Bärenreiter Verlag Sheet Music

The opera Naïs, which premiered at the Académie royale in the Palais-Royal in Paris on April 22, 1749 to celebrate the signing of the so-called 'Peace of Aachen' and was revived in August 1764, shortl...

The verismo opera Pagliacci by Ruggero Leoncavallo is the first work in Bärenreiter's new series 'Masterpieces of Italian Opera' (MIO). Pagliacci, which was Leoncavallo's most successful work, has rem...

The premiere of Pietro Mascagni's "Cavalleria rusticana" in May 1890 is a milestone in the history of opera. It was a huge success, considered the beginning of verismo in opera and was praised for rev...

VSolo, Oboe 1, Oboe 2, Streicher, Basso continuo - Partitur; Urtextausgabe

Zweifellos ist 'Samson et Dalila' heute die bekannteste der dreizehn Opern von Camille Saint-Saëns, die wie wenige Stücke des französischen 19. Jahrhunderts im Repertoire der internationalen Bühnen pr...

Charles Gounod's 'Faust' secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with...

The opera "Dido and Aeneas", a retelling of the well-known story from Book IV of Virgil's Aeneid, has established itself as an audience favorite. It owes this to the skill of its composer Henry Purcel...

Der beigefügte Datenträger (USB-Karte) enthält sämtliche Quellen, die Text- und Notenedition und die Kritischen Anmerkun

Inhalt: OPERA - Spektrum des europäischen Musiktheaters in Einzeleditionen Modul 1 : Eigentext und Fremdtext Der beigefügte Datenträger (USB-Karte) enthält sämtliche Quellen, die Text- und Noteneditio...

Agostino Steffani's “Henrico Leone” is a work that stands out in the history of opera at the end of the 17th century due to the confluence of very different factors. The world premiere marked the inau...

Of the four overtures that Beethoven composed for his only opera, the 'Leonore Overture' No. 3 is the most popular. The first reviewer found fault with it for its 'incessant dissonances and overblown...

Originally conceived as a prologue for the ballet "Les Beaux Jours de l'Amour", the one-act opera "La Naissance d'Osiris" was performed only twice, together with revivals of "Pigmalion" and "Les Incas...

Amongst Rameau’s stage works which have come down to us in two main versions, such as “Dardanus“ (1739, 1744), “Platée“ (1745, 1749) and “Zoroastre“ (1749, 1756), none fell into oblivion for as long a...

Actually, "Les Boréades" was supposed to be performed in 1763 at the Théâtre de Choisy in Paris after the end of the Seven Years' War on the occasion of the celebrations of the peace treaty. But after...

Les Boréades was actually intended to be performed at the Théâtre de Choisy in Paris in 1763 at the end of the Seven Years' War to celebrate the conclusion of peace. However, after two rehearsals with...

Richer than ever - Rameau’s 'Zoroastre' in the version of 1756 Rameau’s revised version of his opera 'Zoroastre', which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académi...

Nach 'Hippolyte et Aricie' und 'Castor et Pollux' ist 'Dardanus' Rameaus dritte Tragédie lyrique für Paris. Mit ihrer vielgestaltigen Musik ist sie ein absoluter Höhepunkt dieser Gattung. Die Handlung...

Rameau's "Io" has only survived posthumously, namely in the form of a copy of the score and the orchestral parts, both of which were produced in Rameau's successor generation from the now lost autogra...

'Les Paladins' was Rameau's last work premiered at the Académie royale de musique in 1760. Sharply criticized on account of its overtly comical libretto, the work was withdrawn after fifteen performan...

The Acte de ballet "Zéphire" was never performed during the lifetime of its authors, although the autograph manuscript shows traces that Rameau worked on it several times between 1748 and 1759 – possi...

This collection of the instrumental numbers from Zoroastre, a "Tragédie in five acts" includes the movements and dances of all the original versions, i.e. those of January and February 1756 (found in...

This collection of instrumental numbers from the "Tragédie in fünf Akten" Zoroastre brings together the movements and dances from all the original versions, i.e. those from January and February 1756 (...