Classical Music (Baroque) Sheet Music for Soloists (SATB), Mixed Choir and Orchestra

Die Kantate Lobet, ihr Himmel, den Herrn ist für den Himmelfahrtstag bestimmt und entstanden. Ein konkretes Entstehungsdatum ist nicht erhalten, durch die modernere Streicherbesetzung mit nur einer Vi...

Die Kantate Lobet, ihr Himmel, den Herrn ist für den Himmelfahrtstag bestimmt und entstanden. Ein konkretes Entstehungsdatum ist nicht erhalten, durch die modernere Streicherbesetzung mit nur einer Vi...

The vocal score of Henry Purcell's famous opera 'Dido and Aeneas' is based on the Bärenreiter Urtext edition of the full score. As its main source served the Tatton Park manuscript (National Trust), w...

The most famous of several Vivaldi works entitled Gloria (RV 589), this edition by Clayton Westermann includes a short preface to explain performance practice. Of the three recorded Glorias Vivaldi wr...

The Serenata in tre parti Parnasso in festa was first performed on the occasion of the wedding between Princess Anne and Prince William IV of Orange in March 1734. The music is largely based on the En...

Rameau's only surviving opera based on a libretto by Voltaire has survived in two versions (1745 and 1746), whereby the 1745 version was long considered lost. Volume IV.12 of the series 'Opera omnia R...

The Carus program on Dresden court music continues with the first edition of one of the great masses (No. 9, D major) by Johann David Heinichen, the most important musical representative of the Saxon...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...

This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...

This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...

The musicologist Malcolm Bruno created a new reconstruction of the work on the basis of the funeral ode BWV 198, which has since been established as a parody model. Welcome Comeback Bach's St. John an...

'Charming Berenice' - the Earl of Shaftesbury attended a rehearsal of the opera on 12 May 1737 and went into raptures about this 'inexpressible delight'. 'Berenice' was premiered at Covent Garden Thea...

The premiere of Gluck's "Alceste" marked the reopening of the Vienna Burgtheater after the period of mourning decreed by the death of Archduchess Maria Josepha. The inspiration for the libretto, which...

Originally conceived as a prologue for the ballet "Les Beaux Jours de l'Amour", the one-act opera "La Naissance d'Osiris" was performed only twice, together with revivals of "Pigmalion" and "Les Incas...

'Les Paladins' was Rameau's last work premiered at the Académie royale de musique in 1760. Sharply criticized on account of its overtly comical libretto, the work was withdrawn after fifteen performan...