Motet Sheet Music Downloads

Die A-cappella-Motette 'Alleluja' (2018) ist ein 'Sehnsuchtsgesang', in dem existenzielle Not ebenso mitschwingt wie die Hoffnung auf eine innige Verbindung mit Gott. Bei dem klanglich zarten und moti...

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritu...

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

In addition to his world-famous film scores ('Godfather', 'La dolce vita'), Nino Rota also composed chamber and vocal music, with choral music playing a prominent role. The three choral pieces selecte...

5 Motetten (Nr. 4-8) aus 'Cantiones sacrae 1625'. Urtext der Neuen Schütz-Ausgabe (lateinisch/deutsch). Gemischter Chor-SATB, Basso continuo ad lib. - Singpartitur; Spielpartitur

Motetten (nr. 17 und 18) aus 'Cantiones sacrae 1625'. Urtext der Neuen Schütz-Ausgabe (lateinisch/deutsch). Gemischter Chor-SATB, Basso continuo ad lib. - Singpartitur; Spielpartitur

Motetten (Nr. 24 und 25) aus 'Cantiones sacrae 1625'. Urtext der Neuen Schütz-Ausgabe (lateinisch/deutsch). Gemischter Chor-SATB, Basso continuo ad lib. - Singpartitur; Spielpartitur

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

Short motet commissioned by St Dominic’s Sixth Form College, Harrow-on-the-Hill, UK, to celebrate its 40th anniversary. MacMillan chose a text which is entirely appropriate to young people about to be...

In his roles as Kapellmeister at Notre-Dame Cathedral in Paris and in the royal chapel of Louis XV, André Campra composed numerous grand motets, which often show stylistic influences from contemporary...

In Italy today, a Latin sacred solo cantata, which consists of two arias and two recitatives and concludes with a Hallelujah, and which is generally sung by one of the best singers after the Credo, is...

Breathtaking! A lovely piece with strings alone or with the addition of winds for concert and contest. Brahms' original scoring of this marvelous piece was for organ and 4 part chorus. It dates from t...

Breathtaking! A lovely piece with strings alone or with the addition of winds for concert and contest. Brahms' original scoring of this marvelous piece was for organ and 4 part chorus. It dates from t...

From 'Four motets on Gregorian themes', the traditional plainchant hymn, Pange Lingua is composed by Mark Armstrong. The original melody is treated with a contemporary harmonic palette - an ideal addi...

From 'Four motets on Gregorian themes', the traditional plainchant hymn, Salve Regina is composed by Mark Armstrong. The original melody is treated with a contemporary harmonic palette - an ideal addi...

From 'Four motets on Gregorian themes', the traditional plainchant hymn, Jesu dulcis memoria is composed by Mark Armstrong. The original melody is treated with a contemporary harmonic palette - an ide...

From 'Four motets on Gregorian themes', the traditional plainchant hymn, Ave verum is composed by Mark Armstrong. The original melody is treated with a contemporary harmonic palette - an ideal additio...

The popular motet "Praise the Lord, all ye Gentiles" is one of the great mysteries of Bach research. A lot of things don't fit together and the sources - all from the 19th century - are of little help...

A motet for the 1st Advent, which Rheinberger composed in September 1856 during a vacation in his home town of Vaduz in September 1856. Separate edition from: Supplementary Volume 4 of the Rheinberger...