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Johann Sebastian Bach
Cantata for the 1st Sunday after Epiphany

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

  • Soloists (ATB), Mixed Choir (SATB), 2 Oboes d'Amore, 2 Violins, Viola and Continuo
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Order no.: CV31154-00
Johann Sebastian Bach
Cantata for the 1st Sunday after Epiphany

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

The cantata 'Mein liebster Jesus ist verloren' BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, inste...

  • Soloists (ATB), Mixed Choir (SATB), 2 Oboes d'Amore, 2 Violins, Viola and Continuo
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Johann Sebastian Bach
Cantata for the 1st Sunday after Epiphany

The cantata "Mein liebster Jesus ist verloren" BWV 154 was performed for the first time on January 9, 1724, the 1st Sunday after Epiphany. The structure and length of the work are unusual: it comprise...

The cantata "Mein liebster Jesus ist verloren" BWV 154 was performed for the first time on January 9, 1724, the 1st Sunday after Epiphany. The structure and length of the work are unusual: it comprise...

  • Soloists (ATB), Mixed Choir (SATB), 2 Oboes d'Amore, 2 Violins, Viola and Continuo
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Johann Sebastian Bach
Cantata for the 3rd Sunday after Epiphany

'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....

'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....

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Order no.: CV31156-00
Johann Sebastian Bach
Cantata for the 3rd Sunday after Epiphany

'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....

'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....

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Johann Sebastian Bach
Cantata for the 3rd Sunday after Epiphany

'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....

'Ich steh mit einem Fuß im Grabe' (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle....

  • Soloists (SATB), Mixed Choir (SATB), Oboe, 2 Violins, Viola and Continuo
  • Piano Reduction (Urtext)
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Johann Sebastian Bach
Cantata for the 3rd Sunday after Epiphany

Ich steh mit einem Fuß im Grabe BWV 156 is one of Johann Sebastian Bach's few surviving cantatas on texts from what is known as the Picander period. As in several other cantatas on texts by this poet,...

Ich steh mit einem Fuß im Grabe BWV 156 is one of Johann Sebastian Bach's few surviving cantatas on texts from what is known as the Picander period. As in several other cantatas on texts by this poet,...

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Johann Sebastian Bach
Cantata for the 20th Sunday after Trinity for soli (SATB), choir (SATB), corno da tirarsi, recorder, 2 violins, viola and basso continuo

The cantata for the 20th Sunday after Trinity. 'Ah! I see now, as I to the wedding bidden', BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his...

The cantata for the 20th Sunday after Trinity. 'Ah! I see now, as I to the wedding bidden', BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his...

  • Soloists (SATB), Mixed Choir (SATB), Horn, Recorder, 2 Violins, Viola and Continuo
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  • Masaaki Suzuki
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Order no.: CV31162-00-DL
Johann Sebastian Bach
Cantata for the 20th Sunday after Trinity. Leipzig version. Reconstruction Masaaki Suzuki

The cantata for the 20th Sunday after Trinity Ach, ich sehe, itzt, da ich zur Hochzeit gehe BWV 162 was first performed on October 25, 1716 in Weimar's Schlosskirche. Bach performed the cantata again...

The cantata for the 20th Sunday after Trinity Ach, ich sehe, itzt, da ich zur Hochzeit gehe BWV 162 was first performed on October 25, 1716 in Weimar's Schlosskirche. Bach performed the cantata again...

  • Soloists (SATB), Mixed Choir (SATB), Horn, Recorder, 2 Violins, Viola and Continuo
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  • Masaaki Suzuki
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Johann Sebastian Bach
Cantata for the 13th Sunday after Trinity

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

  • Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Violins, Viola and Continuo
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Order no.: CV31164-00
Johann Sebastian Bach
Cantata for the 13th Sunday after Trinity

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

  • Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Violins, Viola and Continuo
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Johann Sebastian Bach
Cantata for the 13th Sunday after Trinity

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...

  • Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Violins, Viola and Continuo
  • Piano Reduction (Urtext)
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Johann Sebastian Bach
Cantata for the 13th Sunday after Trinitatis

The six-movement cantata BWV 164 was first performed in Leipzig on August 26, 1725. The text was written by Bach's Weimar cantata composer Salomon Franck and appeared in his collection "Evangelisches...

The six-movement cantata BWV 164 was first performed in Leipzig on August 26, 1725. The text was written by Bach's Weimar cantata composer Salomon Franck and appeared in his collection "Evangelisches...

  • Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Violins, Viola and Continuo
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Johann Sebastian Bach
Cantata for the Trinity Sunday

The cantata 'O heilges Geist- und Wasserbad'' (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Tr...

The cantata 'O heilges Geist- und Wasserbad'' (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Tr...

