Classical Music (Baroque) Sheet Music for Choir

Only the text and the last page of the autograph score of the Christmas Cantata Ehre sei Gott in der Höhe BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the c...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Only the text and the last sheet of the autograph score have survived from the Christmas cantata "Glory to God in the highest" BWV 197.1 (197a), beginning with the end of the 2nd aria. This, as well a...

Antonio Lotti was employed at St. Mark’s Basilica in Venice for almost his entire life. In 1717, however, he was lured for two years to Dresden by the Saxon court as a composer of operas. A score of h...

This urtext edition of George Frideric Handel's most famous work, was edited by Arnold Schering and Kurt Soldan.  Instrumentation included in the set: 0.2.0.1: 0.2.0.0: Timp: Hpchd.Org: Str (4-4-...

In 1733, the emergence of a rival opera company led George Frideric Handel (1685-1759) to seek a new audience by writing English-language oratorios. ISRAEL IN EGYPT, HWV 54, serves as one of the fines...

In 1733, the emergence of a rival opera company led George Frideric Handel (1685-1759) to seek a new audience by writing English-language oratorios. ISRAEL IN EGYPT, HWV 54, serves as one of the fines...

Antonio Vivaldi (1678-1741) likely composed three settings of the hymn Gloria in excelsis Deo, though only two have survived. It was common for Vivaldi to write introductory motets to be performed bef...

Kuhnau’s setting of the 98th psalm Singet dem Herrn ein neues Lied is a sonorous cantata with the opulent scoring of two trumpets, timpani and a five-part string section. This baroque gem radiates a s...

'Dardanus' is Rameau's third 'Tragédie lyrique' composed for Paris after 'Hippolyte et Aricie' and 'Castor et Pollux'. With its multi-facetted music it represents quite a high point of this genre. Its...

After "Hippolyte et Aricie" and "Castor et Pollux", "Dardanus" is Rameau's third tragédie lyrique for Paris. With its multifaceted music, it is an absolute highlight of this genre. The new critical ed...

This edition presents a further dramatic jewel for the stage by Jean-Philippe Rameau. It comes with a vocal score for study and rehearsals as well as with a compilation of the purely instrumental part...

This piano reduction supplements the performance material for Rameau's comédie-ballet "Les Paladins". In view of the wealth of its musical treasures and the stylistic innovations - similar to the "Bor...

“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...

Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...

Johann Sebastian Bach (1685-1750) first set the text of the Magnificat, BWV 243, in 1723 after taking up his post as Thomaskantor in Leipzig, but in the key of E-flat. This original version (cataloged...

Henry Purcell 's 'Sound The Trumpet! Beat The Drum!' is a work for CtCtTTBB Soli, SATB Chorus, Continuo and Strings. This piece is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs...

This work is a motet with several numbers dividing the Magnificat in 7 parts. The piece is entirely handwritten like all works by Grénon currently known. We have a five-part full score (that we will c...

Francesco Cavalli's "Xerse" (Venice 1655) was one of the most successful operas of the 17th century. Among its numerous revivals, the one for the Parisian court on the occasion of the wedding celebrat...

Henry Purcell 's 'Sound The Trumpet! Beat The Drum!' is a work for CtCtTTBB Soli, SATB Chorus, Continuo and Strings. This piece is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs...

Johann Sebastian Bach (1685-1750) first set the text of the Magnificat, BWV 243, in 1723 after taking up his post as Thomaskantor in Leipzig, but in the key of E-flat. This original version (cataloged...

Johann Sebastian Bach (1685-1750) first set the text of the Magnificat, BWV 243, in 1723 after taking up his post as Thomaskantor in Leipzig, but in the key of E-flat. This original version (cataloged...

The most famous of several Vivaldi works entitled Gloria (RV 589), this edition by Clayton Westermann includes a short preface to explain performance practice. Of the three recorded Glorias Vivaldi wr...