Erik Satie Sheet Music
Gnossienne Nr. 4 ist ein außergewöhnlich kraftvolles Stück von Erik Satie, das sich von den ersten drei Gnossiennes durch seinen ungewöhnlichen 3/2-Takt und eine fast archaische Klangsprache abhebt. U...
Gnossienne Nr. 4 ist ein außergewöhnlich kraftvolles Stück von Erik Satie, das sich von den ersten drei Gnossiennes durch seinen ungewöhnlichen 3/2-Takt und eine fast archaische Klangsprache abhebt. U...
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Gnossienne Nr. 5 ist ein faszinierendes Stück von Erik Satie, das mit seiner minimalistischen Struktur und seiner klaren Melodie besticht. Diese Ausgabe für Klavier in G-Dur ist speziell für fortgesch...
Gnossienne Nr. 5 ist ein faszinierendes Stück von Erik Satie, das mit seiner minimalistischen Struktur und seiner klaren Melodie besticht. Diese Ausgabe für Klavier in G-Dur ist speziell für fortgesch...
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Gnossienne Nr. 3 ist eines der eigenwilligsten und zugleich anziehendsten Stücke von Erik Satie - schlicht, meditativ und völlig frei von Taktstrichen. In a-Moll, langsam (Lent) und für Klavier gesetz...
Gnossienne Nr. 3 ist eines der eigenwilligsten und zugleich anziehendsten Stücke von Erik Satie - schlicht, meditativ und völlig frei von Taktstrichen. In a-Moll, langsam (Lent) und für Klavier gesetz...
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Gnossienne Nr. 2 ist ein faszinierendes Stück für Klavier, das mit seiner schlichten Eleganz und der rätselhaften Spielanweisung "Avec étonnement" (mit Erstaunen) eine ganz eigene Atmosphäre schafft....
Gnossienne Nr. 2 ist ein faszinierendes Stück für Klavier, das mit seiner schlichten Eleganz und der rätselhaften Spielanweisung "Avec étonnement" (mit Erstaunen) eine ganz eigene Atmosphäre schafft....
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Gnossienne Nr. 1 ist ein atmosphärisches Klavierstück von Erik Satie, das mit seiner reduzierten Harmonik und dem fließenden 4/4-Takt eine ganz eigene Klangwelt erschafft. Die Komposition steht in f-M...
Gnossienne Nr. 1 ist ein atmosphärisches Klavierstück von Erik Satie, das mit seiner reduzierten Harmonik und dem fließenden 4/4-Takt eine ganz eigene Klangwelt erschafft. Die Komposition steht in f-M...
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Gymnopédie Nr. 3 ist das dritte Stück aus Erik Saties berühmter Trilogie - eine minimalistische Klavierminiatur in a-Moll, die mit nur wenigen Noten eine ganz eigene, meditative Atmosphäre schafft. Im...
Gymnopédie Nr. 3 ist das dritte Stück aus Erik Saties berühmter Trilogie - eine minimalistische Klavierminiatur in a-Moll, die mit nur wenigen Noten eine ganz eigene, meditative Atmosphäre schafft. Im...
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Gymnopédie Nr. 2 ist die zweite von drei melancholischen Miniaturen, die Erik Satie 1888 komponierte - ein Stück, das Stille und Bewegung zugleich atmet. Der Satz in C-Dur bewegt sich im 3/4-Takt und...
Gymnopédie Nr. 2 ist die zweite von drei melancholischen Miniaturen, die Erik Satie 1888 komponierte - ein Stück, das Stille und Bewegung zugleich atmet. Der Satz in C-Dur bewegt sich im 3/4-Takt und...
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This album brings together three groups of pieces, all written in 1913 by the eccentric French composer, Erik Satie. They are ingeniously devised to make full and basic use of the five fingers of each...
This album brings together three groups of pieces, all written in 1913 by the eccentric French composer, Erik Satie. They are ingeniously devised to make full and basic use of the five fingers of each...
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- ABRSM Publishing
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These two fascinating works are combined into one volume that includes an interesting biography, background information on the writing of the music, indispensable performance suggestions and a listing...
These two fascinating works are combined into one volume that includes an interesting biography, background information on the writing of the music, indispensable performance suggestions and a listing...
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- Alfred Publishing
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Satie's "Ogives" and "Gymnopédies" are milestones of musical modernism. The metrically free "Ogives" (pointed arches) reflect the influence of French neo-Gothic and neo-Gregorianism in architecture an...
Satie's "Ogives" and "Gymnopédies" are milestones of musical modernism. The metrically free "Ogives" (pointed arches) reflect the influence of French neo-Gothic and neo-Gregorianism in architecture an...
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- Bärenreiter Verlag
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With his parodistic piano pieces about all kinds of sea creatures - with the grotesque title "Dried-up Embryos" - composed in the summer of 1913, Satie once again poked fun at himself and the musical...
With his parodistic piano pieces about all kinds of sea creatures - with the grotesque title "Dried-up Embryos" - composed in the summer of 1913, Satie once again poked fun at himself and the musical...
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- Bärenreiter Verlag
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- Moderate level of difficulty - Includes a glossary (Fr/Ger/Eng) - Notes on performance practice (Ger/Eng) - Detailed Foreword (Ger/Eng) and Critical Commentary (Eng) Satie's progressive incidental m...
- Moderate level of difficulty - Includes a glossary (Fr/Ger/Eng) - Notes on performance practice (Ger/Eng) - Detailed Foreword (Ger/Eng) and Critical Commentary (Eng) Satie's progressive incidental m...
