Mixed Choir with Piano

Johann Sebastian Bach’s famous “Kreuzstab Cantata” BWV 56 (“Ich will den Kreuzstab gerne tragen”) is one of the most moving solo cantatas in the history of sacred music. Composed for the 19th Sunday a...

Cantata 56, also known as the "Kreuzstab Cantata", was composed in 1726 for the 21st Sunday after Trinity and is scored relatively lightly for oboes, English horn, strings and continuo. As its text al...

The cantata Jesu, der du meine Seele belongs to the famous series of choral cantatas that Bach composed in his second year in Leipzig. It was probably performed for the first time in one of Leipzig's...

Kantate zum Michaelisfest (deutsch/englisch), nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte, Oboe (3), Trompete (3), Streicher, Bass...

Bach's cantata, "Herr Gott, dich loben alle wir", composed on September 29, 1724, belongs to the group of choral cantatas which, like perhaps the respective preacher, interpret the ideas of the readin...

Cantata for the Feast of the Visitation, after the Urtext of the New Bach Edition. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir, Oboe (2), Oboe d'amore, Oboe-dacc (2), Bassoon, Trumpet,...

Kantate zum 3. Pfingsttag (deutsch/englisch), nach dem Urtext der Neuen Bach-Ausgabe. Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (3), Trp.Str (2), Basso continuo

Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mi...

Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mi...

Tragédie Opéra (Drama héroique) in 3 acts. Paris version 1774 (French/German). Piano reduction after the Urtext of the Gluck Complete Edition. Soprano solo (2), tenor solo, mixed choir-ball, flute (2)...

Oratorio in 3 parts. Piano reduction (English/German) after the Urtext of the Hallische Händel-Ausgabe - Oratorio in three Parts. Vocal (english/german). Soprano solo, Alto solo (2), Tenor solo, Bass...

Oratorio in 3 parts. The versions of the 1739 and 1756-57 performances. Piano reduction based on the Urtext of the Hallische Händel-Ausgabe (English/German) - Oratorio in three parts. The versions of...

Oratorio in 3 parts. The versions of the 1739 and 1756-57 performances. Piano reduction based on the Urtext of the Hallische Händel-Ausgabe (English/German) - Oratorio in three parts. The versions of...

Experience a fascinating masterpiece of sacred choral music: The solemn Tantum ergo K. 142 (Anh. 186d) unites Baroque splendor with Classical brilliance. Originally composed by Friedrich Zachow, Wolfg...

The first page of the autograph of the Mass K. 49 (47d) bears the crossed-out (autograph?) note in Vienna below the author's name. Two other, unidentified hands, still belonging to the 18th century, h...

Piano reduction based on the Urtext of the New Mozart Edition. Soprano solo, alto solo, tenor solo, bass solo, mixed choir-SATB, trumpet (2), trombone (3), strings, organ - piano reduction

Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Horn (2), Clarin-Trompete (2), Pauke, Streicher, Orgel...

Mozart created the festive musical setting for the first solemn mass celebrated by his childhood friend P. Dominicus Hagenauer on October 15, 1769 in the collegiate church of St. Peter in Salzburg; th...

Piano reduction, supplementary edition to the New Mozart Edition - Credo and Sanctus reconstructed and completed by Helmut Eder. Soprano solo (2), alto solo, tenor solo, bass solo, mixed choir (2)-SAT...

Mozart's "Missa in C" K. 258 cannot be clearly dated, but was probably composed around 1775/76. The mass is composed in brevis form and was therefore also labeled as such on the cover of the anthology...

Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Trompete (2), Pauke, Streicher, Orgel - Klavierauszug

The offertory in Festo Sti Benedicti "Scande coeli limina" K. 34, consisting of aria and chorus, is the oldest surviving smaller church music work by Mozart. According to Max Keller, the three-part ar...

According to recent research, the offertory "Benedictus sit Deus" K. 117 (66a) is identical to the offertory K. 47b, which was believed to be lost. It was intended for the dedication of the orphanage...

Wolfgang Amadeus Mozart's radiant Marian antiphon "Regina coeli" K. 108 (74d) sparkles with youthful vitality, festive elegance, and sacred splendor. This impressive work combines virtuosic, lyrical p...