Classical Music (Baroque) Sheet Music for Violin and Continuo

Johann Konrad Gretsch was a respected cellist in the chapel of the Prince of Thurn and Taxis in Regensburg and a popular composer. Ernst Ludwig Gerber called Gretsch a 'man who reveals in his composit...

Antonio Vivaldi's twelve concertos op. 4 known by the name of 'La Stravaganza' were first mentioned as a collection of 'Concerti a 4' in the 1711 Foreword of 'L'Estro Armonico' op. 3. Their publicatio...

The instrumentation of this aria is unusual: violins with mutes double a French lute and two woodwind instruments. The work is preserved in the Austrian National Library and was previously available o...

The so-called 'Anna Maria Partbook' consists of an elegantly bound volume in red leather containing the violin part of 31 highly virtuoso violin concertos, 26 of which are by Vivaldi. The collection r...

The Concerto in A minor (BWV 1044) is often referred to as the “Triple Concerto” and may have been written by Bach for a public concert at Zimmermann’s coffee house in Leipzig. The “Triple Concerto” h...

Given that appendices have since been included in other volumes, it now seems appropriate to compile an appendix for Volume 1A in the form of a separate publication, Volume 1C of the series. Even with...

mit singbarem deutschem Text - Solo A, Vl, Dulcian (Trb), Bc

This concert in five parts for violin and strings has a curious and rather controversial history. Excluded from the Vivaldi's catalogue on account of doubts raised by its musical language and by its p...

Handel's "Sonata a cinque" for violin solo, strings (reinforced with oboes ad lib.) and continuo was probably written during his stay in Italy in 1707 and remains his only violin concerto. The Italian...

Handel's "Sonata a cinque" for violin solo, strings (reinforced with oboes ad lib.) and continuo was probably written during his stay in Italy in 1707 and remains his only violin concerto. The Italian...

Solo-Stimme, Violine/Floete/Oboe, Basso Continuo

Apart besetzte Weihnachtsmusik aus der 'Fortsetzung des Harmonischen Gottesdienstes'. Mit dem vokalen Solopart (d1-f2 bzw. d-f1) stellt Telemann wieder einmal seine Fähigkeit unter Beweis, 'für alle H...