Intermediate Classical Music (Romantic) Sheet Music

The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...

The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...

The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...

The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...

The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...

The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...

The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Wagner, after 'Tannhäuser', with 'Lohengrin'. It's a romantic opera in three acts first performed in 1850 in We...

Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op...

Felix Mendelssohn Bartholdy (1809 - 1847) composed the music for William Shakespeare's play A Midsummer Night's Dream at two different times. In 1826, at the age of 16, he wrote a concert overture (Op...

Esteemed dedication to the laudable Liedertafel Frohsinn on the occasion of its founding celebration in 1868, Bruckner wrote on the autograph of his motet, first performed in Linz on May 10, 1868. The...

The Ave Maria WoO 34 for three-part women’s choir and organ is Rheinberger’s last completed work. He had initially composed it for a solo voice and organ, but arranged it for three-part female choir j...

The Ave Maria WoO 34 for three-part women’s choir and organ is Rheinberger’s last completed work. He had initially composed it for a solo voice and organ, but arranged it for three-part female choir j...

This choral score BA 7590-91 completes the performance material for the now well-established Urtext edition of Verdi's monumental Mass for the Dead.

Spohr's reputation as a violin virtuoso, composer, conductor and instrumental teacher was outstanding in the early Romantic period. "Die letzten Dinge" is considered the most important of his four ora...

Spoken during his final hours, the “seven words” have been taken as a profound insight into Jesus‘s final suffering on the cross. These words, or rather statements, have been set by numerous composers...

The Requiem in F minor op. 146 is one of Franz Lachner's most important works. The composer, who lived in Vienna for a long time, developed into a "classicist romantic" there, merging classical form,...

Anyone who has Bruckner's symphonies and well-known great masses in their ears will be amazed when they hear his "Missa solemnis" from 1854: can the tradition of Viennese Classicism still be so clearl...

The Tantum ergo in A major, WAB 43, is one of Bruckner’s student pieces, preceding the later Tantum ergo settings, WAB 41/1–4. The parallel sixths and the ending evoke memories of late Viennese Classi...

The arrangement of chorales had already played a major role during Mendelssohn's apprenticeship with Zelter, and his preoccupation with the Protestant chorale can even be found throughout his symphoni...

Mendelssohn's unfinished 3rd oratorio in the first critical edition. Performance material is available separately for Part 1 and Part 2 of the oratorio. Part 1: "The Nativity", Part 2: "The Passion of...

The arrangement of chorales had already played a major role during Mendelssohn's apprenticeship with Zelter, and his preoccupation with the Protestant chorale can even be found throughout his symphoni...

The Gloria is the 13-year-old Mendelssohn's first major church composition. It was written at the beginning of 1822 as part of his composition lessons with Carl Friedrich Zelter, the director of the B...