Piano Excerpts
The "Missa in C" K. 167 is the only mass by Mozart to bear a dedication in its title: "Missa in honorem SS:mae Trinitatis". The work is therefore linked to a specific occasion, which has not yet been...
The "Missa in C" K. 167 is the only mass by Mozart to bear a dedication in its title: "Missa in honorem SS:mae Trinitatis". The work is therefore linked to a specific occasion, which has not yet been...
- Mixed Choir (SATB) and Piano
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- Martin Focke
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Mozart composed the offertory "Inter natos mulierum" K. 72 (74f) in the early summer of 1771. The work is characterized by the richly contrasting chorus as the carrier of the expression, to which the...
Mozart composed the offertory "Inter natos mulierum" K. 72 (74f) in the early summer of 1771. The work is characterized by the richly contrasting chorus as the carrier of the expression, to which the...
- Mixed Choir (SATB) and Piano
- Piano reduction Download (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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Piano reduction based on the Urtext of the New Mozart Edition. Mixed choir-SATB, strings, organ - piano reduction
Piano reduction based on the Urtext of the New Mozart Edition. Mixed choir-SATB, strings, organ - piano reduction
- Mixed Choir (SATB) and Piano
- Piano reduction Download (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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Mozart created the festive musical setting for the first solemn mass celebrated by his childhood friend P. Dominicus Hagenauer on October 15, 1769 in the collegiate church of St. Peter in Salzburg; th...
Mozart created the festive musical setting for the first solemn mass celebrated by his childhood friend P. Dominicus Hagenauer on October 15, 1769 in the collegiate church of St. Peter in Salzburg; th...
- 4 Soloists, Mixed Choir (SATB) and Piano
- Piano reduction Download (Urtext)
- Martin Focke
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Piano reduction, supplementary edition to the New Mozart Edition - Credo and Sanctus reconstructed and completed by Helmut Eder. Soprano solo (2), alto solo, tenor solo, bass solo, mixed choir (2)-SAT...
Piano reduction, supplementary edition to the New Mozart Edition - Credo and Sanctus reconstructed and completed by Helmut Eder. Soprano solo (2), alto solo, tenor solo, bass solo, mixed choir (2)-SAT...
- Soloists, 2 Mixed Choirs (SATB) and Piano
- Piano reduction Download (Urtext)
- Helmut Eder Lilia Vázquez
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Mozart's "Missa in C" K. 258 cannot be clearly dated, but was probably composed around 1775/76. The mass is composed in brevis form and was therefore also labeled as such on the cover of the anthology...
Mozart's "Missa in C" K. 258 cannot be clearly dated, but was probably composed around 1775/76. The mass is composed in brevis form and was therefore also labeled as such on the cover of the anthology...
- 4 Soloists, Mixed Choir (SATB) and Piano
- Piano reduction Download (Urtext)
- Martin Focke
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The Mass K. 262 (246a) is known as the Missa longa. Leopold Mozart wrote this designation for its incipit on the cover of the bundle in which the autographs of five of Mozart's masses in C major were...
The Mass K. 262 (246a) is known as the Missa longa. Leopold Mozart wrote this designation for its incipit on the cover of the bundle in which the autographs of five of Mozart's masses in C major were...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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- Martin Focke
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On the occasion of the inauguration of a new orphanage on Vienna's Rennweg, the just twelve-year-old Mozart appeared before the audience as composer and conductor with his "Missa solemnis " in c K. 13...
On the occasion of the inauguration of a new orphanage on Vienna's Rennweg, the just twelve-year-old Mozart appeared before the audience as composer and conductor with his "Missa solemnis " in c K. 13...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano reduction Download (Urtext)
- Martin Focke
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Mozart's "Missa in C" K. 337 is similar to the "Coronation Mass" K. 317 in its scoring, occasion and scope: around a year after the "Coronation Mass", in March 1780, the "Missa in C" was also intended...
Mozart's "Missa in C" K. 337 is similar to the "Coronation Mass" K. 317 in its scoring, occasion and scope: around a year after the "Coronation Mass", in March 1780, the "Missa in C" was also intended...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano reduction Download (Urtext)
- Martin Focke
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The offertory in Festo Sti Benedicti "Scande coeli limina" K. 34, consisting of aria and chorus, is the oldest surviving smaller church music work by Mozart. According to Max Keller, the three-part ar...
The offertory in Festo Sti Benedicti "Scande coeli limina" K. 34, consisting of aria and chorus, is the oldest surviving smaller church music work by Mozart. According to Max Keller, the three-part ar...
- High Voice, Mixed Choir (SATB) and Piano
- Piano reduction Download (Urtext)
- Andreas Köhs
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Experience the youthful brilliance and sacred splendor of Wolfgang Amadeus Mozart’s festive Offertory "Veni Sancte Spiritus" K. 47. Composed when Mozart was just twelve years old, this sacred masterpi...
Experience the youthful brilliance and sacred splendor of Wolfgang Amadeus Mozart’s festive Offertory "Veni Sancte Spiritus" K. 47. Composed when Mozart was just twelve years old, this sacred masterpi...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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- Andreas Köhs
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According to recent research, the offertory "Benedictus sit Deus" K. 117 (66a) is identical to the offertory K. 47b, which was believed to be lost. It was intended for the dedication of the orphanage...
According to recent research, the offertory "Benedictus sit Deus" K. 117 (66a) is identical to the offertory K. 47b, which was believed to be lost. It was intended for the dedication of the orphanage...
- High Voice, Mixed Choir (SATB) and Piano
- Piano reduction Download (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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Experience the radiant splendor of Wolfgang Amadeus Mozart's sacred masterpiece: With the festive Marian antiphon "Regina coeli" K. 108 (74d), the young composer crafted a work of exhilarating vitalit...
