Undercurrents Redux originally evolved from the solo piece "Undercurrents" for solo flute, which was composed in the spring of 2007 for Amy Porter, a longtime friend and inspiring musician. In 2010, t...
Undercurrents Redux originally evolved from the solo piece "Undercurrents" for solo flute, which was composed in the spring of 2007 for Amy Porter, a longtime friend and inspiring musician. In 2010, t...
- Flute, Clarinet and Piano
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Undercurrents Redux originally evolved from the solo piece "Undercurrents" for solo flute, which was composed in the spring of 2007 for Amy Porter, a longtime friend and inspiring musician. In 2010, t...
Undercurrents Redux originally evolved from the solo piece "Undercurrents" for solo flute, which was composed in the spring of 2007 for Amy Porter, a longtime friend and inspiring musician. In 2010, t...
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Skeleton at the Feast was composed in 2017 for the Trio Virado and premiered in 2019 in Joplin, Missouri. The work is based on an ancient tradition described by Plutarch, in which a skeleton or mummy...
Skeleton at the Feast was composed in 2017 for the Trio Virado and premiered in 2019 in Joplin, Missouri. The work is based on an ancient tradition described by Plutarch, in which a skeleton or mummy...
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Skeleton at the Feast was composed in 2017 for the Trio Virado and premiered in 2019 in Joplin, Missouri. The work is based on an ancient tradition described by Plutarch, in which a skeleton or mummy...
Skeleton at the Feast was composed in 2017 for the Trio Virado and premiered in 2019 in Joplin, Missouri. The work is based on an ancient tradition described by Plutarch, in which a skeleton or mummy...
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For Clarinet and Hand Drum.
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The structure of this quintet corresponds to Debussy's Cello Sonata, which I played in New York in 2010 with the American cellist Andrew Yee, a member of the Attacca Quartet. The first movement of my...
The structure of this quintet corresponds to Debussy's Cello Sonata, which I played in New York in 2010 with the American cellist Andrew Yee, a member of the Attacca Quartet. The first movement of my...
- Clarinet and 4 Strings
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- Narrator, Horn and Piano
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I. To a Fish (2') II. A Fish Answers (ca. 1'30) III. The Fish turns into a Man, and then into a Spirit, and again Speaks (ca. 3'30)
I. To a Fish (2') II. A Fish Answers (ca. 1'30) III. The Fish turns into a Man, and then into a Spirit, and again Speaks (ca. 3'30)
- Horn, Piano and Narrator
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- Oboe, Horn and Piano
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Woodwind quintet and narrator.
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Valery Strukow's Trio, written in 1995 and formatted in three movements, features the inventive and often humorous talent of this versatile Russian composer, who worked for many years as composer in r...
Valery Strukow's Trio, written in 1995 and formatted in three movements, features the inventive and often humorous talent of this versatile Russian composer, who worked for many years as composer in r...
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Valery Strukow's Trio, written in 1995 and formatted in three movements, features the inventive and often humorous talent of this versatile Russian composer, who worked for many years as composer in r...
Valery Strukow's Trio, written in 1995 and formatted in three movements, features the inventive and often humorous talent of this versatile Russian composer, who worked for many years as composer in r...
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Tenor voice, horn, violin and piano Theme of Jack Bride (1'47) - 1. Auschwitz (1'36) - 2. Texas on a Sunday (3'46) - 3. The Bounty (1'38) - 4. Greenland (4'38) - 5. Sermon on the mount (2'58) - 6. Mas...
Tenor voice, horn, violin and piano Theme of Jack Bride (1'47) - 1. Auschwitz (1'36) - 2. Texas on a Sunday (3'46) - 3. The Bounty (1'38) - 4. Greenland (4'38) - 5. Sermon on the mount (2'58) - 6. Mas...
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- Oboe, Horn, Bassoon, Violin, Viola and Cello
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- Oboe, Horn, Bassoon, Violin, Viola and Cello
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The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
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The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
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The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
The Suite for oboe, horn and strings was written between December, 1990, and January, 1991, for two close friends of the composer: oboe player Lucinda Fisher and hornist Richard Schwartz, who performe...
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