andante in C for Flute and Orchestra", KV 315 was written by Wolfgang Amadeus Mozart in 1778 when he visited Mannheim and commissioned by a rich Dutch merchant and amateur flautist. According to...
The "Andante in C for Flute and Orchestra", KV 315 was written by Wolfgang Amadeus Mozart in 1778 when he visited Mannheim and commissioned by a rich Dutch merchant and amateur flautist. According to...
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Der Freischütz, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and many...
Der Freischütz, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and many...
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Der Freischütz, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and many...
Der Freischütz, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and many...
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Der Freischütz, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and many...
Der Freischütz, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and many...
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Der Freischütz, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and many...
Der Freischütz, is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and many...
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Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
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Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
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Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
Ombra mai fù is the opening aria from the 1738 opera Serse by Georg Friederich Handel. The opera itself was a commercial failure, lasting only five performances in London after its premiere. In the 19...
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'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
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'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
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'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
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'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
'Dido's Lament' is a recitative followed by an aria by the English composer Henry Purcell. The piece is the dramatic climax of his opera 'Dido and Aeneas' based on the Aeneis by Vergilius. The recitat...
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Joseph Lanner (1801-1843) was an Austrian dance music composer. He is best remembered as one of the earliest Viennese composers to reform the waltz from a simple peasant dance to something that even t...
Joseph Lanner (1801-1843) was an Austrian dance music composer. He is best remembered as one of the earliest Viennese composers to reform the waltz from a simple peasant dance to something that even t...
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Joseph Lanner (1801-1843) was an Austrian dance music composer. He is best remembered as one of the earliest Viennese composers to reform the waltz from a simple peasant dance to something that even t...
Joseph Lanner (1801-1843) was an Austrian dance music composer. He is best remembered as one of the earliest Viennese composers to reform the waltz from a simple peasant dance to something that even t...
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Die Entführung aus dem Serail (The Abduction from the Seraglio) is an opera in three acts by Wolfgang Amadeus Mozart. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedril...
Die Entführung aus dem Serail (The Abduction from the Seraglio) is an opera in three acts by Wolfgang Amadeus Mozart. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedril...
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Die Entführung aus dem Serail (The Abduction from the Seraglio) is an opera in three acts by Wolfgang Amadeus Mozart. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedril...
Die Entführung aus dem Serail (The Abduction from the Seraglio) is an opera in three acts by Wolfgang Amadeus Mozart. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedril...
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