Experience the radiant splendor of Wolfgang Amadeus Mozart's sacred masterpiece: With the festive Marian antiphon "Regina coeli" K. 108 (74d), the young composer crafted a work of exhilarating vitalit...
- High Voice, Mixed Choir (SATB) and Piano
- Piano reduction Download (Urtext)
- Andreas Köhs
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Experience Wolfgang Amadeus Mozart’s radiant masterpiece: the festive "Regina coeli" K. 276 (321b) exudes pure Easter joy and magnificent musical splendor. This glorious Marian antiphon masterfully in...
Experience Wolfgang Amadeus Mozart’s radiant masterpiece: the festive "Regina coeli" K. 276 (321b) exudes pure Easter joy and magnificent musical splendor. This glorious Marian antiphon masterfully in...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano reduction Download (Urtext)
- Andreas Köhs
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With the offertory "Alma Dei creatoris" K. 277 (272a), Wolfgang Amadeus Mozart created a magnificent and deeply touching sacred masterpiece in honor of the Blessed Virgin Mary. This radiant work combi...
With the offertory "Alma Dei creatoris" K. 277 (272a), Wolfgang Amadeus Mozart created a magnificent and deeply touching sacred masterpiece in honor of the Blessed Virgin Mary. This radiant work combi...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
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- Andreas Köhs
- Bärenreiter Verlag
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In addition to masses, requiems and vespers, Mozart's larger works of church music include the four litanies, all of which were composed in Salzburg. After returning from his first trip to Italy (Dece...
In addition to masses, requiems and vespers, Mozart's larger works of church music include the four litanies, all of which were composed in Salzburg. After returning from his first trip to Italy (Dece...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano reduction Download (Urtext)
- Martin Focke
- Bärenreiter Verlag
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In addition to masses, requiems and vespers, Mozart's larger works of church music include the four litanies, all of which were composed in Salzburg. After returning from his first trip to Italy (Dece...
In addition to masses, requiems and vespers, Mozart's larger works of church music include the four litanies, all of which were composed in Salzburg. After returning from his first trip to Italy (Dece...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano reduction Download (Urtext)
- Martin Focke
- Bärenreiter Verlag
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The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...
The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano reduction Download (Urtext)
- Martin Focke
- Bärenreiter Verlag
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Immerse yourself in the festive soundscape of Wolfgang Amadeus Mozart with the masterful "Vesperae solennes de Confessore" K. 339. This magnificent sacred work captivates with radiant choral movements...
Immerse yourself in the festive soundscape of Wolfgang Amadeus Mozart with the masterful "Vesperae solennes de Confessore" K. 339. This magnificent sacred work captivates with radiant choral movements...
- 4 Soloists, Mixed Choir (SATB) and Piano
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- Martin Focke
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The Offertorium de venerabili sacramento "Venite populi" à 2 Chori K. 260/248a, whose autograph score Mozart inscribed Salzburg 1767, clearly shows the composer's desire for in-depth contrapuntal work...
The Offertorium de venerabili sacramento "Venite populi" à 2 Chori K. 260/248a, whose autograph score Mozart inscribed Salzburg 1767, clearly shows the composer's desire for in-depth contrapuntal work...
- 2 Mixed Choirs (SATB) and Piano
- Piano reduction Download (Urtext)
- Andreas Köhs
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Piano reduction based on the Urtext of the New Mozart Edition. Mixed choir-SATB, strings, organ - piano reduction
Piano reduction based on the Urtext of the New Mozart Edition. Mixed choir-SATB, strings, organ - piano reduction
- Mixed Choir (SATB) and Piano
- Piano reduction Download (Urtext)
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Piano reduction with German/English text - Passio secundum Johannem. Soprano solo, alto solo, tenor solo (2), bass solo (2), mixed choir-SATB, orchestra > This edition replaces the previous piano redu...
Piano reduction with German/English text - Passio secundum Johannem. Soprano solo, alto solo, tenor solo (2), bass solo (2), mixed choir-SATB, orchestra > This edition replaces the previous piano redu...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano reduction Download (Urtext)
- Walter Heinz Bernstein Andreas Köhs
- Bärenreiter Verlag
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Johann Sebastian Bach's "St. Matthew Passion", as we know it today, apparently has a longer history dating back to before 1727. It is unclear whether the Passion performed in the 1729 Good Friday serv...
Johann Sebastian Bach's "St. Matthew Passion", as we know it today, apparently has a longer history dating back to before 1727. It is unclear whether the Passion performed in the 1729 Good Friday serv...
- Mixed Choir (SATB) and Piano
- Piano reduction Download (Urtext)
- Martin Focke
- Bärenreiter Verlag
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Johann Sebastian Bach's Mass in B minor (BWV 232) stands as an everlasting monument of music history and the crowning achievement of his vocal oeuvre. From the profound intimacy of the "Kyrie" and the...
Johann Sebastian Bach's Mass in B minor (BWV 232) stands as an everlasting monument of music history and the crowning achievement of his vocal oeuvre. From the profound intimacy of the "Kyrie" and the...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano reduction Download (Urtext)
- Gottfried Müller
- Bärenreiter Verlag
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BA 5103-90 replaces the previous vocal score. The article number remains unchanged. > The text appears in slightly larger type size and a clearly legible font. > The pagination has been adopted from t...
BA 5103-90 replaces the previous vocal score. The article number remains unchanged. > The text appears in slightly larger type size and a clearly legible font. > The pagination has been adopted from t...
- Soloists, Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
- Eduard Müller Andreas Köhs
- Bärenreiter Verlag
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