Bärenreiter Verlag Sheet Music

The overture to "Die Entführung aus dem Serail" concludes the series of seven great Mozart opera overtures published by Bärenreiter with the Urtext of the "New Mozart Edition". This edition contains n...

When death takes up the fiddle at midnight to summon the skeletons to an eerie, enchanting waltz: Camille Saint-Saëns’ “Danse macabre” Op. 40 stands as one of the most thrilling and captivating master...

Robert Schumann’s Concerto for Violoncello and Orchestra is the first major Romantic work of this genre not to have been composed by a cellist. Nevertheless, Schumann, who worked on this late composit...

Robert Schumann's Concerto for Violoncello and Orchestra is the first major Romantic work in this genre that was not composed by a cellist. Nevertheless, Schumann, who worked on this late composition...

The "Prélude à l'après-midi d'un faune" is often described as the first composition of modernism and is one of Debussy's most popular and most frequently performed orchestral works. The piece has surv...

Tragédie en cinq actes - Soli, Chor, Orchester - Partitur; Gesamtausgabe

Gesamtausgabe, Partitur (Leinen), Urtextausgabe

Rameau's only surviving opera based on a libretto by Voltaire has survived in two versions (1745 and 1746), whereby the 1745 version was long considered lost. Volume IV.12 of the series 'Opera omnia R...

'Pigmalion' was the first example of a one-act ballet, preceded by an overture, composed specifically for the Académie royale de musique. With this work, Rameau turned to the form of the petit opéra....

Pygmalion is the earliest one-act ballet, introduced by an overture, that was created for the Académie royale de musique. With this piece, Rameau turned to the form of the "petit opéra". From its firs...

“Les Boréades", edited by Sylvie Bouissou, the project leader of the Rameau Complete Edition and a central figure in international Rameau research, is a milestone – at last this exceptional work is ac...

The ballet “Les Fêtes d'Hébé” deals with the talents that are usually the subject of the Opéra and are placed at the service of love on stage: poetry and declamation (1st entrée, "La Poésie"), song an...

The ballet “Les Fêtes d'Hébé” deals with the talents that are usually the subject of the Opéra and are placed at the service of love on stage: poetry and declamation (1st entrée, "La Poésie"), song an...

The ballet "Les Fêtes d'Hébé" deals with those talents that are usually thematized at the Opéra and placed on stage in the service of love: poetry and declamation (1st entrée, "La Poésie"), the art of...

Les Fêtes d'Hébé or "Les Talents Lyriques" (1739) belong to the highly opulent ballet opera genre, which was only common in 18th century courtly France. Rameau's "Indes Galantes" (1735) is often consi...

Les Fêtes d'Hébé or "Les Talents Lyriques" (1739) belong to the highly opulent genre of ballet opera, which was only common in 18th century courtly France. Rameau's "Indes Galantes" (1735) is often re...

Zur Geburt des zweiten Sohnes der Thronfolger, Xavier Marie Joseph, Herzog von Aquitanien, organisierten die Königliche Familie ein großes Fest und beauftragte ihren Hofkomponisten Jean-Philippe Ramea...

For the birth of Xavier Marie Joseph in 1753, the second son of the Dauphin Louis de Bourbon and his wife Marie-Josephin, the royal family organized a grand celebration and commissioned their court co...

This edition unites all the purely instrumental parts of Rameau's comédie-ballet 'Les Paladins' for performance as a suite in the concert hall. In view of the wealth of the work's musical treasures an...

Orchestra - Critical report