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This choral score contains three movements from "Liturgische Sätze über altevangelische Kyrie- und Gloriaweisen" op. 13 (1933/35) by the Protestant church musician Hugo Distler. They are written for f...

Zwei Kompositionen aus dem Mörike-Chorliederbuch. Frauenchor - Singpartitur

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

The magic of Fauré's works written for church music contexts is unique. The motets and chants written for the special features of the Madeleine choir organ have the particular colourfulness of a float...

Frauenchor-SS - Chorpartitur

The choral landscape is changing! On the one hand, more and more choirs in Germany and abroad are experiencing a shortage of male voices - and at the same time, more and more female choirs are looking...

The choral landscape is changing! On the one hand, more and more choirs in Germany and abroad are experiencing a shortage of male voices - and at the same time, more and more female choirs are looking...

Pergolesi's famous 'Stabat mater' quickly began its triumphal march through Europe as a work for two soloists. Nevertheless, there are many indications that there were also choral performances quite e...

The 'Sparrow Mass' in an arrangement for women's choir The 'Missa in C' KV 220 has established a firm place in the repertoire of many choirs to this day. The new series 'Bärenreiter Frauenchor' now in...

Haydn probably wrote his short mass in 1775 for the Order of the Brothers of Mercy in the Eisenstadt monastery. The work owes its nickname 'Little Organ Mass' to the Benedictus with its organ solo. Th...

I Never Saw a Moor (Based on a text by Emily Dickinson): The composition expresses the unshakeable trust in God and thus the central message of Emily Dickinson's poem. The music describes feelings of...

The "Gloria" RV 589 is probably one of Vivaldi's best-known compositions today and one of the most frequently performed sacred vocal works from the Baroque period. The work was almost certainly compos...

The cantata "Wie schön leuchtet der Morgenstern" (BWV 1) was composed on March 25, 1725, when the Feast of the Annunciation coincided with Palm Sunday. It forms the conclusion of Bach's choral cantata...

Urtext of the New Bach Edition - Cantata for Easter Sunday. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir-SATB; Trumpet/ Cornetto/ Zinc, Trombone (3), Strings, Basso continuo - Piano red...

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Klarinette in b, Streicher, Basso continuo. Klavierauszug; Urtextausgabe

Kantate zum Sonntag Sexagesimae (Leipziger Fassung). Gemischter Chor-SATB - Chorpartitur

The cantata "Ich hatte viel Bekümmernis" was composed around 1713 and was probably performed by the composer for the first time in the same year at the Liebfrauenkirche in Halle. It was probably not a...

Johann Sebastian Bach's cantata "Der Himmel lacht! Die Erde jubilieret" BWV 31 was composed in Weimar for the Sunday of April 21, 1715. The text by Salomon Franck is closely linked to the Easter Gospe...

Bach's cantata for the 1st Sunday after Trinity, first performed in 1726, is one of the Thomas cantor's most musically appealing compositions. The opulent opening chorus programmatically illustrates t...

Cantata 56, also known as the "Kreuzstab Cantata", was composed in 1726 for the 21st Sunday after Trinity and is scored relatively lightly for oboes, English horn, strings and continuo. As its text al...

The cantata Jesu, der du meine Seele belongs to the famous series of choral cantatas that Bach composed in his second year in Leipzig. It was probably performed for the first time in one of Leipzig's...

No original sources have survived for Bach's great Reformation cantata "Ein feste Burg ist unser Gott". It is possible that the original version of the cantata was composed in Weimar in 1715, which Ba...