Georg Philipp Telemann Sheet Music for Mixed Choir

Ein Lämmlein geht und trägt die Schuld. Sopran solo (2), Alt solo, Tenor solo (3), Bass solo (3), Gemischter Chor-SATB, Klavier, Streicher, Basso continuo - Klavierauszug; Urtextausgabe Chorwerke mit...

> Complete scholarly-critical edition based on 'Georg Philipp Telemann Musical Works' > Bilingual Foreword (Ger/Eng) A festive piece for church and concert hall Composed around 1760, 'Die Auferstehung...

Geistliche Kantate - Sacred Cantata. Sopran solo, Alt solo, Tenor solo, Bass solo (2), Gemischter Chor-SATB, Klavier - Klavierauszug; Urtextausgabe

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...

Sopran solo, Alt solo, Bass solo, Gemischter Chor-SATB, Klavier - Klavierauszug; Urtextausgabe Chorwerke mit Orchester-Begleitung und Solo-Singstimme(n) - Geistlich - Gemischter Chor - 4stimmig

The St. Matthew Passion of 1758 exemplifies various aspects of Georg Philipp Telemann's late Passion work: his changing recitative style in the 1750s, the sometimes considerable shortening of the Gosp...

In Georg Philipp Telemann’s opera “Orpheus”, the focus is not on Eurydice, but on Queen Orasia, who is inflamed with mad but unrequited love for the legendary singer. The first documented performance...

> First Urtext edition based on Georg Philipp Telemann Musical Works > An attractive addition to the repertoire with a view to the Telemann Year 2017 > Bilingual Foreword (Ger/Eng) > Uncluttered idiom...

Telemann / ed. DePue

Für Chor und Instrumente (lateinisch/deutsch). Gemischter Chor-SATB - Chorpartitur

Gemischter Chor-SATB - Chorpartitur

Gemischter Chor-SATB - Chorpartitur

Gemischter Chor (SATB), Streicher, Basso continuo

Gemischter Chor (SATB), Streicher, Basso continuo

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Klavier - Klavierauszug; Urtextausgabe Chorwerke mit Orchester-Begleitung und Solo-Singstimme(n) - Geistlich - Gemischter Chor - 4stimmig

Telemann wrote the cantata "Gelobet seist du, Jesu Christ" TWV 1:612 for the cantata year 1710/1711. Despite the instrumentation without brass and timpani, the festive, glamorous mood of the second da...

Überlieferungen können eine lange Wirkungszeit haben. In Johann Gottlob Immanuel Breitkopfs Musikalienkatalog wird 1761 die Kantate Das ist je gewißlich wahr unter Bach gelistet und diese Zuschreibung...

The Advent cantata Machet die Tore weit has long been one of Telemann's most frequently performed church music works. Among the manuscripts that transmit the cantata is an important testimony to the e...

The cantata Nun danket alle Gott cannot be assigned to any of Telemann's known cantata years. Its designation "Tempore Messis" in the title of the only surviving source suggests that it was composed o...

Hosanna to the Son of David opens Telemann's cantata cycle "Musicalisches Lob Gottes in der Gemeine des Herrn" as a cantata for the 1st Advent. The year is based on poems by the Hamburg Jacobi chief p...

The Frankfurt Whitsun cantata from 1717 presents the choir and the four soloists with rewarding tasks and features a virtuoso recorder player in the opening chorus and in two of the three arias.

The Trauer-Actus is probably the earliest work of the Grimma Telemann cantata complex. Its textual and musical structure suggests that the work was composed during Telemann's time as a pupil in Hildes...