Georg Friedrich Händel
La Bellezza ravveduta nel trionfo del Tempo e del Disinganno HWV 46a
Oratorio in 2 parts
Georg Friedrich Händel
La Bellezza ravveduta nel trionfo del Tempo e del Disinganno HWV 46a
Oratorio in 2 parts
- Instrumentation Soloists (SSAT)
- Composer Georg Friedrich Händel
- Editor Christopher Sokolowski
- Series Bärenreiter Urtext
- Editor Michael Pacholke
- Lyricist Benedetto Pamphili
- Edition Piano reduction Download (Urtext)
- Publisher Bärenreiter Verlag
- Order no. BA10721-90-DL
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Description:
- Language: Italian
- Pages: 190
- Release: 13.05.2025
- Term: 140:00
- Opus: HWV46a
- Genre: Classical Music, Classical Music (Baroque), Oratorio
- ISMN: 9790006618798
Handel composed his first Italian oratorio "La Bellezza ravveduta nel trionfo del Tempo e del Disinganno" in 1707, based on an allegorical and moralistic libretto by his patron Cardinal Benedetto Pamphili.
Disinganno (illumination) and Tempo (time) try to make the young, beautiful and frivolous Bellezza (beauty) recognize the true values of life and act accordingly. The listener accompanies Bellezza in her emotional development, in which she increasingly distances herself from Piacere (pleasure) and listens more and more to Tempo and Disinganno.
The oratorio contains some of the most beautiful music Handel ever composed, including the enchanting aria "Lascia la spina", in which he uses the music of the sarabande from the opera "Almira" composed in Hamburg in 1704 and which then achieved immortal fame in "Rinaldo" (1711) as "Lascia ch'io pianga".
Disinganno (illumination) and Tempo (time) try to make the young, beautiful and frivolous Bellezza (beauty) recognize the true values of life and act accordingly. The listener accompanies Bellezza in her emotional development, in which she increasingly distances herself from Piacere (pleasure) and listens more and more to Tempo and Disinganno.
The oratorio contains some of the most beautiful music Handel ever composed, including the enchanting aria "Lascia la spina", in which he uses the music of the sarabande from the opera "Almira" composed in Hamburg in 1704 and which then achieved immortal fame in "Rinaldo" (1711) as "Lascia ch'io pianga".
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Classical Music (Baroque) Sheet Music for Soloists, Mixed Choir (SATB) and Orchestra
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Classical Music (Baroque) Sheet Music for Soloists, 2 Mixed Choirs (SATB), Choir (Unison) and Orchestra
Classical Music (Baroque) Sheet Music for Soloists, 2 Mixed Choirs (SATB) and Orchestra
Classical Music (Baroque) Sheet Music for Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
Classical Music (Baroque) Sheet Music for Soloists, Choir and Orchestra
Classical Music (Baroque) Sheet Music for Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Violins, Viola and Continuo
Classical Music (Baroque) Sheet Music for
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Classical Music (Baroque) Sheet Music for Soloists (SATB), Mixed Choir and Orchestra
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Classical Music (Baroque) Sheet Music for Soloists, Flute, Horn, 2 Violins, Viola and Continuo
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Classical Music (Baroque) Sheet Music for Mixed Choir (SSAT), Mixed Choir (ATBarB), Double Bass and Organ
Classical Music (Baroque) Sheet Music for Soloists, Mixed Choir (SATB), Trumpet, 3 Oboes, Strings and Organ
Sheet Music Downloads by Georg Friedrich Händel
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Besetzung - Ensemble
-
Annette Landgraf Vorwort
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Annette Landgraf Preface
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Verzeichnis der Nummern - Index of numbers
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Sonaten-Ouvertüre
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Erster Teil
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Zweiter Teil
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Anhang - Appendix
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Manufacturer Information:
Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG
Heinrich-Schütz-Allee 35-37
34131
Kassel
Deutschland
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