Carus-Verlag Sheet Music
The text of the cantata "Nun danket alle Gott" BWV 192 is based solely on the well-known hymn. It is therefore one of the few choral cantatas that do not contain any other free poetic texts. According...
The text of the cantata "Nun danket alle Gott" BWV 192 is based solely on the well-known hymn. It is therefore one of the few choral cantatas that do not contain any other free poetic texts. According...
- Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Violins, Viola and Continuo
- Piano reduction Download (Urtext)
- Detlev Schulten Christine Blanken
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The cantata "Höchsterwünschtes Freudenfest" BWV 194 was composed on the occasion of the organ dedication in Störmthal on November 2, 1723. One year later and with only minor changes, the cantata was p...
The cantata "Höchsterwünschtes Freudenfest" BWV 194 was composed on the occasion of the organ dedication in Störmthal on November 2, 1723. One year later and with only minor changes, the cantata was p...
- Soloists (STB), Mixed Choir (SATB), 3 Oboes, bassoon, 2 Violins, Viola, Basso continuo
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The cantata "Der Herr denket an uns" BWV 196 has a special charm due to its early date of composition, penned by the just 22-year-old Bach, and its brevity and simple scoring make it easy to perform e...
The cantata "Der Herr denket an uns" BWV 196 has a special charm due to its early date of composition, penned by the just 22-year-old Bach, and its brevity and simple scoring make it easy to perform e...
- Soloists (STB), Mixed Choir (SATB), 2 Violins, Viola, Cello and Continuo
- Piano Reduction Download
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'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...
'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...
- Soloists (SAB), Mixed Choir (SATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
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'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...
'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...
- Soloists (SAB), Mixed Choir (SATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Piano Score (Urtext)
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Gott ist unsre Zuversicht BWV 197 was probably composed in the second half of the 1730s for an unknown wedding ceremony and features an impressive orchestra, especially in the opening chorus. The text...
Gott ist unsre Zuversicht BWV 197 was probably composed in the second half of the 1730s for an unknown wedding ceremony and features an impressive orchestra, especially in the opening chorus. The text...
- Soloists (SAB), Mixed Choir (SATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Piano reduction Download (Urtext)
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Bach's solo soprano cantata Mein Herze schwimmt im Blut was composed in the summer of 1714 for the Weimar court service on the 11th Sunday after Trinity. The cantata poem by the Darmstadt court poet G...
Bach's solo soprano cantata Mein Herze schwimmt im Blut was composed in the summer of 1714 for the Weimar court service on the 11th Sunday after Trinity. The cantata poem by the Darmstadt court poet G...
- High Voice, Oboe, 2 Violins, Viola, Cello and Continuo
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Neben der h-Moll-Messe existieren von Bach bekanntlich vier weitere, kleinere Messkompositionen, die sog. Lutherischen oder Kyrie-Gloria-Messen. Trotz ihrer hohen musikalischen Qualitäten, stehen sie...
Neben der h-Moll-Messe existieren von Bach bekanntlich vier weitere, kleinere Messkompositionen, die sog. Lutherischen oder Kyrie-Gloria-Messen. Trotz ihrer hohen musikalischen Qualitäten, stehen sie...
- Soloists, Mixed Choir (SATB), 2 Oboes, Bassoon, 2 Horns, 2 Violins, Viola and Continuo
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In addition to the Mass in B minor, Bach is known to have composed four other, smaller masses, the so-called Lutheran or Kyrie Gloria masses. Despite their high musical qualities, they are often overs...
In addition to the Mass in B minor, Bach is known to have composed four other, smaller masses, the so-called Lutheran or Kyrie Gloria masses. Despite their high musical qualities, they are often overs...
- Soloists, Mixed Choir (SATB), 2 Oboes, Bassoon, 2 Cornets, 2 Violins, Viola and Continuo
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In addition to the Mass in B minor, Bach is known to have composed four other, smaller masses, the so-called Lutheran or Kyrie Gloria masses. Despite their high musical qualities, they are often overs...
In addition to the Mass in B minor, Bach is known to have composed four other, smaller masses, the so-called Lutheran or Kyrie Gloria masses. Despite their high musical qualities, they are often overs...
- Soloists, Mixed Choir (SATB), 2 Flutes, 2 Violins and Continuo
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Eine Neue, textlich revidierte Ausgabe, die allen Kriterien der modernen historisch-kritischen Bach-Forschung entspricht und dabei das Werk in einem grosszügigen Notenbild präsentiert. Passend zur D-D...
Eine Neue, textlich revidierte Ausgabe, die allen Kriterien der modernen historisch-kritischen Bach-Forschung entspricht und dabei das Werk in einem grosszügigen Notenbild präsentiert. Passend zur D-D...
- Soloists, Mixed Choir (SSATB), 3 Trumpets, Timpani, 2 Flutes, 2 Oboes, 2 Violins, Viola and Continuo
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Johann Sebastian Bach's "Magnificat" BWV 243 was composed in its first form in E flat at the very beginning of Bach's Leipzig tenure, possibly for the Visitation of Mary on July 2, 1723. A performance...
Johann Sebastian Bach's "Magnificat" BWV 243 was composed in its first form in E flat at the very beginning of Bach's Leipzig tenure, possibly for the Visitation of Mary on July 2, 1723. A performance...
- Solo (SSATB), Mixed Choir (SSATB), 2 Flutes, 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Basso Continuo
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Ein feste Burg ist unser Gott BWV 80 (CV31080-00) is one of Johann Sebastian Bach's most frequently-performed cantatas. But the well-known form of the work, with its great opening chorale chorus, repr...
