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The "Miserere" is based on the Prelude and Fugue in B-flat minor from the 1st part of the “Well-Tempered Clavier” by Johann Sebastian Bach. In his choral version, Heribert Breuer transposes the origin...
The "Miserere" is based on the Prelude and Fugue in B-flat minor from the 1st part of the “Well-Tempered Clavier” by Johann Sebastian Bach. In his choral version, Heribert Breuer transposes the origin...
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The "Miserere" is based on the Prelude and Fugue in B-flat minor from the 1st part of the “Well-Tempered Clavier” by Johann Sebastian Bach. In his choral version, Heribert Breuer transposes the origin...
The "Miserere" is based on the Prelude and Fugue in B-flat minor from the 1st part of the “Well-Tempered Clavier” by Johann Sebastian Bach. In his choral version, Heribert Breuer transposes the origin...
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- Choral Score Download
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- Mixed Choir
- Score Download
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- Mixed Choir
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Mit großem Erfolg haben sich in den letzten Jahren die anspruchsvollen Arrangements von Clytus Gottwald auf den Chorbühnen der ganzen Welt durchgesetzt. In seinen Chortranskriptionen überträgt Gottwal...
Mit großem Erfolg haben sich in den letzten Jahren die anspruchsvollen Arrangements von Clytus Gottwald auf den Chorbühnen der ganzen Welt durchgesetzt. In seinen Chortranskriptionen überträgt Gottwal...
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- Clytus Gottwald
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Coro SATB
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Today, César Franck (1822-1890) is considered one of the most important French composers and organists of his time. His main work "Les Béatitudes", a monumental oratorio setting of the Beatitudes from...
Today, César Franck (1822-1890) is considered one of the most important French composers and organists of his time. His main work "Les Béatitudes", a monumental oratorio setting of the Beatitudes from...
- Soloists (SSATTBBB), Mixed Choir (SATB) and Orchestra
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- Birgit Haberhausen Gudrun Kosviner
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The Magnificat was commissioned in 2017 by the Landesakademie für die musizierende Jugend in Baden-Württemberg for the Choir of the International Choir Festival C.H.O.I.R. In this setting of the hymn...
The Magnificat was commissioned in 2017 by the Landesakademie für die musizierende Jugend in Baden-Württemberg for the Choir of the International Choir Festival C.H.O.I.R. In this setting of the hymn...
- High Voice, Mixed Choir (SATB), Alto Saxophone, Flute, 2 Violins, Piano, Double Bass and Percussion
- Choral Score
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Dvorák's great "Requiem" was commissioned for the renowned music festival in Birmingham. Since its premiere there under the composer's direction in 1891, it has enjoyed great popularity. It is based o...
Dvorák's great "Requiem" was commissioned for the renowned music festival in Birmingham. Since its premiere there under the composer's direction in 1891, it has enjoyed great popularity. It is based o...
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- Piano Reduction (Urtext)
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Dvorák's great "Requiem" was commissioned for the renowned music festival in Birmingham. Since its premiere there under the composer's direction in 1891, it has enjoyed great popularity. It is based o...
Dvorák's great "Requiem" was commissioned for the renowned music festival in Birmingham. Since its premiere there under the composer's direction in 1891, it has enjoyed great popularity. It is based o...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
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Missa latina is a complete Latin mass composition for solo soprano, large mixed choir (SATB with voice parts and choral solos) and a band consisting of violin, bandoneon (accordion), piano, double bas...
Missa latina is a complete Latin mass composition for solo soprano, large mixed choir (SATB with voice parts and choral solos) and a band consisting of violin, bandoneon (accordion), piano, double bas...
- High Voice, Mixed Choir (SATB), Violin, Accordion, Piano, Double Bass, Drums and Percussion
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The Missa latina is a complete setting of the Latin Mass for solo soprano, large mixed choir (SATB divisi as well as soloists from the choir) and a band consisting of violin, bandoneon (accordion), pi...
The Missa latina is a complete setting of the Latin Mass for solo soprano, large mixed choir (SATB divisi as well as soloists from the choir) and a band consisting of violin, bandoneon (accordion), pi...
- High Voice, Mixed Choir (SATB), Violin, Accordion, Piano, Double Bass, Drums and Percussion
- Choral Score
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Bach composed the cantata "Ach Gott, wie manches Herzeleid" for the 2nd Sunday after Epiphany in 1725; it is part of the choral cantata cycle. In the large-scale choral movement, a sorrowful choral mo...
Bach composed the cantata "Ach Gott, wie manches Herzeleid" for the 2nd Sunday after Epiphany in 1725; it is part of the choral cantata cycle. In the large-scale choral movement, a sorrowful choral mo...
