Urtext Edition

The six chamber duets for soprano and alto selected for this volume were composed in Hanover in 1710-12 (HWV 178, 185, 197) and in London in 1740-45 (HWV 181, 190, 186). Thanks to their high degree of...

9 Sonaten für Orgel und Streicher (ohne Viola). Urtext der Neuen Mozart-Ausgabe - 9 Sonatas for Organ and Strings (without Viola). Orgel Solo, Streicher - Spielpartitur; Stimmensatz; Urtextausgabe

5 Sonaten für Orgel und Streicher (ohne Viola). Urtext der Neuen Mozart-Ausgabe. Orgel Solo, Streicher - Spielpartitur; Stimmensatz; Urtextausgabe

Sonate für Orgel und Kammerorchester (Streicher ohne Viola). Urtext der Neuen Mozart-Ausgabe - Sonata for Organ and Ochestra (Strings without Viola). Orgel Solo, Clarin-Trompete (2), Streicher - Parti...

Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...

With separate Tromba part for 'Wachet auf, ruft uns die Stimme'. Organ - score; single part; Urtext edition.

This pioneering edition of Jean Barraqué's 'Sonate pour piano' (1950-52) is the first to present this masterpiece from the heyday of serialism in a scholarly-critical Urtext edition. The new edition o...

Concerto for piano and orchestra. Solo part and piano reduction based on the Urtext of the New Mozart Edition.

Piano reduction based on the Urtext of the New Bach Edition. Harpsichord solo, strings

Klavierauszug nach dem Urtext der Neuen Bach-Ausgabe. Cembalo Solo, Streicher

Piano reduction based on the Urtext of the New Bach Edition. Harpsichord solo, strings

Klavierauszug nach dem Urtext der Neuen Bach-Ausgabe. Cembalo Solo, Streicher

Klavierauszug nach dem Urtext der Neuen Bach-Ausgabe - Piano Reduction based on the Urtext of the New Bach Edition. Cembalo Solo, Blockflöte (2), Streicher - Klavierauszug

Jonathan Del Mar, who has already made a name for himself with his successful Beethoven editions, now turns his attention to Beethoven's piano concertos. nIn the composer's first piano concerto, Del M...

Although the sources for Beethoven's Piano Concerto op. 19 are generally known, the present edition has eliminated numerous misunderstandings and misinterpretations. To this day, no edition of the wor...

> Many wholly new corrections in the solo and orchestral parts > Piano reduction with a separate solo part, as was customary in Beethoven's day > With Beethoven's continuo figures for the first time i...

Recorder and basso continuo - score; set of parts; Urtext edition

> A pioneering Urtext edition > With an unmarked Urtext part > With a second part including fingering and bowing based on the practices of contemporaries of Brahms > With an extensive Performance Prac...

The three sonatas for Viola da gamba and Harpsichord obbligato by Johann Sebastian Bach BWV 1027-1029 edited here both in the original version with viola da gamba and in a version with viola have been...

The Concerto in G major (TWV 51: G 9) is not only Telemann's only concerto for the viola but one of the earliest viola concertos in history. It belongs to the standard repertoire of every violist and...

The Austrian composer and pianist Johann Nepomuk Hummel (1778-1837), famous in his day, studied with Mozart and was a friend of Beethoven. Among his many compositions is a relatively late sonata for c...

The French composer Camille Saint-Saëns enriched the musical world with a large number of masterpieces for the violoncello, including concertos, sonatas and miniatures such as "The Swan" and the "Alle...

This standard work of the cello literature has been extracted from volume II of the Complete Works for Violoncello and Pianoforte (BA9096 and BA9097) which was published in 2016. Mendelssohn scholar R...

Antonio Vivaldi composed a total of almost thirty instrumental works that use the cello as the solo instrument. Vivaldi knew how to tailor his music to the cello. In doing so, he helped to establish t...

The only concerto for violoncello and orchestra by Josef Myslivecek (1737–1781) was written around 1770. It is most likely Myslivecek's own arrangement of his Violin Concerto No. 2, which he probably...