Ein feste Burg ist unser Gott BWV 80 (CV31080-00) is one of Johann Sebastian Bach's most frequently-performed cantatas. But the well-known form of the work, with its great opening chorale chorus, repr...
- Soloists (SATB), Mixed Choir (SATB), Oboe, 2 Violins, Viola and Continuo
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- Klaus Hofmann
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Ein feste Burg ist unser Gott BWV 80 (Carus 31.080/00) is one of Johann Sebastian Bach's most frequently performed cantatas. However, the well-known form with the large opening chorale represents the...
Ein feste Burg ist unser Gott BWV 80 (Carus 31.080/00) is one of Johann Sebastian Bach's most frequently performed cantatas. However, the well-known form with the large opening chorale represents the...
- Soloists (SATB), Mixed Choir (SATB), Oboe, 2 Violins, Viola and Continuo
- Piano Reduction Download
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Ein feste Burg ist unser Gott BWV 80 (Carus 31.080/00) is one of Johann Sebastian Bach's most frequently performed cantatas. However, the well-known form with the large opening chorale represents the...
Ein feste Burg ist unser Gott BWV 80 (Carus 31.080/00) is one of Johann Sebastian Bach's most frequently performed cantatas. However, the well-known form with the large opening chorale represents the...
- Soloists (SATB), Mixed Choir (SATB), Oboe, 2 Violins, Viola and Continuo
- Set of Parts Download
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Carl Philipp Emanuel Bach komponierte sein lateinisches Sanctus in Es in den Jahren 1768-1778, als er Musikdirektor an den Hamburger Kirchen war. Das kurze und feierliche Werk für Chor und Orchester w...
Carl Philipp Emanuel Bach komponierte sein lateinisches Sanctus in Es in den Jahren 1768-1778, als er Musikdirektor an den Hamburger Kirchen war. Das kurze und feierliche Werk für Chor und Orchester w...
- Mixed Choir (SATB), 2 Oboes, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
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The Missa in g is the only surviving work in this genre by Johann Hugo von Wilderer, whose work as Kapellmeister at the Electoral Palatinate court, which had resided in Mannheim since 1720, was mainly...
The Missa in g is the only surviving work in this genre by Johann Hugo von Wilderer, whose work as Kapellmeister at the Electoral Palatinate court, which had resided in Mannheim since 1720, was mainly...
- Mixed Choir (SATB), 2 Violins, 2 Violas and Continuo
- Piano Reduction Download
- Paul Horn
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There is hardly a work by a contemporary that Bach can be proven to have worked on as frequently and intensively as Keiser's "St. Mark Passion". There is evidence of a total of three performances, for...
There is hardly a work by a contemporary that Bach can be proven to have worked on as frequently and intensively as Keiser's "St. Mark Passion". There is evidence of a total of three performances, for...
- Soloists, Mixed Choir (SATB), Strings and Organ
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- Johann Sebastian Bach
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The representative Latin psalm composition "Deus, judicium tuum" (Ps. 71/72) is one of the best from Telemann's pen. Its composition is linked to his eight-month trip to Paris in the fall of 1737, dur...
The representative Latin psalm composition "Deus, judicium tuum" (Ps. 71/72) is one of the best from Telemann's pen. Its composition is linked to his eight-month trip to Paris in the fall of 1737, dur...
- Soloists, Mixed Choir (SATBB) and Piano
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Great Baroque church music full of color and powerful imagery! 'Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas s...
Great Baroque church music full of color and powerful imagery! 'Sing to the Lord a new song! Sing, rejoice and praise his holy name with the trumpets and cornetts! And nature shall join in, the seas s...
- Soloists (SATB), Mixed Choir (SATB), 2 Horns, 2 Violins, 2 Trombones, Harp and Continuo
- Piano Reduction (Urtext)
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With "Dixit Dominus" (Ps 109 [110]) and "Beatus vir" (Ps 111 [112]), two of Vivaldi's most important double-choir church compositions are available in new critical editions. With the vocal-instrumenta...
With "Dixit Dominus" (Ps 109 [110]) and "Beatus vir" (Ps 111 [112]), two of Vivaldi's most important double-choir church compositions are available in new critical editions. With the vocal-instrumenta...
- Soloists, 2 Mixed Choirs (SATB), 2 Oboes and Strings
- Piano Reduction Download
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Psalm 147 "Lauda Jerusalem" has an important place in the church year, including in vespers on Marian feasts. Antonio Vivaldi's only setting of this vesper psalm has some special features: The work is...
Psalm 147 "Lauda Jerusalem" has an important place in the church year, including in vespers on Marian feasts. Antonio Vivaldi's only setting of this vesper psalm has some special features: The work is...
- Soloists (SS), 2 Mixed Choirs (SATB), 4 Violins, 2 Violas and 2 Basso continuo
- Piano reduction Download (Urtext)
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Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
- Soloists (SS), 2 Mixed Choirs (SATB), 4 Violins, 2 Violas and 2 Basso continuo
- Set of Parts (Urtext)
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Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
Psalm 147 "Lauda Jerusalem" has an important place in the church year, among other things in vespers on Marian feasts. Antonio Vivaldi's only setting of this Vespers Psalm has some peculiarities: the...
- Soloists (SS), 2 Mixed Choirs (SATB), 4 Violins, 2 Violas and 2 Basso continuo
- Set of Parts (Urtext) Download
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In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
In contrast to the two "Regina coeli" settings K. 74 and 127, which are scored for solo soprano and choir, Mozart uses the quartet of soloists in K. 276, which, as in the Salzburg masses, often only d...
- Soloists, Mixed Choir (SATB), 2 Oboes, 2 Trumpets, Timpani, Strings and Organ
- Set of Parts - Harmony Download
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