Classical Music (Baroque) Sheet Music for Soloists, Choir and Orchestra
To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....
To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....
- Soloists (AAB), Mixed Choir (SSAATTBB) and Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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Opéra comique in two acts (1760) Libretto: Louis Anseaume (for Jean-Louis Laruette's opéra comique "L'ivrogne corrigé ou Le mariage du diable" of 1759; adapted by Charles Simon Favart) (French) Premie...
Opéra comique in two acts (1760) Libretto: Louis Anseaume (for Jean-Louis Laruette's opéra comique "L'ivrogne corrigé ou Le mariage du diable" of 1759; adapted by Charles Simon Favart) (French) Premie...
- Soloists (SSTBB), Mixed Choir (SATB) and Orchestra
- Piano Reduction Download
- Sergiu Celibidache
- Bärenreiter Verlag
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The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...
The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...
- Soloists (SAATB), Mixed Choir (SAATB) and Orchestra
- Choral Score (Urtext)
- Bärenreiter Verlag
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The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...
The anthem "How beautiful are the feet", also known as "Anthem on the Peace", was premiered in 1749 by the Chapel Royal in London at a thanksgiving service on the occasion of the Peace of Aachen, whic...
- Soloists (SAATB), Mixed Choir (SAATB) and Orchestra
- Choral Score (Urtext) Download
- Bärenreiter Verlag
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immediately available
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George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...
George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- Choral Score (Urtext)
- Bärenreiter Verlag
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George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...
George Frideric Handel's anthem "Blessed are they that considereth the poor" was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and is known by this name. The vocal...
- Soloists (SSATB), Mixed Choir (SSATB) and Orchestra
- Choral Score (Urtext) Download
- Bärenreiter Verlag
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immediately available
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> Complete scholarly-critical edition based on 'Georg Philipp Telemann Musical Works' > Bilingual Foreword (Ger/Eng) A festive piece for church and concert hall Composed around 1760, 'Die Auferstehung...
> Complete scholarly-critical edition based on 'Georg Philipp Telemann Musical Works' > Bilingual Foreword (Ger/Eng) A festive piece for church and concert hall Composed around 1760, 'Die Auferstehung...
- Soloists (SATB), Mixed Choir and Orchestra
- Piano Reduction (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
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The Gloria in D RV 589 is Vivaldi's best-known sacred work and is one of his most important church music compositions. It was probably composed as an independent single movement between 1713 and 1717...
The Gloria in D RV 589 is Vivaldi's best-known sacred work and is one of his most important church music compositions. It was probably composed as an independent single movement between 1713 and 1717...
- Soloists (SSA), Mixed Choir (SATB) and Orchestra
- Piano Reduction Download
- Carus-Verlag
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The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198. Welcome comeback Bach's St John and St. Matthew Passion...
The music scholar Malcolm Bruno has prepared a new reconstruction of the work based on the meanwhile established parody model Trauerode BWV 198. Welcome comeback Bach's St John and St. Matthew Passion...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction
- Andreas Köhs
- Breitkopf & Härtel KG
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Kuhnau’s setting of the 98th psalm Singet dem Herrn ein neues Lied is a sonorous cantata with the opulent scoring of two trumpets, timpani and a five-part string section. This baroque gem radiates a s...
Kuhnau’s setting of the 98th psalm Singet dem Herrn ein neues Lied is a sonorous cantata with the opulent scoring of two trumpets, timpani and a five-part string section. This baroque gem radiates a s...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction
- Andreas Köhs
- Breitkopf & Härtel KG
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To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....
To celebrate the Peace Treaty of Utrecht, which ended the War of the Spanish Succession in 1713, the "Utrecht Jubilate" was composed in the same year, shortly after Handel had composed the "Te Deum"....
- Soloists (AAB), Mixed Choir (SSAATTBB) and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
-
in stock
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The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did n...
The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did n...
- Soloists (SATTBB), Mixed Choir (SATB) and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Piano Reduction (Urtext)
- Carus-Verlag
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Written in 1727 for a "speech of praise and mourning" for Electress Christiane Eberhardine in Leipzig's university church, the music of the Trauerode is known today primarily through reconstructions o...
