Classical Music (Baroque) Sheet Music for Mixed Choir (SATB)

There is hardly a work by a contemporary that Bach can be proven to have worked on as frequently and intensively as Keiser's "St. Mark Passion". There is evidence of a total of three performances, for...

The 'Messiah' occupies a unique position in Handel's work. It is one of the most renowned works of this composer's monumental output. It has often been said that Handel composed the 'Messiah' for his...

The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did n...

Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...

The St. John Passion, Bach's first passion oratorio, can hardly be understood as 'one' work. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the comp...

Unlike Bach's other oratorio compositions, there is no definitive version of the St. John Passion. The first version of 1724 which is today's standard version represents a mixture of different reading...

Marc-Antoine Charpentier's Te Deum in D major, H 146 is one of the most magnificent masterpieces of the French Baroque. World-famous for its festive Prélude—internationally celebrated as the iconic Eu...

Bruckner's great "Mass in F minor" is one of the composer's - and 19th century choral music's - most important works. In a unique way, the composer succeeds here in musically penetrating the contents...

The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...

The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...

The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...

The cantata "Ich liebe den Höchsten von ganzem Gemüte" BWV 174 was composed for Whit Monday in 1729. It probably belongs to Bach's fourth cantata cycle, the so-called "Picander cycle". The introductor...

With the edition of the Christmas Oratorio within the framework of the Stuttgart Bach Editions, Carus presents a scholarly edition for practical performance. The basis for this publication are Bach's...

Jauchzet, frohlocket! – Johann Sebastian Bach's Christmas Oratorio BWV 248 (BWV3 248.2) is undoubtedly one of the most radiant and beloved masterpieces of Baroque sacred music. With this complete voca...

Bach's Christmas Oratorio has been published as a scholarly edition for practical use as part of the Stuttgart Bach Editions. The edition is based on Bach's autograph score and the original parts. The...

'Dardanus' is Rameau's third 'Tragédie lyrique' composed for Paris after 'Hippolyte et Aricie' and 'Castor et Pollux'. With its multi-facetted music it represents quite a high point of this genre. Its...

After "Hippolyte et Aricie" and "Castor et Pollux", "Dardanus" is Rameau's third tragédie lyrique for Paris. With its multifaceted music, it is an absolute highlight of this genre. The new critical ed...

This edition presents a further dramatic jewel for the stage by Jean-Philippe Rameau. It comes with a vocal score for study and rehearsals as well as with a compilation of the purely instrumental part...

This piano reduction supplements the performance material for Rameau's comédie-ballet "Les Paladins". In view of the wealth of its musical treasures and the stylistic innovations - similar to the "Bor...

Johann Sebastian Bach (1685-1750) first set the text of the Magnificat, BWV 243, in 1723 after taking up his post as Thomaskantor in Leipzig, but in the key of E-flat. This original version (cataloged...

Henry Purcell 's 'Sound The Trumpet! Beat The Drum!' is a work for CtCtTTBB Soli, SATB Chorus, Continuo and Strings. This piece is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs...

Henry Purcell 's 'Sound The Trumpet! Beat The Drum!' is a work for CtCtTTBB Soli, SATB Chorus, Continuo and Strings. This piece is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs...

Johann Sebastian Bach (1685-1750) first set the text of the Magnificat, BWV 243, in 1723 after taking up his post as Thomaskantor in Leipzig, but in the key of E-flat. This original version (cataloged...

Johann Sebastian Bach (1685-1750) first set the text of the Magnificat, BWV 243, in 1723 after taking up his post as Thomaskantor in Leipzig, but in the key of E-flat. This original version (cataloged...