Classical Music (Baroque) Sheet Music for Soloists (SATB), Mixed Choir and Orchestra

BA 5103-90 replaces the previous vocal score. The article number remains unchanged. > The text appears in slightly larger type size and a clearly legible font. > The pagination has been adopted from t...

Only the text and the last page of the autograph score of the Christmas Cantata Ehre sei Gott in der Höhe BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the c...

The 'Messiah' occupies a unique position in Handel's work. It is one of the most renowned works of this composer's monumental output. It has often been said that Handel composed the 'Messiah' for his...

> Complete scholarly-critical edition based on 'Georg Philipp Telemann Musical Works' > Bilingual Foreword (Ger/Eng) A festive piece for church and concert hall Composed around 1760, 'Die Auferstehung...

The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198. Welcome comeback Bach's St John and St. Matthew Passion...

Kuhnau’s setting of the 98th psalm Singet dem Herrn ein neues Lied is a sonorous cantata with the opulent scoring of two trumpets, timpani and a five-part string section. This baroque gem radiates a s...

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...

Written in 1727 for a "speech of praise and mourning" for Electress Christiane Eberhardine in Leipzig's university church, the music of the Trauerode is known today primarily through reconstructions o...

Bach's Christmas Oratorio has been published as a scholarly edition for practical use as part of the Stuttgart Bach Editions. The edition is based on Bach's autograph score and the original parts. The...

Kuhnau’s setting of the 98th psalm Singet dem Herrn ein neues Lied is a sonorous cantata with the opulent scoring of two trumpets, timpani and a five-part string section. This baroque gem radiates a s...

Johann Sebastian Bach appreciated the fine compositions of other masters, as evidenced by contemporary accounts and the surviving remnants of his music library. However, the copies he made for perform...

Johann Sebastian Bach appreciated the fine compositions of other masters, as evidenced by contemporary accounts and the surviving remnants of his music library. However, the copies he made for perform...

Johann Sebastian Bach appreciated the fine compositions of other masters, as evidenced by contemporary accounts and the surviving remnants of his music library. However, the copies he made for perform...

Johann Sebastian Bach appreciated the fine compositions of other masters, as evidenced by contemporary accounts and the surviving remnants of his music library. However, the copies he made for perform...

Johann Sebastian Bach appreciated the fine compositions of other masters, as evidenced by contemporary accounts and the surviving remnants of his music library. However, the copies he made for perform...

Johann Sebastian Bach appreciated the fine compositions of other masters, as evidenced by contemporary accounts and the surviving remnants of his music library. However, the copies he made for perform...

Johann Sebastian Bach appreciated the fine compositions of other masters, as evidenced by contemporary accounts and the surviving remnants of his music library. However, the copies he made for perform...

Johann Sebastian Bach appreciated the fine compositions of other masters, as contemporary accounts and the surviving remnants of his music library attest. However, the copies he made for performances...

Johann Sebastian Bach appreciated the fine compositions of other masters, as evidenced by contemporary accounts and the surviving remnants of his music library. However, the copies he made for perform...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

George Frideric Handel is regarded as the first and most important English representative of the oratorio genre. The Messiah in particular is regarded as the epitome of sacred music and is also one of...

The opera “Dido and Aeneas”, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcel...

It tells the love story between Fatima, who is accused of murdering her father, and the king's son Ramire, who is in love with her and frees her from the captivity of his father Alphonse, the King of...

Released to coincide with the 300th anniversary of the work’s premiere, the choral score of Bach’s St. Matthew Passion BWV 244 provides choral singers with a lightweight and practical edition that con...

A valuable addition to the requiem repertoire: Biber’s Requiem in F minor is one of the most impressive musical settings of the Mass for the Dead from the 17th century. The specific occasion for the c...