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Handel's vesper psalm Nisi Dominus (Psalm 127), which is presented here in a new critical edition, was composed in Rome in 1707 for the feast of the Madonna del Monte Carmel. It is very much in the tr...
Handel's vesper psalm Nisi Dominus (Psalm 127), which is presented here in a new critical edition, was composed in Rome in 1707 for the feast of the Madonna del Monte Carmel. It is very much in the tr...
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Contains Part I of the oratorio Israel in Egypt is also one of Handel's most popular oratorios due to the predominant proportion of choruses and has had a firm place in the concert repertoire of many...
Contains Part I of the oratorio Israel in Egypt is also one of Handel's most popular oratorios due to the predominant proportion of choruses and has had a firm place in the concert repertoire of many...
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Great occasions call for great music! The "Dettinger Te Deum" is a splendid example of how Handel was able to set the tone for festive occasions in an unrivaled way. Handel expresses the sublime chara...
Great occasions call for great music! The "Dettinger Te Deum" is a splendid example of how Handel was able to set the tone for festive occasions in an unrivaled way. Handel expresses the sublime chara...
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Available on request. New edition with all performance material under 56.001/01.
Available on request. New edition with all performance material under 56.001/01.
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The genesis of the oratorio is an adventurous one: the nucleus of the three-part work were numbers from the middle section, "Flight into Egypt", which Berlioz composed on a whim in 1850 and subordinat...
The genesis of the oratorio is an adventurous one: the nucleus of the three-part work were numbers from the middle section, "Flight into Egypt", which Berlioz composed on a whim in 1850 and subordinat...
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Schubert probably composed the Latin "Stabat Mater" D175 without a direct commission between the 4th and 6th of April 1815. According to Pope Benedict XIII's instructions of 1727, it is intended as a...
Schubert probably composed the Latin "Stabat Mater" D175 without a direct commission between the 4th and 6th of April 1815. According to Pope Benedict XIII's instructions of 1727, it is intended as a...
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In contrast to the earlier smaller sacred works, whose style is partly borrowed from the Baroque and Classical periods, Schubert has forged his personal, Romantic-influenced sacred style in this opus....
In contrast to the earlier smaller sacred works, whose style is partly borrowed from the Baroque and Classical periods, Schubert has forged his personal, Romantic-influenced sacred style in this opus....
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With a performance duration of around 10 minutes, Schubert's Magnificat D 486 in C major is one of the more concentrated settings of the well-known Marian canticum text, which originally belonged to t...
With a performance duration of around 10 minutes, Schubert's Magnificat D 486 in C major is one of the more concentrated settings of the well-known Marian canticum text, which originally belonged to t...
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Dauer: 25 Minuten
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Johann Michael Haydn's masses are masterpieces of their genre and were extremely popular during his lifetime, as the large number of copies shows. This also applies to the Missa Sancti Dominici, which...
Johann Michael Haydn's masses are masterpieces of their genre and were extremely popular during his lifetime, as the large number of copies shows. This also applies to the Missa Sancti Dominici, which...
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The Gabrielsmesse, which was very popular in Michael Haydn's time, exists in two versions: the first and original version contains a very short Gloria and Credo. In the second version, the two mass mo...
The Gabrielsmesse, which was very popular in Michael Haydn's time, exists in two versions: the first and original version contains a very short Gloria and Credo. In the second version, the two mass mo...
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Louis Spohrs einzige Messe zählt zu den bedeutendsten Werken der nachklassischen Kirchenmusik. Spohr bringt in dieser A-cappella-Messe das damalige Interesse an den barocken Satztechniken und das Stre...
Louis Spohrs einzige Messe zählt zu den bedeutendsten Werken der nachklassischen Kirchenmusik. Spohr bringt in dieser A-cappella-Messe das damalige Interesse an den barocken Satztechniken und das Stre...
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Coro SATB, Org, (2 Tr, 2 Trb, Tb, Timp). Sprache: lateinisch Uraufführung am 29.5.2011 im Dom zu Brixen. Die festliche Messe für Chor, Orgel und Bläser kann auch flexibel kleiner besetzt werden. Die...
Coro SATB, Org, (2 Tr, 2 Trb, Tb, Timp). Sprache: lateinisch Uraufführung am 29.5.2011 im Dom zu Brixen. Die festliche Messe für Chor, Orgel und Bläser kann auch flexibel kleiner besetzt werden. Die...
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Graduale am Pfingstsonntag
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Coro SST, Org
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Coro SA(T)B, Org
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Set for SATB choir and with additional wind parts by Joseph von Eybler, addition of trombones by Ignaz Xaver Ritter von Seyfried, revised by Otto Nicolai (1843) Pergolesi's last major composition, the...
Set for SATB choir and with additional wind parts by Joseph von Eybler, addition of trombones by Ignaz Xaver Ritter von Seyfried, revised by Otto Nicolai (1843) Pergolesi's last major composition, the...
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- Ignaz Xaver Ritter von Seyfried Otto Nicolai
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- Voice
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- Klaus Brecht
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- 2 Voices (high), 2 Violins, Viola and Cello
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First version in c! / Bach reworked the cantata "Ich habe genung" several times for different instrumentations. There is a version in c for bass solo (BWV3 82.1) or mezzo-soprano solo (BWV3 82.3). The...
First version in c! / Bach reworked the cantata "Ich habe genung" several times for different instrumentations. There is a version in c for bass solo (BWV3 82.1) or mezzo-soprano solo (BWV3 82.3). The...
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Bach composed the cantata Vergnügte Ruh, beliebte Seelenlust for alto solo for the 6th Sunday after Trinity in 1728. It comes from his third Leipzig cantata cycle, in which he sought new expressive po...
Bach composed the cantata Vergnügte Ruh, beliebte Seelenlust for alto solo for the 6th Sunday after Trinity in 1728. It comes from his third Leipzig cantata cycle, in which he sought new expressive po...
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