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As neither original sources nor documents relating to the first performance of the present funeral cantata Gottes Zeit ist die allerbeste Zeit BWV 106 have survived, we cannot prove the year of compos...

Bach's cantata, "Herr Gott, dich loben alle wir", composed on September 29, 1724, belongs to the group of choral cantatas which, like perhaps the respective preacher, interpret the ideas of the readin...

The origins of the cantata Lobe den Herrn meine Seele BWV 143 are largely unknown. For a long time, a copy from the 19th century was considered the only source. This was also the basis for the musical...

Cantata for the Feast of the Visitation, after the Urtext of the New Bach Edition. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir, Oboe (2), Oboe d'amore, Oboe-dacc (2), Bassoon, Trumpet,...

To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....

Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...

The "Petite Messe solennelle" is a very late work by Rossini. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the inauguration of her private...

Bereits 1960 erschien das Dixit Dominus von Georg Friedrich Händel im Rahmen der damals noch jungen Hallischen Händel-Ausgabe. Ein Kritischer Bericht wurde dabei nicht vorgelegt, sodass in Zweifelsfäl...

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

Handel composed the "Te Deum" in B flat major HWV 281 in 1718 for the later Duke of Chandos. The work therefore became known as the "Chandos Te Deum", but is referred to here as the "Te Deum" for Cann...

The oratorio "Solomon" about the wise and righteous King Solomon was composed in 1748 and is musically one of the richest compositions Handel created for this genre. The chorus plays a special role he...

In 1739, Handel set the text of the cecilia ode to music for the second time after "Alexander's Feast" in 1736. "Song for St Cecilia's Day" was then also combined with "Alexander's Feast" at the premi...

Psalm 137, "Super flumina Babylonis", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mixed choir, saxophone quartet,...

Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mi...

Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mi...

The richly orchestrated Missa in C K. 317 was probably one of the first church music works that Mozart composed at the beginning of 1779 as the newly appointed Salzburg court organist. With a large or...

Psalm 103 aus 'Psalmen Davids' für Solostimmen, zwei Chöre und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor (2)-SATB+SATB, Basso conti...

Gemischter Chor-STTB - Singpartitur

Psalm 2 aus Psalmen Davids für 2 Favoritchöre, 2 Capellchöre und Basso continuo. Urtext der Neuen Schütz-Ausgabe. Gemischter Chor (4)-SATB+SATB+SATB+SATB, Basso continuo

Gemischter Chor-SSATTB - Chorpartitur

Motetten Nr. 1 - 3 aus 'Cantiones sacrae 1625'. Urtext der Neuen Schütz-Ausgabe (lateinisch/deutsch). Gemischter Chor-SATB, Basso continuo ad lib. - Singpartitur; Spielpartitur