Hellmut Federhofer

Gemischter Chor-SATB - Chorpartitur

Offertorium. Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. Gemischter Chor (2)-SATB+SATB, Posaune (3), Streicher, Orgel - Klavierauszug

The Offertorium de venerabili sacramento "Venite populi" à 2 Chori K. 260/248a, whose autograph score Mozart inscribed Salzburg 1767, clearly shows the composer's desire for in-depth contrapuntal work...

Gemischter Chor (2)-SATB+SATB - Chorpartitur

Piano reduction based on the Urtext of the New Mozart Edition. Mixed choir-SATB, strings, organ - piano reduction

Piano reduction based on the Urtext of the New Mozart Edition. Mixed choir-SATB, strings, organ - piano reduction

Motette. Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Streicher, Orgel - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Trompete (2), Streicher, Orgel - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

Mozart composed the offertory "Inter natos mulierum" K. 72 (74f) in the early summer of 1771. The work is characterized by the richly contrasting chorus as the carrier of the expression, to which the...

Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Streicher, Orgel - Partitur; Urtextausgabe

Mozart's "Misercordias Domini" K. 222 (205a) was commissioned by the Bavarian Elector, as can be seen from a letter from the composer to Fr. It must have been composed in Munich in the first two month...

The offertory in Festo Sti Benedicti "Scande coeli limina" K. 34, consisting of aria and chorus, is the oldest surviving smaller church music work by Mozart. According to Max Keller, the three-part ar...

The Marian motet "Alma Dei creatoris" K. 277 (272a) shows a close stylistic relationship to the motet "Sancta Maria, mater Dei" K. 273. Both motets are in the same key, borrow their three-part form fr...

In addition to masses, requiems and vespers, Mozart's larger works of church music include the four litanies, all of which were composed in Salzburg. After returning from his first trip to Italy (Dece...

The Offertorium de venerabili sacramento "Venite populi" à 2 Chori K. 260/248a, whose autograph score Mozart inscribed Salzburg 1767, clearly shows the composer's desire for in-depth contrapuntal work...

Instrumentale Spielpartitur

Instrumentale Spielpartitur

Urtext der Neuen Mozart-Ausgabe - Nur noch als Spielpartitur erhaeltlich - statt der Orgelstimme kann opt. ein Cello eingesetzt werden

Mozart's Veni Sancte Spiritus KV 47 was composed in Vienna in 1768. The two-part setting of the Pentecost sequence (Come, Holy Spirit) follows the text of the antiphon Ad invocandum Spiritum Sanctum a...

According to recent research, the offertory "Benedictus sit Deus" K. 117 (66a) is identical to the offertory K. 47b, which was believed to be lost. It was intended for the dedication of the orphanage...

Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Clarin-Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

The four-movement "Regina coeli" K. 108 (74d), composed in Salzburg in May 1771, is clearly modeled on Neapolitan church music in terms of expression and texture. The mostly homophonic chorus of the t...

The "Regina coeli" K. 127, composed in Salzburg in May 1772, largely corresponds in expression and formal structure to the first work of the same name, K. 108 (74d), on the same Marian antiphon. In co...

The "Regina coeli" KV 276 (321b ) was composed in Salzburg after the composer's return from Paris. The occasion, date and autograph are unknown. However, its relationship to the first movement of Vesp...