Sheet Music for Mixed Choir (SATB) and Piano

Many elements of sound teaching fill this John Leavitt original work, now available in SAB and SSA voicings, complementing the 2-Part. A gentle and uplifting piano with optional hand chimes and string...

Featuring a mezzo-soprano solo, this dramatic setting by Rosephanye Powell will be instantly embraced by your choir and congregation. Appropriate for the Easter season, you will also find this anthem...

This medium difficulty piece, adapted from the Psalms, playfully tosses the melody back and forth between the soprano solo and the choir, a heart lifting choice for concert or worship.

A powerful tribute to the ministry of the church is presented in this epic paean of praise. This affirmation is carried in the arms of a memorable main theme, arching with soaring harmonies and inspir...

A powerful tribute to the ministry of the church is presented in this epic paean of praise. This affirmation is carried in the arms of a memorable main theme, arching with soaring harmonies and inspir...

This anthem from the larger work Snow Angel is in two halves. The first section ('God Will Give Orders') is ethereal, until a vibrant figure in the djembe lifts the music into the uplifting second sec...

This anthem from the larger work Snow Angel is in two halves. The first section ('God Will Give Orders') is ethereal, until a vibrant figure in the djembe lifts the music into the uplifting second sec...

Urtext of the New Bach Edition - Cantata for Easter Sunday. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir-SATB; Trumpet/ Cornetto/ Zinc, Trombone (3), Strings, Basso continuo - Piano red...

Bach's oratorio for Ascension Day was composed in Leipzig in 1735. In terms of scope, it corresponds to a cantata, but in terms of the choice of text, it can be classified as an oratorio. In addition...

Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe, Fagott, Klarinette in b, Streicher, Basso continuo. Klavierauszug; Urtextausgabe

Kantate zum Sonntag Sexagesimae (Leipziger Fassung) (deutsch/englisch) nach der Neuen Bach-Ausgabe. Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (2), Fagott, Viola (...

Kantate zum 1. Ostertag (Weimarer und Leipziger Fassung). Sopran solo, Tenor solo, Bass solo, Gemischter Chor-SSATB, 1 (3) Ob, (Englischhorn, Fagott), Trompete (3), Pauke, Streicher, Basso continuo

Johann Sebastian Bach's cantata "Der Himmel lacht! Die Erde jubilieret" BWV 31 was composed in Weimar for the Sunday of April 21, 1715. The text by Salomon Franck is closely linked to the Easter Gospe...

Johann Sebastian Bach’s famous “Kreuzstab Cantata” BWV 56 (“Ich will den Kreuzstab gerne tragen”) is one of the most moving solo cantatas in the history of sacred music. Composed for the 19th Sunday a...

Cantata 56, also known as the "Kreuzstab Cantata", was composed in 1726 for the 21st Sunday after Trinity and is scored relatively lightly for oboes, English horn, strings and continuo. As its text al...

The cantata Jesu, der du meine Seele belongs to the famous series of choral cantatas that Bach composed in his second year in Leipzig. It was probably performed for the first time in one of Leipzig's...

Kantate zum Michaelisfest (deutsch/englisch), nach dem Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte, Oboe (3), Trompete (3), Streicher, Bass...

Bach's cantata, "Herr Gott, dich loben alle wir", composed on September 29, 1724, belongs to the group of choral cantatas which, like perhaps the respective preacher, interpret the ideas of the readin...

Cantata for the Feast of the Visitation, after the Urtext of the New Bach Edition. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir, Oboe (2), Oboe d'amore, Oboe-dacc (2), Bassoon, Trumpet,...

Kantate zum 3. Pfingsttag (deutsch/englisch), nach dem Urtext der Neuen Bach-Ausgabe. Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Alt-Blockflöte in f,g (3), Trp.Str (2), Basso continuo

Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mi...

Psalm 137, "Super flumina Babylonis" or "By the rivers of Babylon", was an inspiration for many composers, including Camille Saint-Saëns. He repeatedly returned to his psalm motet for solo soprano, mi...

Tragédie Opéra (Drama héroique) in 3 acts. Paris version 1774 (French/German). Piano reduction after the Urtext of the Gluck Complete Edition. Soprano solo (2), tenor solo, mixed choir-ball, flute (2)...

Oratorio in 3 parts. Piano reduction (English/German) after the Urtext of the Hallische Händel-Ausgabe - Oratorio in three Parts. Vocal (english/german). Soprano solo, Alto solo (2), Tenor solo, Bass...