Pentecost Music Sheet Music Downloads

From the very first measure, this tender anthem for the season of Pentecost offers a text of substance clothed with beautiful music. Sopranos and Altos in a rich opening theme lift a prayer for the di...

This meaningful text by David Warner is accompanied by beautiful leaps and subsequent suspensions in the memorable melody, which is supported by rich textures in the organ and orchestra. Appropriate t...

Originally published in Epiphany to All Saints for Choirs, this setting of 'Come, thou Holy Spirit' os perfectly suited to Pentecost. The unison melody is taken by different groups of singers througho...

Originally published in Epiphany to All Saints for Choirs, this tranquil setting of the well-known text is perfect for Pentecost. The sustained chords in the organ bind and support the melodic phrases...

Originally published in Epiphany to All Saints for Choirs, this is a modern, macaronic setting of the Pentecost text with a fluid metre and colourful organ accompaniment throughout.

John Rutter's setting of this well-known medieval Pentecost poem is characterized by metrical fluidity, imaginative harmonic language, contrasting homophonic and imitative passages, and a supportive o...

Coro SATB, Gde, Tast

The genesis of the cantata Wer mich liebet, der wird mein Wort halten BWV 59 is somewhat enigmatic. The surviving parts attest to a performance on 1 Whitsun 1724, but the score was written well before...

Kantate zum 2. Pfingsttag. Soli SB, Coro SATB, 2 Ob, Taille (Eh), Zk (Tr), 3 Trb, 2 Vl, Va, (Vc pic), Org

after the 2nd version by Bach

The Whitsun cantata Erschallet ihr Lieder was composed for the first Whitsun holiday in 1714 and was performed several times in Leipzig in slightly different versions. Performances in 1724 and 1731 ar...

The cantata "Erhöhtes Fleisch und Blut" was composed as a parody of a secular cantata, presumably for Pentecost 1727. Despite the changes to the text, Bach made few changes to the musical structure, b...

The Whitsun cantata "Erwünschtes Freudenlicht" BWV 184 is based on a Köthen composition, presumably a congratulatory cantata, whose instrumental parts (the only surviving ones) Bach continued to use i...

In this work, one finds Mozart's Salzburg role models with regard to church music. The contrast between solo and tutti and the short imitative sections are reminiscent of Leopold Mozart, Eberlin and M...

Graduale am Pfingstsonntag

Aus dem 'Mainzer Chorbuch'.