Classical Music (Baroque) Sheet Music for Soloists, Mixed Choir and Orchestra

Kuhnau’s setting of the 98th psalm Singet dem Herrn ein neues Lied is a sonorous cantata with the opulent scoring of two trumpets, timpani and a five-part string section. This baroque gem radiates a s...

Although Bach's Mass in B minor is one of the most frequently performed works by the Cantor of St. Thomas's, it is full of puzzles and problems. This applies not only to the question, still unanswered...

Johann Sebastian Bach (1685-1750) first set the text of the Magnificat, BWV 243, in 1723 after taking up his post as Thomaskantor in Leipzig, but in the key of E-flat. This original version (cataloged...

The present Laudate Dominum RV 614 is written for solo soprano and alto, mixed chorus, 2 violins, 2 horns and organ continuo though Vivaldi usually writes his music for four string parts (2 violins, v...

The present Laudate Dominum RV 614 is written for solo soprano and alto, mixed chorus, 2 violins, 2 horns and organ continuo though Vivaldi usually writes his music for four string parts (2 violins, v...

The present Laudate Dominum RV 614 is written for solo soprano and alto, mixed chorus, 2 violins, 2 horns and organ continuo though Vivaldi usually writes his music for four string parts (2 violins, v...

In the almost six months from 14 August 1736 to 27 January 1737, George Frideric Handel had achieved unprecedented productivity in his operatic oeuvre with the composition of three operas. In addition...

Volume 14 of Series III (Church Music) of the Halle Handel Edition contains two anthems which Handel composed in 1749 and which are his last contributions to the genre of the English anthem. He perfor...

'Pigmalion' was the first example of a one-act ballet, preceded by an overture, composed specifically for the Académie royale de musique. With this work, Rameau turned to the form of the petit opéra....

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

The Easter oratorio BWV 249 was first performed on Easter Sunday 1725 with the text "Come, make haste and run". In the counting of the new BWV, this is already BWV 249.3, following two congratulatory...

The musicologist Malcolm Bruno created a new reconstruction of the work on the basis of the funeral ode BWV 198, which has since been established as a parody model. Welcome Comeback Bach's St. John an...

for soli (SATB), mixed choir and orchestra

The Christmas Oratorio, with its six parts, has become dear to the hearts of countless music lovers all over the world. What sounds today as if it could never have been otherwise, in reality dates bac...

> Complete sacred vocal works published by Carus at the conclusion of the Bach vocal editorial project in a high-quality complete edition > For study and performance: the authorative Urtext of the Stu...

With the Bach vocal project, we have pubblished Johann Sebastian Bach's complete sacred vocal music in a high-quality complete edition: This up-to-date Bach Edition - over 12,500 pages of score - cont...

With the Bach vocal project, we have pubblished Johann Sebastian Bach's complete sacred vocal music in a high-quality complete edition: This up-to-date Bach Edition - over 12,500 pages of score - cont...

With the Bach vocal project, we have pubblished Johann Sebastian Bach's complete sacred vocal music in a high-quality complete edition: This up-to-date Bach Edition - over 12,500 pages of score - cont...

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....