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Johann Sebastian Bach
Cantata BWV 21 for the 3rd Sunday after Trinity

The cantata "Ich hatte viel Bekümmernis" was composed around 1713 and was probably performed by the composer for the first time in the same year at the Liebfrauenkirche in Halle. It was probably not a...

The cantata "Ich hatte viel Bekümmernis" was composed around 1713 and was probably performed by the composer for the first time in the same year at the Liebfrauenkirche in Halle. It was probably not a...

  • Soloists, Mixed Choir (SATB) and Chamber Orchestra
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  • Martin Focke
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Johann Sebastian Bach
Cantata BWV 78 for the 14th Sunday after Trinity

The cantata Jesu, der du meine Seele belongs to the famous series of choral cantatas that Bach composed in his second year in Leipzig. It was probably performed for the first time in one of Leipzig's...

The cantata Jesu, der du meine Seele belongs to the famous series of choral cantatas that Bach composed in his second year in Leipzig. It was probably performed for the first time in one of Leipzig's...

  • 4 Soloists, Mixed Choir (SATB) and Piano
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  • Walter Heinz Bernstein
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Johann Sebastian Bach
Cantata BWV 80 for the Reformation Festival

No original sources have survived for Bach's great Reformation cantata "Ein feste Burg ist unser Gott". It is possible that the original version of the cantata was composed in Weimar in 1715, which Ba...

No original sources have survived for Bach's great Reformation cantata "Ein feste Burg ist unser Gott". It is possible that the original version of the cantata was composed in Weimar in 1715, which Ba...

  • 4 Soloists and Piano
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  • Ernst R. Barthel
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Johann Sebastian Bach
Cantata BWV 106 - Actus tragicus

As neither original sources nor documents relating to the first performance of the present funeral cantata Gottes Zeit ist die allerbeste Zeit BWV 106 have survived, we cannot prove the year of compos...

As neither original sources nor documents relating to the first performance of the present funeral cantata Gottes Zeit ist die allerbeste Zeit BWV 106 have survived, we cannot prove the year of compos...

  • Soloists (SA), Mixed Choir (SATB), 2 Flutes, 2 Viole da Gamba and Continuo
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  • Eike Wernhard
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Johann Sebastian Bach
Cantata BWV 130 for St. Michael's Day

Bach's cantata, "Herr Gott, dich loben alle wir", composed on September 29, 1724, belongs to the group of choral cantatas which, like perhaps the respective preacher, interpret the ideas of the readin...

Bach's cantata, "Herr Gott, dich loben alle wir", composed on September 29, 1724, belongs to the group of choral cantatas which, like perhaps the respective preacher, interpret the ideas of the readin...

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  • Eike Wernhard
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Johann Sebastian Bach
Cantata BWV 143 for soloists, choir and orchestra - Urtext of the NBArev

The origins of the cantata Lobe den Herrn meine Seele BWV 143 are largely unknown. For a long time, a copy from the 19th century was considered the only source. This was also the basis for the musical...

The origins of the cantata Lobe den Herrn meine Seele BWV 143 are largely unknown. For a long time, a copy from the 19th century was considered the only source. This was also the basis for the musical...

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  • Andreas Köhs
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Johann Sebastian Bach
Cantata BWV 147 for the Feast of the Visitation of the Virgin Mary

Cantata for the Feast of the Visitation, after the Urtext of the New Bach Edition. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir, Oboe (2), Oboe d'amore, Oboe-dacc (2), Bassoon, Trumpet,...

Cantata for the Feast of the Visitation, after the Urtext of the New Bach Edition. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir, Oboe (2), Oboe d'amore, Oboe-dacc (2), Bassoon, Trumpet,...

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  • Olga Kroupová
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Georg Friedrich Händel

The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...

The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...

  • Soloists (SAATB), Mixed Choir (SAATB) and Orchestra
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Order no.: BA10266-91-DL
Georg Friedrich Händel
1753 Version

George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...

George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...

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Georg Friedrich Händel

To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....

To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....

  • Soloists (AAB), Mixed Choir (SSAATTBB) and Orchestra
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Order no.: BA10268-91-DL
Antonín Dvořák
for soloists, choir and organ - organ version with additional parts of violoncello and double bass

Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...

Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...

  • Soloists (SATB) and Mixed Choir (SATB)
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Gioacchino Rossini

The "Petite Messe solennelle" is a very late work by Rossini. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the inauguration of her private...

The "Petite Messe solennelle" is a very late work by Rossini. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the inauguration of her private...

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Georg Friedrich Händel
Psalm 109

Bereits 1960 erschien das Dixit Dominus von Georg Friedrich Händel im Rahmen der damals noch jungen Hallischen Händel-Ausgabe. Ein Kritischer Bericht wurde dabei nicht vorgelegt, sodass in Zweifelsfäl...

