Urtext Edition
This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
This six-movement cantata BWV 164 was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 171...
- Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Violins, Viola and Continuo
- Choral Score (Urtext)
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The cantata 'O heilges Geist- und Wasserbad'' (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Tr...
The cantata 'O heilges Geist- und Wasserbad'' (O Holy spirit's solemn rite) BWV 165 is one of Bach's earliest cantata compositions and was presumably first performed in the Weimar Schlosskirche for Tr...
- Soloists (SATB), Mixed Choir (SATB), 2 Violins, Viola, Bassoon and Continuo
- Choral Score (Urtext)
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The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...
The cantata 'Ihr Menschen, rühmet Gottes Liebe' (You mortals, tell of God's devotion) BWV 167 is one of the first works which Bach wrote in his capacity as Kantor of St. Thomas's Leipzig. It was compo...
- Soloists (SATB), Mixed Choir (SATB), Oboe, Baroque Trumpet, 2 Violins, Viola and Continuo
- Choral Score (Urtext)
- Paul Horn
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For soli (SATB), choir (SATB) 2 oboes d'amore, 2 violins, viola and basso continuo. The text of Bach's cantata 'Tue Rechnung! Donnerwort' was published in 1715, that is during Bach's Weimar period, in...
For soli (SATB), choir (SATB) 2 oboes d'amore, 2 violins, viola and basso continuo. The text of Bach's cantata 'Tue Rechnung! Donnerwort' was published in 1715, that is during Bach's Weimar period, in...
- Mixed Choir
- Choral Score (Urtext)
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Bach's cantata 'My God alone this heart possesses' BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent res...
Bach's cantata 'My God alone this heart possesses' BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent res...
- Low Voice, Mixed Choir (SATB), 2 Oboes d'Amore, English Horn, 2 Violins, Viola, Organ and Continuo
- Choral Score (Urtext)
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The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
The cantata 'Ich liebe den Höchsten von ganzem Gemüte' (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, kn...
- Soloists (ATB) and Mixed Choir (SATB)
- Choral Score (Urtext)
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The cantata 'Ärgre dich, o Seele, nicht' (Fret thee not, thou mortal soul) BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both wer...
The cantata 'Ärgre dich, o Seele, nicht' (Fret thee not, thou mortal soul) BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both wer...
- Soloists (SATB), Mixed Choir (SATB), 2 Oboes, English Horn, Bassoon, 2 Violins, Viola and Continuo
- Choral Score (Urtext)
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The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...
The two-part cantata from Bach's third cycle of cantatas was performed for the first time on 4 August 1726 (the 7th Sunday after Trinity). The large-scale opening chorus for full forces to a text from...
- Soloists (SAB), Mixed Choir (SATB), 2 Oboes, 2 Violins, Viola and Continuo
- Choral Score (Urtext)
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The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...
The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...
- Soloists (SATB), Mixed Choir (SATB), 2 Oboes, English Horn, 2 Violins, Viola, Cello, Organ and Continuo
- Choral Score (Urtext)
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The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...
The cantata 'Nun danket alle Gott' (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poeti...
- Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Violins, Viola and Continuo
- Choral Score (Urtext)
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The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afiel...
- Mixed Choir (SATB)
- Choral Score (Urtext)
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'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...
'Gott ist unsre Zuversicht' BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a...
- Soloists (SAB), Mixed Choir (SATB), 2 Oboes, Bassoon, 3 Trumpets, Timpani, 2 Violins, Viola and Continuo
- Choral Score (Urtext)
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A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...
A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...
- Soloists (SSTB) and Mixed Choir (SSTB)
- Choral Score (Urtext)
- Andreas Gräsle
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Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
Every era hears and interprets Bach anew, and every era also evaluates the sources afresh and with new eyes. 40 years after the publication of the St. Matthew Passion in the New Bach Edition, Klaus Ho...
- Soloists, 2 Mixed Choirs (SATB), Choir (Unison) and Orchestra
- Choral Score (Urtext)
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The chorale cantata Straf mich nicht in deinem Zorn (O Lord, rebuke me not in thine anger), which was probably written in 1771, makes use of a poem by Johann Georg Albinus on the 6th Psalm. The seven...
