Classical Sheet Music

> First Urtext edition > Includes a Foreword (Eng/Ger) > Idiomatic, well-presented piano reduction The 'Dettinger Te Deum' was written to celebrate England's victory over the French at the Battle of D...

Following upon 'Alexander's Feast' (1736), in 1739 Handel produced a second setting of the 'Ode to St Cecilia' ('Song for St Cecilia's Day'). At its première it was combined with 'Alexander's Feast'....

Bärenreiter's scholarly-critical edition of Brahms's popular Quintet in f for piano and strings contains everything that a modern Urtext edition should offer: a solid, reliable musical text based on B...

With his only piano trio, Maurice Ravel broke new personal ground and yet, in a stroke of genius, created a work of the early 20th century that is outstanding in many respects and a key work in this g...

The composition of the "Archduke Trio" had already occupied Beethoven for several years when he completed it in 1811. In April 1814, he was finally able to premiere it with Ignaz Schuppanzigh and Jose...

Artaria had already published variations on a Mozart aria by Beethoven in 1793 under the highly symbolic opus number 1. However, the composer was not satisfied with this work and ensured that the opus...

Artaria had already published Beethoven's variations on a Mozart aria under the highly symbolic opus number 1 in 1793. However, the composer was not satisfied with this work and ensured that the opus...

With his Septet for clarinet, bassoon, horn, violin, viola, cello and double bass, Beethoven created a key work of chamber music for larger ensembles. He composed the six-movement septet at the same t...

Antonio Vivaldi composed a total of almost thirty instrumental works that use the cello as the solo instrument. Vivaldi knew how to tailor his music to the cello. In doing so, he helped to establish t...

Ludwig van Beethoven's two Piano Trios op. 70 were composed during a visit by the composer to his patron Marie von Erdödy. Published in 1809, they are now among Beethoven's most famous works in this g...

For a long time, Camille Saint-Saëns was reluctant to compose a chamber music piece with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can happily write you...

For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can write you a concer...

For a long time, Camille Saint-Saëns was reluctant to compose a chamber music work with trumpet for his friend Émile Lemoine and his chamber music association "La Trompette": "I can write you a concer...

Schon zu Haydns Lebzeiten trug die Sinfonie Nr. 26 den Beinamen 'Lamentazione', obwohl nicht nachgewiesen ist, dass dieser von Haydn stammt. Das Werk muss vor 1770 entstanden sein. Im ersten und zweit...

This one-movement piece with a duration of 11 minutes stems from the estate of Giselher Klebe who died in 2009. The work is delightful to play, rich in gesture, easy on the ear and ideal for private m...

This 11-minute work in one movement comes from the estate of the composer Giselher Klebe, who died in 2009. An extremely playful, gesture-rich and easily comprehensible piece of music, a modern "Hortu...

This three movement piano trio from Giselher Klebe's late period of creativity originates from his estate. The composition's appeal lies in the clear, restrained diction whilst at the same time a high...

Beat Furrer's Duo 'Spazio Immergente I' (everlasting space) leads an over 2000-year-old text of visionary breadth into fascinating worlds of sound - with voice, language, and breath. The ancient poet...

Beat Furrer's Duo 'Spazio Immergente I' (everlasting space) leads an over 2000-year-old text of visionary breadth into fascinating worlds of sound - with voice, language, and breath. The ancient poet...

Organ and percussion, one of the most exotic instrumental combinations in modern music, invariably produce delightful sonic effects and contrasts. This also applies to Zsigmond Szathmáry's Sense of Rh...

Organ and percussion is one of the most exotic combinations of instruments in modern music, which always brings with it attractive sound effects and contrasts. This is also the case with Zsigmond Szat...

Dies irae for organ and percussion by Zsigmond Szathmáry induces an immense effect on the listener through its advanced sonority; the work places correspondingly high demands on the performers. The 17...