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Motette. Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Streicher, Orgel - Partitur; Urtextausgabe
Motette. Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Streicher, Orgel - Partitur; Urtextausgabe
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Motette. Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Streicher, Orgel - Partitur; Urtextausgabe
Motette. Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Streicher, Orgel - Partitur; Urtextausgabe
- Mixed Choir (SATB), Strings and Organ
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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Trompete (2), Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Trompete (2), Streicher, Orgel - Partitur; Urtextausgabe
- High Voice, Mixed Choir (SATB), 2 Trumpets, Strings and Organ
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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Trompete (2), Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Trompete (2), Streicher, Orgel - Partitur; Urtextausgabe
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Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe
- Mixed Choir (SATB), 2 Trumpets, Timpani, Strings and Organ
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Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe
- Mixed Choir (SATB), 2 Trumpets, Timpani, Strings and Organ
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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Posaune (3) ad lib., Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Posaune (3) ad lib., Streicher, Orgel - Partitur; Urtextausgabe
- 4 Soloists, Mixed Choir (SATB), 3 Trombones, Strings and Organ
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The first page of the autograph of the Mass K. 49 (47d) bears the crossed-out (autograph?) note in Vienna below the author's name. Two other, unidentified hands, still belonging to the 18th century, h...
The first page of the autograph of the Mass K. 49 (47d) bears the crossed-out (autograph?) note in Vienna below the author's name. Two other, unidentified hands, still belonging to the 18th century, h...
- 4 Soloists, Mixed Choir (SATB), 3 Trombones, Strings and Organ
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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Trompete (2), Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Trompete (2), Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe
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The "Missa brevis in F" K. 192 (186f), which can be considered the highlight of Mozart's "youth masses", is also known as the "Little Credo Mass" due to the Credo calls interspersed throughout the thi...
The "Missa brevis in F" K. 192 (186f), which can be considered the highlight of Mozart's "youth masses", is also known as the "Little Credo Mass" due to the Credo calls interspersed throughout the thi...
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Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe
- Mixed Choir (SATB), 3 Trombones, Strings and Organ
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Mozart composed the offertory "Inter natos mulierum" K. 72 (74f) in the early summer of 1771. The work is characterized by the richly contrasting chorus as the carrier of the expression, to which the...
Mozart composed the offertory "Inter natos mulierum" K. 72 (74f) in the early summer of 1771. The work is characterized by the richly contrasting chorus as the carrier of the expression, to which the...
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Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Streicher, Orgel - Partitur; Urtextausgabe
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Mozart's "Misercordias Domini" K. 222 (205a) was commissioned by the Bavarian Elector, as can be seen from a letter from the composer to Fr. It must have been composed in Munich in the first two month...
Mozart's "Misercordias Domini" K. 222 (205a) was commissioned by the Bavarian Elector, as can be seen from a letter from the composer to Fr. It must have been composed in Munich in the first two month...
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- Soloists, Mixed Choir (SSB), Strings and Continuo
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Choralkantate für Solostimmen (auch chorisch), Chor und Instrumente (deutsch/englisch). Der Partitur liegen die Instrumentalstimmen bei. Sopran solo (2), Bass solo, Gemischter Chor-SSB, Violine (2), F...
Choralkantate für Solostimmen (auch chorisch), Chor und Instrumente (deutsch/englisch). Der Partitur liegen die Instrumentalstimmen bei. Sopran solo (2), Bass solo, Gemischter Chor-SSB, Violine (2), F...
- Soloists, Mixed Choir (SATB), 2 Violins, Bassoon and Continuo
- Score and Parts
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Choralkantate für Solostimmen (auch chorisch), Chor und Instrumente (deutsch/englisch). Der Partitur liegen die Instrumentalstimmen bei. Sopran solo (2), Bass solo, Gemischter Chor-SSB, Violine (2), F...
Choralkantate für Solostimmen (auch chorisch), Chor und Instrumente (deutsch/englisch). Der Partitur liegen die Instrumentalstimmen bei. Sopran solo (2), Bass solo, Gemischter Chor-SSB, Violine (2), F...
- Soloists, Mixed Choir (SATB), 2 Violins, Bassoon and Continuo
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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe
- High Voice, Mixed Choir (SATB), Trumpet, Timpani, 2 Violins, Cello and Organ
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The offertory in Festo Sti Benedicti "Scande coeli limina" K. 34, consisting of aria and chorus, is the oldest surviving smaller church music work by Mozart. According to Max Keller, the three-part ar...
The offertory in Festo Sti Benedicti "Scande coeli limina" K. 34, consisting of aria and chorus, is the oldest surviving smaller church music work by Mozart. According to Max Keller, the three-part ar...
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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Gemischter Chor-SATB, Posaune (3), Streicher, Orgel - Urtextausgabe; Partitur
Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Gemischter Chor-SATB, Posaune (3), Streicher, Orgel - Urtextausgabe; Partitur
- Soloists, Mixed Choir (SATB), 2 Violins, Cello and Organ
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The Marian motet "Alma Dei creatoris" K. 277 (272a) shows a close stylistic relationship to the motet "Sancta Maria, mater Dei" K. 273. Both motets are in the same key, borrow their three-part form fr...
The Marian motet "Alma Dei creatoris" K. 277 (272a) shows a close stylistic relationship to the motet "Sancta Maria, mater Dei" K. 273. Both motets are in the same key, borrow their three-part form fr...
- Soloists, Mixed Choir (SATB), 2 Violins, Cello and Organ
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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe
- Soloists, Mixed Choir (SATB), 3 Trombones, Strings and Organ
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In addition to masses, requiems and vespers, Mozart's larger works of church music include the four litanies, all of which were composed in Salzburg. After returning from his first trip to Italy (Dece...
In addition to masses, requiems and vespers, Mozart's larger works of church music include the four litanies, all of which were composed in Salzburg. After returning from his first trip to Italy (Dece...
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Offertorium. Urtext der Neuen Mozart-Ausgabe. Gemischter Chor (2)-SATB+SATB, Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe
Offertorium. Urtext der Neuen Mozart-Ausgabe. Gemischter Chor (2)-SATB+SATB, Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe
- 2 Mixed Choirs (SATB), 3 Trombones, Strings and Organ
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The Offertorium de venerabili sacramento "Venite populi" à 2 Chori K. 260/248a, whose autograph score Mozart inscribed Salzburg 1767, clearly shows the composer's desire for in-depth contrapuntal work...
The Offertorium de venerabili sacramento "Venite populi" à 2 Chori K. 260/248a, whose autograph score Mozart inscribed Salzburg 1767, clearly shows the composer's desire for in-depth contrapuntal work...
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