Written in 1727 for a "speech of praise and mourning" for Electress Christiane Eberhardine in Leipzig's university church, the music of the Trauerode is known today primarily through reconstructions o...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Piano reduction Download (Urtext)
- Horst Hempel Paul Horn
- Carus-Verlag
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Kuhnau’s setting of the 98th psalm Singet dem Herrn ein neues Lied is a sonorous cantata with the opulent scoring of two trumpets, timpani and a five-part string section. This baroque gem radiates a s...
Kuhnau’s setting of the 98th psalm Singet dem Herrn ein neues Lied is a sonorous cantata with the opulent scoring of two trumpets, timpani and a five-part string section. This baroque gem radiates a s...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Score
- Breitkopf & Härtel KG
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Handel set the myth of the love of the shepherd Acis for the sea nymph Galatea from Ovid's Metamorphoses a total of three times: in the cantata "Aci, Galatea e Polifemo" HWV 72 (1708), the masque "Aci...
Handel set the myth of the love of the shepherd Acis for the sea nymph Galatea from Ovid's Metamorphoses a total of three times: in the cantata "Aci, Galatea e Polifemo" HWV 72 (1708), the masque "Aci...
- Soloists (SSSAAATB), Mixed Choir (SATTB) and Orchestra
- Piano reduction Download (Urtext)
- Andreas Köhs
- Bärenreiter Verlag
-
immediately available
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“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
- Soloists (SAATBB), Mixed Choir (SATB) and Orchestra
- Piano Reduction
- Carus-Verlag
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The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...
The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...
- Solo Voices (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Breitkopf & Härtel KG
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Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
- Soloists, 2 Mixed Choirs and Orchestra
- Piano Reduction (Urtext)
- Carus-Verlag
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Händels Utrechter Te Deum HWV 278 begeisterte schon bei seiner ersten Aufführung die Londoner Zuhörer und tut dies noch heute in den Konzertsälen und Kirchen weltweit. Es erklang zum ersten Mal in ein...
Händels Utrechter Te Deum HWV 278 begeisterte schon bei seiner ersten Aufführung die Londoner Zuhörer und tut dies noch heute in den Konzertsälen und Kirchen weltweit. Es erklang zum ersten Mal in ein...
- Soloists (SSAATB), Mixed Choir (SSATB) and Orchestra
- Piano Reduction
- Carus-Verlag
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Richer than ever - Rameau’s 'Zoroastre' in the version of 1756 Rameau’s revised version of his opera 'Zoroastre', which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académi...
Richer than ever - Rameau’s 'Zoroastre' in the version of 1756 Rameau’s revised version of his opera 'Zoroastre', which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académi...
- Soloists, Choir and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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Richer than ever - Rameau's "Zoroastre" in the 1756 version Rameau's revised version of his opera "Zoroastre", which was performed and heard at the Académie royale de musique between January 20, 1756...
Richer than ever - Rameau's "Zoroastre" in the 1756 version Rameau's revised version of his opera "Zoroastre", which was performed and heard at the Académie royale de musique between January 20, 1756...
- Soloists, Choir and Orchestra
- Piano reduction Download (Urtext)
- François Saint-Yves
- Bärenreiter Verlag
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immediately available
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Über die Entstehungszeit der Kantate Lobe den Herren, meine Seele kann nur gemutmaßt werden. Mehrere Indizien sprechen jedoch für eine frühe Entstehung, möglicherweise noch während Kuhnaus Aufenthalt...
Über die Entstehungszeit der Kantate Lobe den Herren, meine Seele kann nur gemutmaßt werden. Mehrere Indizien sprechen jedoch für eine frühe Entstehung, möglicherweise noch während Kuhnaus Aufenthalt...
- Soloists, Choir and Orchestra
- Set of Parts - Harmony
- Breitkopf & Härtel KG
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Purcell composed six of his finest odes to honour the birthdays of Queen Mary in successive years from 1689. Come, ye sons of art (1694) followed recent stage successes and contains some of the compos...
Purcell composed six of his finest odes to honour the birthdays of Queen Mary in successive years from 1689. Come, ye sons of art (1694) followed recent stage successes and contains some of the compos...
- Soloists, Choir and Orchestra
- Score
- Faber Music
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ships within 3-6 working days
The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...
The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...
- Soloists, Choir and Orchestra
- Score
- Edwin F. Kalmus
-
ships within 2-4 weeks