The chorale cantata Straf mich nicht in deinem Zorn (O Lord, rebuke me not in thine anger), which was probably written in 1771, makes use of a poem by Johann Georg Albinus on the 6th Psalm. The seven...
- Soloists (STB), 2 Mixed Choirs (SATB) and Orchestra
- Choral Score (Urtext)
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The cantata Nun lasst uns Gott, den Herren (BuxWV 81) is based on a chorale text by Ludwig Helmbold of 1575. Buxtehude set the eight verses of the chorale, which Helmbold conceived as a song of thanks...
The cantata Nun lasst uns Gott, den Herren (BuxWV 81) is based on a chorale text by Ludwig Helmbold of 1575. Buxtehude set the eight verses of the chorale, which Helmbold conceived as a song of thanks...
- Mixed Choir (SATB), 2 Violins and Continuo
- Choral Score (Urtext)
- Daniel Ivo de Oliveira
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The Ascension Cantata 'Du Lebensfürst, Herr Jesu Christ' BuxWV 22 by Dieterich Buxtehude is based on five verses of the hymn of thanksgiving of the same name by Johann Rist (1641), and in formal terms...
The Ascension Cantata 'Du Lebensfürst, Herr Jesu Christ' BuxWV 22 by Dieterich Buxtehude is based on five verses of the hymn of thanksgiving of the same name by Johann Rist (1641), and in formal terms...
- Soloists (SATB), Mixed Choir (SATB), 2 Violins, Viola and Continuo
- Choral Score (Urtext)
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Bruckner’s Tantum ergo in B-flat major was performed on New Year’s Eve 1849 at St. Florian monastery, where the composer was employed as a teacher. This short work captivates with an expressive, beaut...
Bruckner’s Tantum ergo in B-flat major was performed on New Year’s Eve 1849 at St. Florian monastery, where the composer was employed as a teacher. This short work captivates with an expressive, beaut...
- Mixed Choir (SATB), 2 Trumpets, 2 Violins and Organ
- Choral Score (Urtext)
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Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...
Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bachs St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accuse...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Choral Score (Urtext)
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For this work carus music the choir app, is available. In addition to the vocal score and a recording, the app offers a coach which helps to learn the choral parts. Please find more information at www...
For this work carus music the choir app, is available. In addition to the vocal score and a recording, the app offers a coach which helps to learn the choral parts. Please find more information at www...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
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Mozarts Missa in C-Dur KV 317, unbegründeterweise Krönungsmesse genannt, zählt zu den beliebtesten und am meisten aufgeführten Werken ihrer Gattung. Das in vieler Hinsicht aufschlussreiche Autograph d...
Mozarts Missa in C-Dur KV 317, unbegründeterweise Krönungsmesse genannt, zählt zu den beliebtesten und am meisten aufgeführten Werken ihrer Gattung. Das in vieler Hinsicht aufschlussreiche Autograph d...
- Soloists and Mixed Choir (SATB)
- Choral Score (Urtext)
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For this work carus music the choir app, is available. In addition to the vocal score and a recording, the app offers a coach which helps to learn the choral parts. Please find more information at www...
For this work carus music the choir app, is available. In addition to the vocal score and a recording, the app offers a coach which helps to learn the choral parts. Please find more information at www...
- Soloists, Mixed Choir (SATB) and Chamber Orchestra
- Piano Reduction (Urtext)
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Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 4 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org Sprache: lateinisch - Beethovens Meisterwerk im Urtext - herausgegeben von Ernst Herttrich - inform...
Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, Cfg, 4 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org Sprache: lateinisch - Beethovens Meisterwerk im Urtext - herausgegeben von Ernst Herttrich - inform...
- Mixed Choir (SATB)
- Choral Score (Urtext)
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The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line re...
The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line re...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Howard Arman
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Joseph Haydns oratorio Die sieben letzten Worte unseres Erlösers am Kreuze is probably one of the most frequently performed settings of music for Good Friday. Haydn set these Seven Words in a dramatic...
Joseph Haydns oratorio Die sieben letzten Worte unseres Erlösers am Kreuze is probably one of the most frequently performed settings of music for Good Friday. Haydn set these Seven Words in a dramatic...
- Soloists (SSATB), Mixed Choir (SATB) and Orchestra
- Choral Score (Urtext)
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