Johanna Senfter: Intermediate Sheet Music

In 1932 Johanna Senfter wrote Sechs Stücke for the church holidays for viola and organ. She arranged five of them for viola and piano as well. They are remarkable, atmospheric and colourful character...

The Trio in G major / E minor op. 103 by the Oppenheim composer and pupil of Max Regers can be assigned to the composer's late work on the basis of the opus number, even if no year of composition and...

Johanna Senfter (1879-1961) is one of the most interesting composers of the late Romantic period. She studied piano and composition at the Frankfurt Conservatoire 1895-1903 and thereafter in Leipzig w...

The Sonata for clarinet, viola, horn and piano, op. 37 was composed in 1920 (at the latest). The violist Michael Balling, a friend of Johanna Senfter, wrote to the composer about the work, which he ha...

The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leip...

These Six Waltzes (1902) for piano, four hands by Johanna Senfter are published here for the first time: this will represent another small step towards the long overdue rediscovery of music from the b...

The composer Johanna Senfter (1879 1961) from Oppenheim concerned herself with chamber music for strings all her life, even studied violin in Frankfurt herself. Max Reger then gave her lessons in Leip...

The 9 Lieder op. 15, of the composer Johanna Senfter from Oppenheim, were probably composed around 1913, as this is also when the Passacaglia for two pianos op. 14 was written. The vocal miniatures ma...

The Lieder op. 53 originally included two more songs which have not been transmitted. Due to the problems of transmission, it is hardly possible to date the work, but the more individual musical langu...

The large-scale motet Die Nacht ist vorgerücken for mixed, 4- to 8-part choir a capella, composed by Johanna Senfter, appears here for the first time in print. Although the motet is outwardly in the t...

The large-scale motet Die Nacht ist vorgerückt for mixed choir with 4 to 8 parts a capella composed by Johanna Senfter, appears here in print for the first time. Although the motet follows the traditi...

The motet For Who Knows What Is Useful to Man in Life op. 18/2 by the composer Johanna Senfter appears here for the first time in print. After an introduction characterized by expressive chromaticism,...

The motet Denn wer weiß, was dem Menschen nutz ist im Leben op. 18/2 by the composer Johanna Senfter is published here for the first time. After an introduction characterised by expressive chromaticis...

From the collection of 2 Lieder, op. 53 (ED 24000), probably written in the early 1920s and compiled later, the composer selected a title that was presumably particularly close to her heart: Die Nacht...

From the collection of 2 Lieder, op. 53 (ED 24000), probably written in the early 1920s and compiled later, the composer selected a title that was presumably particularly close to her heart: Die Nacht...

In dem umfangreiche Oeuvre der Oppenheimer Komponistin Johanna Senfter finden sich lediglich zwei geistliche Solo-Lieder. Beide wohl 1917 komponierten Lieder stehen unter dem Eindruck der Katastrophe...