Bereits 1960 erschien das Dixit Dominus von Georg Friedrich Händel im Rahmen der damals noch jungen Hallischen Händel-Ausgabe. Ein Kritischer Bericht wurde dabei nicht vorgelegt, sodass in Zweifelsfäl...

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Order no.: BA10704-91-DL
Georg Friedrich Händel
Piano Reduction

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

  • Soloists (ATB), Mixed Choir (SSATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 3 Violins, Viola and Continuo
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  • Andreas Köhs
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Georg Friedrich Händel
Cannons

Handel composed the "Te Deum" in B flat major HWV 281 in 1718 for the later Duke of Chandos. The work therefore became known as the "Chandos Te Deum", but is referred to here as the "Te Deum" for Cann...

Handel composed the "Te Deum" in B flat major HWV 281 in 1718 for the later Duke of Chandos. The work therefore became known as the "Chandos Te Deum", but is referred to here as the "Te Deum" for Cann...

  • Mixed Choir (STTTB) and Orchestra
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  • Andreas Köhs
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Georg Friedrich Händel
Oratorio in three acts

The oratorio "Solomon" about the wise and righteous King Solomon was composed in 1748 and is musically one of the richest compositions Handel created for this genre. The chorus plays a special role he...

The oratorio "Solomon" about the wise and righteous King Solomon was composed in 1748 and is musically one of the richest compositions Handel created for this genre. The chorus plays a special role he...

  • Soloists, Mixed Choir (SSAATTBB) and Piano
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  • Andreas Köhs
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Georg Friedrich Händel
Cecilienode

In 1739, Handel set the text of the cecilia ode to music for the second time after "Alexander's Feast" in 1736. "Song for St Cecilia's Day" was then also combined with "Alexander's Feast" at the premi...

In 1739, Handel set the text of the cecilia ode to music for the second time after "Alexander's Feast" in 1736. "Song for St Cecilia's Day" was then also combined with "Alexander's Feast" at the premi...

  • Soloists (SATB), Mixed Choir (SATB), Flute, 2 Oboes, 2 Trumpets, Timpani, 2 Violins, Viola and Continuo
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  • Andreas Köhs
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Camille Saint-Saëns
for soprano solo, mixed choir - SATB, saxophone quartet, organ and strings

Psalm 137, "Super flumina Babylonis", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mixed choir, saxophone quartet,...

Psalm 137, "Super flumina Babylonis", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mixed choir, saxophone quartet,...

  • Voice (high), Mixed Choir (SATB), 4 Saxophones (SATB), 2 Violins, Viola, Cello, Double Bass and Organ
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Camille Saint-Saëns
for alto, mixed choir - SATB, piano

Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mi...

Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mi...

  • Low Voice, Mixed Choir (SATB) and Piano
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Camille Saint-Saëns
for alto, mixed choir - SATB, piano

Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mi...

Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mi...

  • Low Voice, Mixed Choir (SATB) and Piano
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Georg Friedrich Händel
No. 47 from "Messiah" HWV 56 for choir
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Order no.: BA11628-90-DL
Georg Friedrich Händel
No. 39 from "Messiah" HWV 56 for choir

Experience one of the most radiant highlights in choral music history: The world-renowned "Hallelujah" chorus (No. 39) from George Frideric Handel’s masterpiece "Messiah" (HWV 56) has captivated audie...

Experience one of the most radiant highlights in choral music history: The world-renowned "Hallelujah" chorus (No. 39) from George Frideric Handel’s masterpiece "Messiah" (HWV 56) has captivated audie...

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Heinrich Schütz
Psalm 103 - from 'Psalms of David'

Psalm 103 aus 'Psalmen Davids' für Solostimmen, zwei Chöre und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (2)-SATB+SATB, Basso conti...

Psalm 103 aus 'Psalmen Davids' für Solostimmen, zwei Chöre und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (2)-SATB+SATB, Basso conti...

  • 4 Soloists, 2 Mixed Choirs (SATB) and Continuo
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Heinrich Schütz
Psalm 2 - from Psalms of David

Psalm 2 aus Psalmen Davids für 2 Favoritchöre, 2 Capellchöre und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (4)-SATB+SATB+SATB+SATB, Basso continuo

Psalm 2 aus Psalmen Davids für 2 Favoritchöre, 2 Capellchöre und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (4)-SATB+SATB+SATB+SATB, Basso continuo

  • 4 Mixed Choirs (SATB) and Continuo
  • Choral Score (Urtext) Download
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  • Mixed Choir (SATB)
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Order no.: BA1952-DL

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