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- Bärenreiter Verlag
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With his advanced incidental music from 1891/92, Satie explicitly turned against the French "Wagnérisme", but not in the sense of a parody. Composed on commission from the Rosicrucian and convinced Wa...
With his advanced incidental music from 1891/92, Satie explicitly turned against the French "Wagnérisme", but not in the sense of a parody. Composed on commission from the Rosicrucian and convinced Wa...
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Mit seinen im Sommer 1913 entstandenen parodistischen Klavierstücken über allerlei Seegetier - mit dem grotesken Titel 'Vertrocknete Embryos' machte sich Satie einmal mehr über sich und die Musikwelt...
Mit seinen im Sommer 1913 entstandenen parodistischen Klavierstücken über allerlei Seegetier - mit dem grotesken Titel 'Vertrocknete Embryos' machte sich Satie einmal mehr über sich und die Musikwelt...
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- Bärenreiter Verlag
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The atmospheric cycle "Penultimate Thoughts" from 1915 belongs to the type of Satie's "story pieces" with underlying text phrases. The curious playing instructions of the three miniatures based on ost...
The atmospheric cycle "Penultimate Thoughts" from 1915 belongs to the type of Satie's "story pieces" with underlying text phrases. The curious playing instructions of the three miniatures based on ost...
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This collection contains the easiest piano pieces in their original form by Erik Satie. These miniatures form a useful addition to piano lessons and offer valuable insights into the range and variety...
This collection contains the easiest piano pieces in their original form by Erik Satie. These miniatures form a useful addition to piano lessons and offer valuable insights into the range and variety...
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- Bayard-Nizet Editions Musicales
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- Bayard-Nizet Editions Musicales
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Discover an extraordinary synthesis of the arts for the piano: Dover Publications presents "20 Short Pieces for Piano" (famously known as "Sports et Divertissements"), an exquisite fusion of musical w...
Discover an extraordinary synthesis of the arts for the piano: Dover Publications presents "20 Short Pieces for Piano" (famously known as "Sports et Divertissements"), an exquisite fusion of musical w...
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- Dover Publications
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This volume is the largest collection of Satie's piano works yet published, including some of the most original and appealing achievements of a turbulent era in music, compositions that influenced suc...
This volume is the largest collection of Satie's piano works yet published, including some of the most original and appealing achievements of a turbulent era in music, compositions that influenced suc...
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- Dover Publications
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The ANACROUSE collection offers novice and experienced pianists alike a wide choice of classical works, from the Renaissance to the modern era. We have set ourselves the goal of offering both "must-ha...
The ANACROUSE collection offers novice and experienced pianists alike a wide choice of classical works, from the Renaissance to the modern era. We have set ourselves the goal of offering both "must-ha...
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- Patrice Bourgès Sarah Fahy
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The ANACROUSE collection offers novice and experienced pianists alike a wide choice of classical works, from the Renaissance to the modern era. We have set ourselves the goal of offering both "must-ha...
The ANACROUSE collection offers novice and experienced pianists alike a wide choice of classical works, from the Renaissance to the modern era. We have set ourselves the goal of offering both "must-ha...
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- Patrice Bourgès Sarah Fahy
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The ANACROUSE collection offers novice and experienced pianists alike a wide choice of classical works, from the Renaissance to the modern era. We have set ourselves the goal of offering both "must-ha...
The ANACROUSE collection offers novice and experienced pianists alike a wide choice of classical works, from the Renaissance to the modern era. We have set ourselves the goal of offering both "must-ha...
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- Jean-François Pailler
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Erik Satie
Éric Alfred Leslie Satie (b. May 17, 1866 in Honfleur, † July 1, 1925 in Paris), or Erik Satie for short, was a French composer who – in the wake of late Romanticism, the Impressionism that surrounded him, and the flare-up of Expressionism – knew how to remain true to himself and his view of music, creating and maintaining his own unique style.
Erik Satie could be called the satirist among turn-of-the-century composers. His pieces are short, straightforward, and downright minimalist, only to have playing instructions and headings that are all the longer and veer into the Dadaist. Here Satie is possibly satirizing the fashion, burgeoning at the time, of giving performers, instead of conventional instructions such as "Adagio" or "Allegro moderato," more detailed instructions such as "Andante très expressif" and "morendo jusq'à la fin" ("Very expressive andante" and "Morendo to the end", from Clair de lune by C. Debussy) or "Mouvement de Valse très modéré" ("Very moderate waltz movement" from Ma mère l'oye No. IV by M. Ravel) to hand. In Satie's case, playing instructions then sound like this: "Conseillez-vous soigneusement" ("Consult carefully"), "De manière à obtenir un creux" ("To obtain a hollow") or "Dans une saine supériorité" ("In healthy superiority", all from Gnossienne). Satie's 7th dance from Danses Gothique is headed: "Par pitié pour les ivrognes, honteux, débauchés, imparfaits, désagréables et faussaires en tous genres", which can be translated, mutatis mutandis, as "Out of pity for the drunkards, ashamed, dissolute, imperfect, disagreeable and fakers of all kinds".
But there are also non-ironic compositions in Satie's oeuvre. In addition to his piano works, Satie produced three ballet scores and the symphonic drama Socrate, as well as the mass Messe des pauvres ("Poor People's Mass"), furthermore a piece for violin and piano entitled Choses vues à Droite et à Gauche - sans lunettes ("Seen right and left - without glasses"), furthermore some vocal works/songs.
You can search specifically for titles by Erik Satie in our online store. For example, if you are interested in an unedited version of his Gymnopédies, please search for it in the spelling satie gymnopedies urtext. If, on the other hand, you would like to see all the arrangements of this composition, please search only for satie gymnopedies and please filter the list of results according to your needs.