Intermediate Sheet Music for Concert Band

First released in 1983, this suite of four Polish Christmas carols, repeats the first movement (a fanfare titled The Triumph of the King in Heaven) as a fifth movement. This new edition of the work pr...

It's Beginning to Look a Lot Like Christmas is a true Christmas classic, composed in 1951 by Meredith Willson. This cheerful, warm song quickly became popular and has since been interpreted by countle...

This arrangment of "Silent Night" respects the integrity of a beloved carol while introducing fresh ideas. While the melody is usually set in triple meter, this version is set in 4/4. The simplicity o...

This arrangment of "Silent Night" respects the integrity of a beloved carol while introducing fresh ideas. While the melody is usually set in triple meter, this version is set in 4/4. The simplicity o...

This arrangment of "Silent Night" respects the integrity of a beloved carol while introducing fresh ideas. While the melody is usually set in triple meter, this version is set in 4/4. The simplicity o...

This brilliant work was the first composition to be honored with the Ostwald award for original band literature presented by the American Bandmasters Association in 1956. Beginning with a dynamic flou...

Take two Spanish dances and one noted composer and what do you have? Sketches of Spain from the pen of Dave Black. This original work captures the essence of old Spain in two movements inspired by wel...

Selbstwahlstück Europäische Meisterschaften der böhmischen & mährischen Blasmusik 2010 - Mittelstuf

Im Takt vereint is a waltz of community and passion. For the 40th anniversary of the Musikverein Stinatz, Jörg Stipsits - himself a long-standing member - composed "Im Takt vereint", a festive waltz t...

With the waltz "Liebende Herzen," composer Thomas Schoder has created a heartfelt musical portrayal of two people walking through life together. Set to a gentle 3/4 time signature, the music tells a s...

Crossroads is an attractive concert work of four interconnected movements, written for the 23rd music festival of the Bernese Cantonal Music Association in Aarwangen, Switzerland. The work has the riv...

Incorporating the concept of drones (included on every part), here is the second volume of tuning chorales from Richard Saucedo. These will become invaluable to helping your players strive for tone de...

Progressive in depth and organization, this is the third of four comprehensive warm-up programs used by Robert W. Smith at the podium of every honor band he guest conducts. This new warm up program is...

Two chorales from our new warm-up (In Dulci Jubilo, Bach/Singleton in F and Jesu Dulcis Memoria, Vittoria/Conley in Db, Be Thou My Vision) The Ultimate Band Warm Up with Chorales for Warm Up or Perfor...

Solostück für Saxophonsatz im Ragtime-Stil

Children’s concerts are currently becoming increasingly popular—among both bands and audience members. A concert experience designed specifically for children and families alike—it playfully familiari...

This piece was commissioned by Swiss euphonium virtuoso Eich Schmidli. Bert Appermont dug deep into Celtic music for inspiration and created a fantasy that shows off the incredible, but often overlook...

This piece was commissioned by Swiss euphonium virtuoso Eich Schmidli. Bert Appermont dug deep into Celtic music for inspiration and created a fantasy that shows off the incredible, but often overlook...

A superb, tranquil moment for any concert, giving the Euphonium a chance to shine.

Une Apres-Midi (An afternoon) was originally written for the record Encore with Julian Lloyd Webber as soloist on cello, and Vangelis on synthesizers. The present arrangement is made from that record...

Ebony Fantasy is a short solo piece for B flat clarinet and wind band - an ideal piece to put young soloists into the spotlight! After a short introduction, in which the theme - more-or-less - is firs...