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Karl Hoyer (1891-1936), a highly esteemed pupil of Max Reger and Thomaskantor Karl Straube, was a professor at the famous Leipzig Institute of Church Music. After his chorale preludes op. 57 were only...

Karl Hoyer (1891-1936), a highly esteemed pupil of Max Reger and Thomaskantor Karl Straube, was a professor at the famous Leipzig Institute of Church Music. After his chorale preludes op. 57 were only...

Karl Hoyer (1891-1936), a highly esteemed pupil of Max Reger and Thomaskantor Karl Straube, was a professor at the famous Leipzig Institute of Church Music. After his chorale preludes op. 57 were prev...

Karl Hoyer (1891-1936), a highly esteemed pupil of Max Reger and Thomaskantor Karl Straube, was a professor at the famous Leipzig Institute of Church Music. After his chorale preludes op. 57 were prev...

This volume, conceived by the well-known musicologist and concert organist Martin Weyer, contains technically easy to moderately difficult organ music "sub communione". The broad stylistic spectrum ra...

This collection presents relevant literature for the end of the church year, mainly from the 19th century, which can also be used for funeral services. This is a continuation of the successful series...

Sonntagsorgel is a three-volume, stylistically wide-ranging collection for part-time organists. It is suitable for use in church services as well as for teaching purposes. The first volume contains fe...

Sonntagsorgel is a three-volume, stylistically wide-ranging collection for part-time organists. It is suitable for use in church services as well as for teaching purposes. The first volume contains fe...

The first piece "Sicut ros Hermon" (like the dew of Hermon, Ps. 133) meditates on the flow of God's grace, whereby the initial, slowly descending harmonic sequences develop into an emphatic song, foll...

World premiere of the cycle I-IV on February 9, 2000 at WDR 3, concert series Forum Junger Komponisten: Teodoro Anzellotti (accordion) World premiere of the complete cycle i-V on March 4, 2000 in Hamb...

World premiere on May 6, 1984 in Bremen, "pro musica nova": Reinbert Evers

10 mittelschwere Stücke mit Erläuterungen

The new piano reduction of Mozart's Coronation Concerto K. 537 is based on the musical text of the New Mozart Edition and completes the performance material which has been available for many years (BA...

(Italian/English version): Rossini's Barber of Seville is certainly the composer's best-known work and one of the most frequently performed operas of all time. This piano reduction follows the highly...

In his late piano sonatas Hob. XVI:40-42 (1784) and Hob. XVI:48-52 (1788-1795), Haydn shows himself to be a highly distinguished composer, accomplished in form and expression. As the quintessence of h...

Satie's "Ogives" and "Gymnopédies" are milestones of musical modernism. The metrically free "Ogives" (pointed arches) reflect the influence of French neo-Gothic and neo-Gregorianism in architecture an...

With his parodistic piano pieces about all kinds of sea creatures - with the grotesque title "Dried-up Embryos" - composed in the summer of 1913, Satie once again poked fun at himself and the musical...

With his advanced incidental music from 1891/92, Satie explicitly turned against the French "Wagnérisme", but not in the sense of a parody. Composed on commission from the Rosicrucian and convinced Wa...

Debussy does not link his "12 Préludes" of the first volume by a tonal scheme, but by a chain of associative mottos or titles which he leaves at the end of each piece and which may give an indication...

Three years after the publication of the first volume, the second volume of Debussy's Préludes appeared in 1913, reflecting the impression of Stravinsky's music. In his new Urtext edition, musicologis...

I believe - without false vanity - that these three pieces will do well and take their place in the piano literature ... to the left of Schumann or to the right of Chopin ... as you like it, Debussy w...

I believe - without false vanity - that these three pieces will do well and take their place in the piano literature ... to the left of Schumann or to the right of Chopin ... as you like it, Debussy w...

It was unmistakably Liszt's piano work "Les jeux d'eau à la Villa d'Este" that inspired Ravel to write one of his most famous works in 1901. The piece is formally conceived as a sonata form, dominated...