Classical Music (Baroque) Sheet Music for Orchestra

Soprano & Violin or Flute or Oboe Duet.

Soprano & Violin or Flute or Oboe Duet.

Soprano & Oboe or Trumpet Duet.

Soprano & Oboe or Trumpet Duet.

Handel’s “Semele”, which premiered in February 1744, is based on an adapted version of William Congreve’s opera libretto titled “The Story of Semele”, originally published in 1706. However, neither Ha...

Based on the Urtext of the "Halle Handel Edition" Bilingual Foreword (Ger/Eng) Includes the version of the premiere as well as two further performable versions Practical, easy-to-play piano reduction...

Amongst Rameau’s stage works which have come down to us in two main versions, such as “Dardanus“ (1739, 1744), “Platée“ (1745, 1749) and “Zoroastre“ (1749, 1756), none fell into oblivion for as long a...

The Acte de ballet "Zéphire" was never performed during the lifetime of its authors, although the autograph manuscript shows traces that Rameau worked on it several times between 1748 and 1759 – possi...

Le Tambourin, an excerpt from the opera-ballet "Les Fêtes d'Hébé", is one of Jean-Philippe Rameau’s best-known works and is presented here in an arrangement by Thierry Caens. Composed in the 18th cent...

Le Tambourin, an excerpt from the opera-ballet "Les Fêtes d'Hébé", is one of Jean-Philippe Rameau’s best-known works and is presented here in an arrangement by Thierry Caens. Composed in the 18th cent...

The fact that the "opéra comique", rooted in the folk art of French vaudeville, was brought to one of its high points in Vienna by Gluck, an Italian composer from the Upper Palatinate, clearly shows t...

Drame lyrique in three acts and a prologue (1779) Libretto: Louis-Théodore Baron de Tschudi (after "Narcissos ed Eco" from Ovid's Metamorfosi) (French) Premiere: September 24, 1779, Paris, Opéra (Pala...

The episode from Ovid's 'Metamorphoses' in which Daphne attempts to escape Apollo's advances by turning into a laurel tree, causing the devastated god to weave a laurel crown in memory of the nymph, h...

Of the two main versions of Rameau's stage works such as "Dardanus" (1739, 1744), "Platée" (1745, 1749) and "Zoroastre" (1749, 1756), none fell into oblivion for as long as "Castor et Pollux". First p...

Handel composed the "Te Deum" in B flat major HWV 281 in 1718 for the later Duke of Chandos. The work therefore became known as the "Chandos Te Deum", but is referred to here as the "Te Deum" for Cann...

Experience one of the most radiant highlights in choral music history: The world-renowned "Hallelujah" chorus (No. 39) from George Frideric Handel’s masterpiece "Messiah" (HWV 56) has captivated audie...

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....

Every note and word comes from J.S. Bach. The notes are from BWV 118 O Jesu Christ, meins Lebens Licht, with texts from BWV 140 Wachet Auf. Together it makes this accessible Bach masterpiece appropria...

Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...

Handel composed the 'Te Deum' in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum'. Here it is called 'Te Deum for Cannons' after the Duke's stately hom...

Continuo-Aussetzung: Wolfgang Hirschmann.