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The surviving parts for the cantata "Christ lag in Todes Banden" BWV 4.2 were used for a performance on Easter Sunday, April 1, 1725; this performance was presumably an emergency solution, as the chor...
The surviving parts for the cantata "Christ lag in Todes Banden" BWV 4.2 were used for a performance on Easter Sunday, April 1, 1725; this performance was presumably an emergency solution, as the chor...
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Bach composed the choral cantata Wo soll ich fliehen hin BWV 5 for the 19th Sunday after Trinity in 1724. The cantata belongs to Bach's 2nd Leipzig year, the choral cantata year. The opening movement...
Bach composed the choral cantata Wo soll ich fliehen hin BWV 5 for the 19th Sunday after Trinity in 1724. The cantata belongs to Bach's 2nd Leipzig year, the choral cantata year. The opening movement...
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The cantata Liebster Gott, wenn wird ich sterben belongs in its original form BWV 8.1 to Bach's choral cantata cycle of 1724/25 and was first performed on the 16th Sunday after Trinity (September 24,...
The cantata Liebster Gott, wenn wird ich sterben belongs in its original form BWV 8.1 to Bach's choral cantata cycle of 1724/25 and was first performed on the 16th Sunday after Trinity (September 24,...
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The cantata Jesu, der du meine Seele BWV 78 is one of Johann Sebastian Bach's best-known vocal compositions today. It owes its popularity not least to the unusual combination of contrapuntal density i...
The cantata Jesu, der du meine Seele BWV 78 is one of Johann Sebastian Bach's best-known vocal compositions today. It owes its popularity not least to the unusual combination of contrapuntal density i...
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The "Actus tragicus" or "God's time is the very best time" BWV 106 is one of Bach's best-known and most appreciated works with an unbroken resonance to this day - a "work of genius that even great mas...
The "Actus tragicus" or "God's time is the very best time" BWV 106 is one of Bach's best-known and most appreciated works with an unbroken resonance to this day - a "work of genius that even great mas...
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Soli ATB, Coro SATB, 2 Ob, Tr, 2 Vl, Va, Bc Sprache: deutsch/englisch
Soli ATB, Coro SATB, 2 Ob, Tr, 2 Vl, Va, Bc Sprache: deutsch/englisch
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The cantata "Aus der Tiefe ruf ich, Herr, zu dir" is one of Bach's earliest cantata compositions. It was composed in Mühlhausen in 1707 and does not yet have the elaborate arias and choral movements o...
The cantata "Aus der Tiefe ruf ich, Herr, zu dir" is one of Bach's earliest cantata compositions. It was composed in Mühlhausen in 1707 and does not yet have the elaborate arias and choral movements o...
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The cantata "Herz und Mund und Tat und Leben" BWV 147 for the Feast of the Visitation of Mary (2 July) in 1723 belongs to a group of three Weimar Advent cantatas which Bach reinterpreted textually in...
The cantata "Herz und Mund und Tat und Leben" BWV 147 for the Feast of the Visitation of Mary (2 July) in 1723 belongs to a group of three Weimar Advent cantatas which Bach reinterpreted textually in...
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- Uwe Wolf Henry S. Drinker
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The cantata "Nach dir, Herr, verlanget mich" BWV 150 is one of Bach's earliest cantatas from his Mühlhausen period. For a long time, its authenticity was disputed, a fact which was not only due to the...
The cantata "Nach dir, Herr, verlanget mich" BWV 150 is one of Bach's earliest cantatas from his Mühlhausen period. For a long time, its authenticity was disputed, a fact which was not only due to the...
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Published in collaboration with the Bach Archive Leipzig with the unfinished revision (1739) in the appendix. The St. John Passion is one of the great vocal works of Bach's Leipzig period. In contrast...
Published in collaboration with the Bach Archive Leipzig with the unfinished revision (1739) in the appendix. The St. John Passion is one of the great vocal works of Bach's Leipzig period. In contrast...
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Alongside the double-choir St. Matthew Passion, the Christmas Oratorio, the Magnificat and the Mass in B minor, the St. John Passion is one of the great vocal works of Johann Sebastian Bach's Leipzig...
Alongside the double-choir St. Matthew Passion, the Christmas Oratorio, the Magnificat and the Mass in B minor, the St. John Passion is one of the great vocal works of Johann Sebastian Bach's Leipzig...
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The double-choir psalm setting Dixit Dominus (Ps 109) is one of the most important works by the church composer Vivaldi. Here he draws on the old Venetian tradition of polychoral music, whose composit...
The double-choir psalm setting Dixit Dominus (Ps 109) is one of the most important works by the church composer Vivaldi. Here he draws on the old Venetian tradition of polychoral music, whose composit...
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