Classical Music (Baroque) Sheet Music for Soloists, Choir and Orchestra

The Serenata in tre parti Parnasso in festa was first performed on the occasion of the wedding between Princess Anne and Prince William IV of Orange in March 1734. The music is largely based on the En...

Rameau's only surviving opera based on a libretto by Voltaire has survived in two versions (1745 and 1746), whereby the 1745 version was long considered lost. Volume IV.12 of the series 'Opera omnia R...

The Carus program on Dresden court music continues with the first edition of one of the great masses (No. 9, D major) by Johann David Heinichen, the most important musical representative of the Saxon...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...

This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...

This edition of George Frideric Handel's most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an extens...

This wonderful, short choral masterpiece has a confusing heritage. Spuriously attributed in 1910 to Giovanni Battista Pergolesi (1710-1736), the six-movement MAGNIFICAT was actually composed by France...

Antonio Vivaldi (1678-1741) likely composed three settings of the hymn Gloria in excelsis Deo, though only two have survived. It was common for Vivaldi to write introductory motets to be performed bef...

George Frideric Handel is regarded as the first and most important English representative of the oratorio genre. The Messiah in particular is regarded as the epitome of sacred music and is also one of...

With timpani and trumpets à la Marseillaise, a French piece of music conquered the public consciousness again in 1953 ("Eurovision anthem") and a composer was rediscovered: Marc-Antoine Charpentier's...

Die vorliegende Ausgabe ermöglicht die Aufführung der Kantate in den verschiedenen von Bach praktizierten Besetzungsformen. Bei den Besetzungsangaben zu den Solopartien für hohe Stimme ist jeweils zue...

Händels Utrechter Te Deum HWV 278 begeisterte schon bei seiner ersten Aufführung die Londoner Zuhörer und tut dies noch heute in den Konzertsälen und Kirchen weltweit. Es erklang zum ersten Mal in ein...

Händels Utrechter Te Deum HWV 278 begeisterte schon bei seiner ersten Aufführung die Londoner Zuhörer und tut dies noch heute in den Konzertsälen und Kirchen weltweit. Es erklang zum ersten Mal in ein...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...

Johann Sebastian Bach's librettist Salomon Franck called the congratulatory music for the court of Saxe-Weissenfels, which is generally known today as the "Hunting Cantata" BWV 208, "Frohlockender Göt...