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In 1726, Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to his cousin's text: a Meinin...
In 1726, Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to his cousin's text: a Meinin...
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The cantata "Ihr werdet weinen und heulen" BWV 103 for Sunday Jubilate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his second Le...
The cantata "Ihr werdet weinen und heulen" BWV 103 for Sunday Jubilate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his second Le...
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The shepherd music so popular in the Baroque period characterizes the cantata Du Hirte Israel, höre BWV 104: two oboes, waist, triplets, dots and organ dots in the opening chorus, oboes d'amore in the...
The shepherd music so popular in the Baroque period characterizes the cantata Du Hirte Israel, höre BWV 104: two oboes, waist, triplets, dots and organ dots in the opening chorus, oboes d'amore in the...
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During Bach's first months in Leipzig, he composed the cantata "Herr, gehe nicht ins Gericht mit deinem Knecht" BWV 105 for the 9th Sunday after Trinity (25.7.1723). The opening chorus, based on two m...
During Bach's first months in Leipzig, he composed the cantata "Herr, gehe nicht ins Gericht mit deinem Knecht" BWV 105 for the 9th Sunday after Trinity (25.7.1723). The opening chorus, based on two m...
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The "Actus tragicus" or "God's time is the very best time" BWV 106 is one of Bach's best-known and most appreciated works with an unbroken resonance to this day - a "work of genius that even great mas...
The "Actus tragicus" or "God's time is the very best time" BWV 106 is one of Bach's best-known and most appreciated works with an unbroken resonance to this day - a "work of genius that even great mas...
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The cantata "Es ist euch gut, dass ich hingehe" BWV 108 for Sunday Cantate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his secon...
The cantata "Es ist euch gut, dass ich hingehe" BWV 108 for Sunday Cantate is one of the cantatas based on texts by the Leipzig poet Christiane Mariane von Ziegler, with which Bach concluded his secon...
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The cantata Ich glaube, lieber Herr, hilf meinem Unglauben BWV 109, composed for the 21st Sunday after Trinity in 1723, is characterized as a dialogue between unbelief and faith: While the dense openi...
The cantata Ich glaube, lieber Herr, hilf meinem Unglauben BWV 109, composed for the 21st Sunday after Trinity in 1723, is characterized as a dialogue between unbelief and faith: While the dense openi...
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Bring festive splendor to your Christmas season with Johann Sebastian Bach's magnificent cantata "Unser Mund sei voll Lachens" BWV 110. Composed for Christmas Day, this uplifting work radiates pure jo...
Bring festive splendor to your Christmas season with Johann Sebastian Bach's magnificent cantata "Unser Mund sei voll Lachens" BWV 110. Composed for Christmas Day, this uplifting work radiates pure jo...
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The cantata "Der Herr ist mein Hirte" dates from 1731 and was evidently intended as a supplement to the choral cantata cycle, which Bach left unfinished at Easter 1725. Bach adopted the five-stanza po...
The cantata "Der Herr ist mein Hirte" dates from 1731 and was evidently intended as a supplement to the choral cantata cycle, which Bach left unfinished at Easter 1725. Bach adopted the five-stanza po...
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Destination unknownThe cantata "Sei Lob und Ehr dem höchsten Gut" BWV 117 belongs to a smaller group of Bach's choral cantatas which are based solely on the text of the song, including the three recit...
Destination unknownThe cantata "Sei Lob und Ehr dem höchsten Gut" BWV 117 belongs to a smaller group of Bach's choral cantatas which are based solely on the text of the song, including the three recit...
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Survived in two versions: 1st version composed in 1736/37, 2nd version in the first half of the 1740s. Differences only in the instrumentation; both versions have been integrated in this edition. Joha...
Survived in two versions: 1st version composed in 1736/37, 2nd version in the first half of the 1740s. Differences only in the instrumentation; both versions have been integrated in this edition. Joha...
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Bach's first Leipzig council election cantata, composed in August 1723, is also his most magnificently scored cantata of the Leipzig period. The choice of a festive orchestral instrumentation fits the...
Bach's first Leipzig council election cantata, composed in August 1723, is also his most magnificently scored cantata of the Leipzig period. The choice of a festive orchestral instrumentation fits the...
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The cantata "Gott, man lobet dich in der Stille" BWV 120 became particularly well-known due to its second movement, which was reused in the Credo of the Mass in B minor. The cantata is one of the six...
The cantata "Gott, man lobet dich in der Stille" BWV 120 became particularly well-known due to its second movement, which was reused in the Credo of the Mass in B minor. The cantata is one of the six...
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The cantus firmus is present in four of the six movements, giving the cantata great unity. In addition to the opening chorus and final chorale, it is heard in one of the rare tercets in Bach's vocal w...
The cantus firmus is present in four of the six movements, giving the cantata great unity. In addition to the opening chorus and final chorale, it is heard in one of the rare tercets in Bach's vocal w...
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The cantata BWV 127 belongs to the year of choral cantatas that Bach performed in Leipzig in 1724/25. It is closely related to the "St. John Passion", which was performed in its second version on Good...
The cantata BWV 127 belongs to the year of choral cantatas that Bach performed in Leipzig in 1724/25. It is closely related to the "St. John Passion", which was performed in its second version on Good...
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After the end of the chorale cantata year at the end of March 1725, Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who ran one of the first literary-musical sal...
After the end of the chorale cantata year at the end of March 1725, Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who ran one of the first literary-musical sal...
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