Intermediate Sheet Music Downloads (PDF)

Coro SSATB - Tonart G-Mixolydisch

Coro SSA(T)TB

Nachdem Schütz nach dem Tode Gabrielis von seinem Aufenthalt in Venedig in seine Heimat zurückkehrte, begann er die erworbenen Eindrücke musikalisch zu verarbeiten. Vor allem das mehrchörige Musiziere...

The motet 'Gutes und Barmherzigkeit' was composed following the death of the Leipzig student Jacob Schulte in 1625, 'for the comfort of his most sorrowful parents', as Schützs dedication states. The m...

Ich beschwöre euch, ihr Töchter zu Jerusalem belongs to the genre of dialog compositions which were extremely popular in Protestant Germany in the 17th century because of their lively portrayal of bib...

mit singbarer englischer Übersetzung - Coro SATTB, [5 Instr, Cb, Org] - Tonart dorisch

mit singbarer englischer Übersetzung - Coro SSATTB, [6 Instr, Cb, Org] - Tonart dorisch

Coro SATB, [4 Instr, Cb, Org] - Tonart mixolydisch

Coro SATB, [4 Instr, Cb, Org] - Tonart dorisch

Coro SATB, [4 Instr, Cb, Org] - Partitur (ohne Umschlag)

Das deutsche Nunc dimittis 'Herr, nun lässest du deinen Diener' hat Schütz 1656 anlässlich des Todes des sächsischen Kurfürsten Johann Georg I. gleich 'auf zweyerlei Art' vertont und drucken lassen. D...

Das deutsche Nunc dimittis, Canticum für die liturgische Vesper, hat Schütz 1656 anlässlich des Todes des sächsischen Kurfürsten Johann Georg I. gleich 'auf zweyerlei Art' vertont und drucken lassen....

In his Christmas motet 'Hodie Christus natus est' Schütz employs the full mastery of his madrigalian musical language and exploits all the sonorous richness which the six part scoring offers him. The...

No. 13 of the 'Opus ultimum'

André Campra's Requiem from 1695 is one of the first major settings of the funeral liturgy in France. It was composed during his time as Kapellmeister at Notre-Dame Cathedral in Paris as a commissione...

Marc-Antoine Charpentier's Christmas mass, the Messe de Minuit, stands fully in the French tradition of celebrating the happy message of Christ's birth with exuberant cheerfulness. Composed around 169...

Marc-Antoine Charpentier’s impressive setting of the Latin canticle Te Deum opens with a striking introductory fanfare. It is familiar to millions, since it is the theme tune of the Eurovision TV broa...

Spoken during his final hours, the “seven words” have been taken as a profound insight into Jesus‘s final suffering on the cross. These words, or rather statements, have been set by numerous composers...

In the 19th and early 20th centuries, transcriptions of large (choral) symphonic works for two pianos were extremely popular, as they enabled a large audience to get to know classical compositions in...

Soli SATB, Coro SATB, 2 Cor, Vne, Org

Besetzung: Solo Bar (Hiskia), B (Jesaja), Bar (Obermundschenk, der Stellvertreter des Großkönigs Sanherib), S (Bote Jesajas), S (Magd), T (Erzähler), Coro S(S)A(A)T(T)B(B), Fl, Sopran-Sax/Alt-Sax (1 S...

Coro SATB/SATB [Bc]

The opening movement of Bach's choral cantata on Luther's "Aus tiefer Not schrei ich zu dir" BWV 38 for the 21st Sunday after Trinity in 1724 belongs to a group of cantatas whose opening chorus is not...

Version in A major (version in G major under Carus 31.182/50). The cantata Himmelskönig, sei willkommen (BWV 182) occupies a special place in Johann Sebastian Bach's life story. Active as an organist...