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Johann Sebastian Bach
Cantata for the Trinity Sunday

The cantata 'O heilges Geist- und Wasserbad'' (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Tr...

The cantata 'O heilges Geist- und Wasserbad'' (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Tr...

  • Soloists (SATB), Mixed Choir (SATB), 2 Violins, Viola, Bassoon and Continuo
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Johann Sebastian Bach
Cantata for the Trinity Sunday

The cantata 'O heilges Geist- und Wasserbad'' (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Tr...

The cantata 'O heilges Geist- und Wasserbad'' (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Tr...

  • Soloists (SATB), Mixed Choir (SATB), 2 Violins, Viola, Bassoon and Continuo
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Johann Sebastian Bach
Cantata for the Feast of Trinity

The cantata "O heilges Geist- und Wasserbad" BWV 165 is one of Bach's earliest cantata compositions and was probably first performed for the Feast of the Holy Trinity in 1715 in Weimar's Schlosskirche...

The cantata "O heilges Geist- und Wasserbad" BWV 165 is one of Bach's earliest cantata compositions and was probably first performed for the Feast of the Holy Trinity in 1715 in Weimar's Schlosskirche...

  • Soloists (SATB), Mixed Choir (SATB), 2 Violins, Viola, Bassoon and Continuo
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Johann Sebastian Bach
Cantata for the feast of John the Baptist

The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...

The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...

  • Soloists (SATB), Mixed Choir (SATB), Oboe, Baroque Trumpet, 2 Violins, Viola and Continuo
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Order no.: CV31167-00
Johann Sebastian Bach
Cantata for the feast of John the Baptist

The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...

The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...

  • Soloists (SATB), Mixed Choir (SATB), Oboe, Baroque Trumpet, 2 Violins, Viola and Continuo
  • Score (Urtext) Download
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Johann Sebastian Bach
Cantata for the feast of John the Baptist

The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...

The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...

  • Soloists (SATB), Mixed Choir (SATB), Oboe, Baroque Trumpet, 2 Violins, Viola and Continuo
  • Piano Reduction (Urtext)
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Johann Sebastian Bach
Cantata for St. John's Day

The cantata "Ihr Menschen, rühmet Gottes Liebe" BWV 167 is one of the first works that Bach wrote as Leipzig's Thomaskantor. The cantata is intended for the Feast of St. John and was first performed i...

The cantata "Ihr Menschen, rühmet Gottes Liebe" BWV 167 is one of the first works that Bach wrote as Leipzig's Thomaskantor. The cantata is intended for the Feast of St. John and was first performed i...

  • Soloists (SATB), Mixed Choir (SATB), Oboe, Baroque Trumpet, 2 Violins, Viola and Continuo
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Johann Sebastian Bach
Cantata for the 18th Sunday after Trinitatis

Bach's cantata "Gott soll allein mein Herze haben" BWV 169 comes from the third Leipzig cantata cycle; it was first performed on October 20, 1726 on the 18th Sunday after Trinity. Recent research has...

Bach's cantata "Gott soll allein mein Herze haben" BWV 169 comes from the third Leipzig cantata cycle; it was first performed on October 20, 1726 on the 18th Sunday after Trinity. Recent research has...

  • Low Voice, Mixed Choir (SATB), 2 Oboes d'Amore, English Horn, 2 Violins, Viola, Organ and Continuo
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  • Henry S. Drinker Robert Scandrett
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Order no.: CV31169-03-DL
Johann Sebastian Bach
Cantata for the 7th Sunday after Trinity

The cantata 'Ärgre dich, o Seele, nicht' (Fret thee not, thou mortal soul) BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both wer...

The cantata 'Ärgre dich, o Seele, nicht' (Fret thee not, thou mortal soul) BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both wer...

  • Soloists (SATB), Mixed Choir (SATB), 2 Oboes, English Horn, Bassoon, 2 Violins, Viola and Continuo
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Order no.: CV31186-53
Johann Sebastian Bach
Cantata for the 7th Sunday after Trinity

The cantata "Ärgre dich, o Seele, nicht" BWV 186 is to a certain extent the sister work of the much better-known cantata "Herz und Mund und Tat und Leben" BWV 147. Both were composed in Advent 1716 as...

The cantata "Ärgre dich, o Seele, nicht" BWV 186 is to a certain extent the sister work of the much better-known cantata "Herz und Mund und Tat und Leben" BWV 147. Both were composed in Advent 1716 as...

  • Soloists (SATB), Mixed Choir (SATB), 2 Oboes, English Horn, Bassoon, 2 Violins, Viola and Continuo
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Johann Sebastian Bach
Cantata for the 7th Sunday after Trinity

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...

  • Soloists (SAB), Mixed Choir (SATB), 2 Oboes, 2 Violins, Viola and Continuo
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Order no.: CV31187-00

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