Georg Friedrich Händel
La Bellezza ravveduta nel trionfo del Tempo e del Disinganno HWV 46a
Oratorio in 2 Parts
Georg Friedrich Händel
La Bellezza ravveduta nel trionfo del Tempo e del Disinganno HWV 46a
Oratorio in 2 Parts
- Instrumentation Soloists (SSAT)
- Composer Georg Friedrich Händel
- Editor Christopher Sokolowski
- Series Bärenreiter Urtext
- Editor Michael Pacholke
- Lyricist Benedetto Pamphili
- Edition Piano Reduction (Urtext)
- Publisher Bärenreiter Verlag
- Order no. BA10721-90
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Description:
- Language: German English Italian
- Pages: 190
- Release: 01.11.2021
- Term: 140:00
- Dimensions: 190 x 270 mm
- Weight: 524 g
- Opus: HWV46a
- Genre: Classical Music, Classical Music (Baroque)
- ISMN: 9790006568680
Handel composed his first Italian oratorio 'La Bellezza ravveduta nel trionfo del Tempo e del Disinganno' in 1707. It is based on an allegorical moral libretto written by Cardinal Benedetto Pamphili who also commissioned this work.
Disinganno (Illumination) and Tempo (Time) try to get the young, beautiful and frivolous Bellezza (Beauty) to recognise the true values of life and to act accordingly. The audience accompanies Bellezza in her spiritual development, in which she increasingly distances herself from Piacere (Pleasure) and listens more and more to Tempo and Disinganno.
The oratorio contains some of the most beautiful music Handel ever composed. This includes the enchanting aria 'Lascia la spina', in which he uses the music of the sarabande from the opera 'Almira', composed in Hamburg in 1704, and which then achieved immortal fame in 'Rinaldo' (1711) as 'Lascia ch'io pianga'.
Disinganno (Illumination) and Tempo (Time) try to get the young, beautiful and frivolous Bellezza (Beauty) to recognise the true values of life and to act accordingly. The audience accompanies Bellezza in her spiritual development, in which she increasingly distances herself from Piacere (Pleasure) and listens more and more to Tempo and Disinganno.
The oratorio contains some of the most beautiful music Handel ever composed. This includes the enchanting aria 'Lascia la spina', in which he uses the music of the sarabande from the opera 'Almira', composed in Hamburg in 1704, and which then achieved immortal fame in 'Rinaldo' (1711) as 'Lascia ch'io pianga'.
Tags:
Classical Vocal Sheet Music
Classical Sheet Music
Piano Excerpts
Urtext Edition
Georg Friedrich Händel Sheet Music for Voices
Choir Vocals
Baroque Sheet Music
Classical Music (Baroque) Sheet Music for Soloists, Mixed Choir (SATB) and Chamber Orchestra
Classical Music (Baroque) Sheet Music for Soloists (SATB), Mixed Choir and Orchestra
Classical Music (Baroque) Sheet Music for Soloists, 2 Violins and Continuo
Classical Music (Baroque) Sheet Music for Soloists (SATB), Mixed Choir (SATB), Oboe, 2 Violins, Viola and Continuo
Classical Music (Baroque) Sheet Music for Soloists (SAATB), Mixed Choir (SATB), 2 Horns, 2 Oboes, 2 Violins, 2 Violas and Basso continuo
Classical Music (Baroque) Sheet Music for Soloists (SS), 2 Mixed Choirs (SATB), 4 Violins, 2 Violas and 2 Basso continuo
Classical Music (Baroque) Sheet Music for Soloists, Mixed Choir and Orchestra
Classical Music (Baroque) Sheet Music for Soloists, Mixed Choir (SATB) and Orchestra
Classical Music (Baroque) Sheet Music for Soloists (SAATB), Mixed Choir (SAATB) and Orchestra
Classical Music (Baroque) Sheet Music for Soloists, Mixed Choir (SATB) and Orchestra
Classical Music (Baroque) Sheet Music for Soloists (AAB), Mixed Choir (SSAATTBB) and Orchestra
Classical Music (Baroque) Sheet Music for Soloists (STB), Flute, 2 Violins, Viola and Continuo
Classical Music (Baroque) Sheet Music for Soloists, 2 Mixed Choirs (SATB), Choir (Unison) and Orchestra
Classical Music (Baroque) Sheet Music for Soloists, 2 Mixed Choirs (SATB) and Orchestra
Classical Music (Baroque) Sheet Music for Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
Classical Music (Baroque) Sheet Music for Soloists, Choir and Orchestra
Classical Music (Baroque) Sheet Music for Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Violins, Viola and Continuo
Classical Music (Baroque) Sheet Music for
Classical Music (Baroque) Sheet Music for Soloists (ATB), Mixed Choir (SATB), 2 Violins, Viola and Continuo
Classical Music (Baroque) Sheet Music for Soloists (SATB), Mixed Choir and Orchestra
Classical Music (Baroque) Sheet Music for Soloists, Mixed Choir (SATB), Bassoon, Strings and Organ
Classical Music (Baroque) Sheet Music for Soloists, Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Violins, Viola, 2 Viole da Gamba and Continuo
Classical Music (Baroque) Sheet Music for Soloists, Flute, Horn, 2 Violins, Viola and Continuo
Classical Music (Baroque) Sheet Music for Soloists, Mixed Choir (SSATB) and Orchestra
Classical Music (Baroque) Sheet Music for Soloists (SAATBB), Mixed Choir (SATB) and Orchestra
Classical Music (Baroque) Sheet Music for Mixed Choir (SSAT), Mixed Choir (ATBarB), Double Bass and Organ
Classical Music (Baroque) Sheet Music for Soloists, Mixed Choir (SATB), Trumpet, 3 Oboes, Strings and Organ
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Besetzung - Ensemble
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Annette Landgraf Vorwort
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Annette Landgraf Preface
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Verzeichnis der Nummern - Index of numbers
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Sonaten-Ouvertüre
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Erster Teil
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Zweiter Teil
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Anhang - Appendix
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Manufacturer Information:
Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG
Heinrich-Schütz-Allee 35-37
34131
Kassel
Deutschland
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